Made of found materials, Tony Feher's elegant site-specific installations mark both a divergence from and a confluence with a canonic minimalist aesthetic. Relying on transitory experience and observation, his works demand that the viewer make the effort to slow down, look, and savor the moment. This catalog documents Feher's recent dramatic installation at the Center for Curatorial Studies and locates it within the context of his artistic development.

Tony Feher

Arts & Photography

Weinberg, Adam D.

Lindell, John

Feher, Tony

Individual Artists

Cente for Curatorial Studies

Inspired by amateur flyers created by fans of indie rock bands, Dave Muller began producing watercolors based on the actual exhibition announcements of artists he admired. Acts of homage, they have never been mere copies. Muller transforms them, always retaining factual information, but subverting and reinterpreting it with wry humor. Simultaneously, Muller has been hosting his much beloved Three Day Weekends--"artist-run, nomadic projects" in which Muller invites artists he likes to exhibit in any space he can find, providing an opening party and refreshments and working collaboratively with each artist to choose pieces for the show. Originally held in his own studio, the TDW has moved around the world with Muller, with events in such cities as London, Tokyo, Athens, and San Francisco, in places as diverse as a freight elevator and a standard gallery. Although they take different forms, Muller's parallel art activities--his drawings and the TDW--are related in terms of the issues they raise: what Muller has referred to as "amorphous authorship," and the identity of artists and how their personas are presented by art world mechanisms and structures.

Dave Muller: Connections

Higgs, Matthew

Muller, Dave

Cruz, Amada

Composed of photographs taken between 1997 and 2003, Slater Bradley's don't let me disappear takes Holden Caulfield's admonition as its title in a compendium that is part travelogue and part personal photo album. In these color images, Bradley isolates the small events and intimate moments that punctuate daily life. Prefaced by a W.H. Auden poem that reminds us that suffering occurs "while someone else is eating or opening a window," this book is at once darkly romantic and emotionally evocative--and a reminder that the incidental is often the most meaningful.

Slater Bradley: don't let me disappear

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Books by Cente for Curatorial Studies