New English translation of the classic work by Adolf Hitler (volume 2). First new translation since 1930s, in highly readable, modern American English. Includes section headings, bibliography, and index.

Mein Kampf (english Translation, Vol 2)

Adolf

Hilter

Clemens & Blair, LLC

New English translation of the classic work by Adolf Hitler. Now, for the first time ever, in dual English-German text. This is a complete and unedited translation of Volume Two of Mein Kampf, in modern and highly readable American English. This is the first such effort since the 1940s, and it far surpasses all existing versions. This edition includes section headings, helpful footnotes, bibliography, and useful index. Mein Kampf is the autobiography and articulated worldview of one of the most consequential leaders in world history. It is also one of the most maligned and least understood texts of the 20th century. A major problem in the Anglophone world has been the poor state of English translations. Both the Mannheim and Murphy editions are poor efforts, awkwardly phrased, and replete with archaic British wording; they are simply painful to read. The new Dalton translation is clear, lucid, and highly readable--and yet true to the original. And, unlike every other edition, this version has authentic section headings embedded in the text, which serve to both organize Hitler's ideas and to parse long sections of text into manageable units.  Dalton's translation will become the standard reference for this famous work.

Mein Kampf (vol. 2)

Adolf Hitler

New English translation of the classic work by Adolf Hitler. Now, for the first time ever, in dual English-German text. This is a complete and unedited translation of Volume One of Mein Kampf, in modern and highly readable American English. This is the first such effort since the 1940s, and it far surpasses all existing versions. This edition includes section headings, helpful footnotes, bibliography, and useful index.
Mein Kampf is the autobiography and articulated worldview of one of the most consequential leaders in world history. It is also one of the most maligned and least understood texts of the 20th century. A major problem in the Anglophone world has been the poor state of English translations. Both the Mannheim and Murphy editions are poor efforts, awkwardly phrased, and replete with archaic British wording; they are simply painful to read. The new Dalton translation is clear, lucid, and highly readable--and yet true to the original. And, unlike every other edition, this version has authentic section headings embedded in the text, which serve to both organize Hitler's ideas and to parse long sections of text into manageable units. 
Dalton's translation will become the standard reference for this famous work.

Mein Kampf (vol. 1)

For centuries, Jews have been accused of something called "blood libel" or "ritual murder" the killing of non-Jews, often children, to use their blood in bizarre religious ceremonies or to make food. As far back as 300 BC, writers have asserted that Jews sacrificed human beings in their religious practice, but it was not until the Middle Ages that such charges became the basis for civil action. Blood libel trials resulted in many Jewish deaths. Naturally, Jews have denied such charges. The Bible, they said, forbids killing and prohibits the use of blood. Anyone making such claims is merely whipping up anti-Semitism and inciting anti-Jewish action. Even today, the mainstream view is that all such charges are mere "anti-Semitic canards" comprising a most dangerous sort of Jew-hatred. Blood libel, say the Jews, has no basis in fact. But is that true? Until recently, few would have disagreed. But then in the early 2000s, a Jewish-Italian historian, Ariel Toaff, undertook extensive research into the matter. He concluded that not all blood libel cases could be automatically dismissed, and that certain sects of Ashkenazi Jews may well have manifested their hatred of Gentiles in a ritual use of non-Jewish blood. Blood libel, it seems, has a substantial factual basis. Passovers of Blood is certainly one of the most controversial books of the 21st century. If certain Jews did--and perhaps still do--harbor an intense hatred of Gentiles, and if they did--and perhaps still do--use human blood in certain religious rituals, then this has very ominous implications for present-day relations between Jews and non-Jews around the world.

Passovers of Blood

History

Toaff, Ariel

World

The Poisonous Mushroom: Der Giftpilz

Ernst Hiemer

Pan-Judah!: Political Cartoons of Der Stürmer, 1925-1945

Penman, Robert

Arts & Photography

History & Criticism

Beautiful. Disturbing. Enlightening. Beginning in the 1920s, a man named Julius Streicher published a small weekly German newspaper called Der Stürmer. Its mission was straightforward: to warn the German people about the threats posed by foreign and domestic Jews. The dangers were very real, and Streicher's stories gave a blunt and direct account of them. A key feature of Der Stürmer was its political cartoons. The cover of every issue, and several interior pages, displayed cartoons depicting various Jewish dangers, in a most striking and graphic form. The lead cartoonist was a man named 'Fips' Rupprecht. His cartoons became the signature feature of the newspaper, and grew to represent the broader German struggle against Jewry. With the demise of National Socialist Germany, Der Stürmer and Fips' cartoons were largely forgotten. Or rather, they were buried-the victorious nations certainly did not want old Nazi images floating around, raising difficult questions and making people think. Recently, though, a skilled digital artist named Robert Penman rediscovered the forgotten images. He carefully restored, colorized, and reissued them. Here, for the first time, he has compiled 200 of the best Fips images, as they have never been seen before. Penman has done a masterful job. The images are sharp, crisp, and compelling. The colors are stunningly vivid. The effect is truly astonishing. Fips' cartoons, originally printed on cheap newsprint, come alive for the first time. Every image is a small masterpiece, a true work of contemporary art. And one each tells a story-a story with relevance for the present day. Organized into six chapters chronologically, Fips' cartoons clearly demonstrate the progression of views over the period of 20 years, from before the Nazis assumed power until the very end of the war. They tell the story of Germany's rise and fall as nothing else can.

Beginning in the 1920s, a man named Julius Streicher published a small weekly German newspaper called Der Stürmer. Its mission was straightforward: to warn the German people about the threats posed by foreign and domestic Jews. The dangers were very real, and Streicher's stories gave a blunt and direct account of them.\nA key feature of Der Stürmer was its political cartoons. The cover of every issue, and several interior pages, displayed cartoons depicting various Jewish dangers, in a most striking and graphic form. The lead cartoonist was a man named 'Fips' Rupprecht. His cartoons became the signature feature of the newspaper, and grew to represent the broader German struggle against Jewry.\nWith the demise of National Socialist Germany, Der Stürmer and Fips' cartoons were largely forgotten. Or rather, they were buried-the victorious nations certainly did not want old Nazi images floating around, raising difficult questions and making people think.\nRecently, though, a skilled digital artist named Robert Penman rediscovered the forgotten images. He carefully restored, colorized, and reissued them. Here, in volume two of this series, Penman has produced another 200 of the best Fips images, as they have never been seen before.\nPenman has done a masterful job. The images are sharp, crisp, and compelling. The colors are stunningly vivid. The effect is truly astonishing. Fips' cartoons, originally printed on cheap newsprint, come alive for the first time. Every image is a small masterpiece, a true work of contemporary art. And one each tells a story-a story with relevance for the present day.\nVolume two is organized thematically, with 11 chapters covering such topics as "blood libel", "morality and immorality", "media and press", and "the USA". The book closes with chapters on assorted Fips images, the non-Fips work "A Good Frenchman", and various non-Stürmer cartoons. All in all, another fascinating and compelling collection of cartoons.

Pan-Judah!: Volume Two

Rupprecht, Philipp

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Books by Clemens & Blair, LLC

See the best price to sell, buy or rent books by the Clemens & Blair, LLC publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Mein Kampf (english Translation, Vol 2)

Mein Kampf (vol. 2)

Mein Kampf (vol. 1)

Passovers of Blood

The Poisonous Mushroom: Der Giftpilz

Pan-Judah!: Political Cartoons of Der Stürmer, 1925-1945

Mein Kampf (vol. 2)

Pan-Judah!: Political Cartoons of Der Stürmer, 1925-1945

Pan-Judah!: Political Cartoons of Der Stürmer, 1925-1945

Pan-Judah!: Volume Two