The monumental Mole Vanvitelliana in the harbor of the Adriatic City of Ancona is the spectacular setting for a most original Leonardo exhibition. For the first time Leonardo's presence at Urbino and Pesaro as an architect and general engineer in the service of Cesare Borgia in 1502 is presented in a historical and cultural context that includes every aspect of Leonardos art, science and technology, and also his philosophical outlook. The rarely seen materials, presented here in a fully illustrated catalogue, are also discussed in detail by seven scholars of international repute coordinated by the editor.

Leonardo Genius and Vision in the land of Marches (English and Italian Edition)

Arts & Photography

History & Criticism

CB Edizioni

In celebration of the fiftieth anniversary of the establishment of the European Community (1957-2007) a most spectacular Leonardo exhibition in the grand Koekelberg Basilica on the outskirts of Brussels (August 18, 2007-March 15, 2008) is having an unprecedented success on account of the skillful and most attractive presentation of every aspect of Leonardo's powerful mind as made evident by his work as an artist, scientist and technologist shown in its historical and cultural context through original documents, excellent reproductions of works of art, original paintings and drawings as well as an actual size photograph on silk of the monumental and celebrated early copy of Leonardo's Last Supper in the Tongerlo Abbey. The exhibition also includes original manuscripts and drawings by Leonardo, the foremost presence being that of the Codex on the Flight of Birds, the loan of which has been exceptionally granted by the Royal Library in Turin for the first time to a location outside Italy.

Leonardo the European Genius (English and French Edition)

One of the most fascinating aspects of the study of Leonardo today - and after all, it has always been so - is his work as an inventor. Carlo Starnazzi, renowned connoisseur of Leonardo, presents the models of some of the most interesting machines realized for the itinerant exhibition of the Michelangiolo Gallery of Via Cavour in Florence. For many years, the Gallery has had the widest display of Vincian technological conceptions in Italy and indeed the world. This volume is not only a guide to the exhibition - the text makes new contributions to the study of Leonardo and his time through careful and appropriate analysis. The machines are actually presented by following a subdivision that differentiates them in four great typologies beginning with the civil machines (for example the wagon with differential gear, the goldbeater, the press for oil, the automaton or robot, the bearing with spheres). The catalogue continues with the machines for water (Archimedes's screw, life jacket, mobile bridge), with those for the flight (glider, parachute, flapping wing) to arrive then to the military machines (as is the case of the 'circumfolgore', of the bombard, of the naval cannon or of the mowing wagon with scythes). Each entry presents the image of the project as devised and drawn by Leonardo da Vinci and the model built on the basis of the Vincian scheme.

Codices and Machines - English Language Edition

History

Europe

One of the most fascinating aspects of the study of Leonardo today - and after all, it has always been so - is his work as an inventor. Carlo Starnazzi, renowned connoisseur of Leonardo, presents the models of some of the most interesting machines realized for the itinerant exhibition of the Michelangiolo Gallery of Via Cavour in Florence.~ ~ For many years, the Gallery has had the widest display of Vincian technological conceptions in Italy and indeed the world. This volume is not only a guide to the exhibition - the text makes new contributions to the study of Leonardo and his time through careful and appropriate analysis.~ The machines are actually presented by following a subdivision that differentiates them in four great typologies beginning with the civil machines (for example the wagon with differential gear, the goldbeater, the press for oil, the automaton or robot, the bearing with spheres). The catalogue continues with the machines for water (Archimedes's screw, life jacket, mobile bridge), with those for the flight (glider, parachute, flapping wing) to arrive then to the military machines (as is the case of the 'circumfolgore', of the bombard, of the naval cannon or of the mowing wagon with scythes). Each entry presents the image of the project as devised and drawn by Leonardo da Vinci and the model built on the basis of the Vincian scheme. French Language.

Codices and Machines - French Language Edition (French Edition)

One of the most fascinating aspects of the study of Leonardo today - and after all, it has always been so - is his work as an inventor. Carlo Starnazzi, renowned connoisseur of Leonardo, presents the models of some of the most interesting machines realized for the itinerant exhibition of the Michelangiolo Gallery of Via Cavour in Florence. For many years, the Gallery has had the widest display of Vincian technological conceptions in Italy and indeed the world. This volume is not only a guide to the exhibition - the text makes new contributions to the study of Leonardo and his time through careful and appropriate analysis. The machines are actually presented by following a subdivision that differentiates them in four great typologies beginning with the civil machines (for example the wagon with differential gear, the goldbeater, the press for oil, the automaton or robot, the bearing with spheres). The catalogue continues with the machines for water (Archimedes's screw, life jacket, mobile bridge), with those for the flight (glider, parachute, flapping wing) to arrive then to the military machines (as is the case of the 'circumfolgore', of the bombard, of the naval cannon or of the mowing wagon with scythes). Each entry presents the image of the project as devised and drawn by Leonardo da Vinci and the model built on the basis of the Vincian scheme.

Codices and Machines - Spanish Language Edition (Spanish Edition)

The choice of the sheets of Windsor, with the addition of five sheets from other collections, is motivated by a chronological outline that offers a synthetic summary of the results achieved by Leonardo in almost thirty years of assiduous researches in the fields of anatomy and physiology. The selection emphasizes how these researches can be ascribed to the influence of anatomy teaching from the Middle Ages up to the time of Leonardo, particularly in Bologna and with protagonists that range from Mondinus to Zerbi and from Achillini to Berengarius. It is the first time that these scientific studies are considered, compiling a catalogue, with particular attention to the relationship that they have with the artistic theories of Leonardo.

The Temple of the Soul

Leonardo's Angel in the Flesh went on display for the first time in the great exhibition on Leonardo's Bridges organised by Sweden in order to celebrate its entrance into the European Community in 1993 and 1994. It received much attention by the media, making numerous newspaper headlines. And since it was all too easy to recognize the appearance of the demoniacal Salai - the handsome boy, object of Leonardo's presumed homosexual attentions - in this singular blasphemous image in the nude, the Swedish exhibition was to include another novelty, the counterpart of the same character in the painting of a Dressed-up Salai in the Alos Foundation.

The Angel in the Flesh (English and Italian Edition)

Leonardo's anatomical studies actually set themselves as an ideal meeting point between artistic and scientific interests because the study of the functioning of the body was essential for artistic practice in order to achieve the correct representation of the human figure. For Leonardo, the artistic practice was determined by an inexhaustible desire for knowledge that led him to study the human body through the Vitruvian proportions and through dissection, carried out by the artist with special care over the middle years of the first decade of the sixteenth century. Drawing becomes essential to understand and reproduce the structure of the male and female body, a "wonderful machine" perfectly thought out. The organs are devices and the body is a machine: Man then becomes a further testing ground for mechanical science.

Leonardo and Anatomy (Leonardo Collection)

Giorgio Vasari, Leonardo's first biographer, said that the artist used to sketch "many designs for architecture". In fact, in the so-called "letter of employment" written to Ludovico il Moro in 1482, Leonardo presented himself as a military engineer, able to satisfy the demands of the Duke of Milan in peace and in war, declaring that he "can give perfect satisfaction and to the equal of any other in architecture and the composition of buildings public and private". And then he speaks of his ability in hydraulic engineering for conducting water "from one level to another". Leonardo studied in depth several ancient texts but also the treatises of his own time: in particular the treatise of military and civil architecture by the Sienese engineer and architect Francesco di Giorgio Martini, a text that contains projects for fortifications with bastions, able to offer resistance to the artillery fire. This could explain Leonardo's fascination with fortifications, his involvement in the project to realize the tiburio for the Milan cathedral. He made a great many architectural projects for gardens and elegant buildings, testing out innovative solutions, such as the internal stairs. This allows us to better understand his excellent competence in architecture and why he attempted to plan the "ideal city", conceived as being organized on two different levels, one for pedestrians and the other suitable for vehicle transportation. He also projected also religious buildings, studying different solutions for the centralized plan based on complex systems of architectural symmetries.

Leonardo and Architecture (Leonardo Collection)

The term "engineering" comes from the Latin word "ingenium" that means talent, gift. Thus, according to this definition, the engineer was an intelligent, practical man, able to solve problems. Who better than Leonardo could fit this description perfectly? Leonardo studied in depth ancient texts and the treatises written by the most innovative Florentine and Sienese engineers of that time. Among them, one of the most important was Brunelleschi who was considered the repository of Renaissance knowledge. In the letter of employment written to Ludovico il Moro in 1482, Leonardo presented himself as an architect and as a skilled military and hydraulic engineer, adding only at the end his ability in sculpture and painting. Leonardo diffused these innovations, improving them thanks to his genius. The artist studied engineering in more than thousand folios, now kept in the Codex Atlanticus and in the first of the Madrid manuscripts.

Leonardo and Engineering (Leonardo Collection)

Taglialagamba, Sara

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