The story of young Henry, who struggles to fulfill his ambitions to become a successful painter and is torn between the gentle Anna and the proud and sensual Judith, is one of the most outstanding and personal Bildngsromane written in the German language. Written between 1846 and 1855, Keller's poetic, semi-autobiographical novel draws on the author's own youth, artistic studies and development as a man, as well as providing a comprehensive portrait of his country and his times 'Green Henry' is one of the most important novels in European literature, and undoubtedly the greatest masterpiece of fiction by a Swiss writer.

Green Henry

Literature & Fiction

KELLER, Gottfried

World Literature

Calder Publications

This collection of Scottish short stories has been chosen to give as wide as possible a picture of Scottish fiction of the nineteenth century. Authors such as Walter Scott, James Hogg, John Galt, Margaret Oliphant and Robert Louis Stevenson are widely known as major figures outside Scotland, and this collection – which also includes stories from lesser-known authors such as W.E. Aytoun, James Grant, George McDonald, William Black and William Alexander – places them within the context and tradition of Scottish literature.The volume has been compiled and annotated by Douglas Gifford (former senior lecturer in English studies at the University of Strathclyde) for use in schools and universities as well as for general reading.

Scottish Short Stories, 1800-1900: (Calder Collection)

Short Stories & Anthologies

Music, society, education: A radical examination of the prophetic function of music in Western, Eastern and African cultures with its impact on society and its use in education (Platform books)

Arts & Photography

Christopher Small

Music

Artaud

Martin Esslin

The General Strike of 1926: The economic, political, and social causes of that class war (Historical perspectives)

R.A. Florey

The author of over 30 plays, including "The Castle", "Scenes from an Execution" and "The Possibilities", Howard Baker does not accept the theatrical conventions of what he terms "The Establishment Theatre". These fragments, essays, poems and thoughts on the nature of theatre likewise reject the constraints of "objective" academic theatre criticism. Rather, they explore the collision and collusion of intellect and artistry in the creative act. This new edition features a new introduction by Amanda Price and over twice as many essays.

Arguments for a Theatre

Howard Barker

Performing Arts

Death on Credit

Louis-Ferdinand Céline

The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years. Today his pre-eminence as a founder of modern theatrical style is rivalled only by Brecht, with whom he has much in common. The man and his work, as Martin Esslin persuasively argues in this perceptive study, are inseparable and must be considered together. Genius or madman, everything about Artaud is fascinating – his extraordinary life, his passions, his wide-ranging interests, the brilliance and originality that he brought to his plays, his productions and his other writings. Artaud died in 1948 at the age of fifty-two, but accomplished a revolution in his short life that is still bearing fruit today. This compact, carefully researched study is an invaluable guide, combining readability with a sympathetic and authoritative study of its subject.

Antonin Artaud: The Man and His Work

Biographies & Memoirs

Esslin, Martin

Arts & Literature

“A work of genius in a brilliant translation by Barbara Wrightâ¦.Endlessly fascinating and very funny.” âPhilip PullmanThe plot of Exercises in Style is simple: a man gets into an argument with another passenger on a bus. However, this anecdote is told 99 more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

Exercises In Style

Reference

Raymond Queneau

Dictionaries & Thesauruses

Increasingly Samuel Beckett’s writing is seen as the culmination of the great literature of the twentieth century – succeeding the work of Proust, Joyce and Kafka. Beckett is a writer whose relevance to his time and use of poetic imagery can be compared to Shakespeare’s in the late Renaissance. John Calder has examined the work of Beckett principally for what it has to say about our time in terms of philosophy, theology and ethics, and he points to aspects of his subject’s thinking that others have ignored or preferred not to see. Samuel Beckett’s acute mind pulled apart with courage and much humour the basic assumptions and beliefs by which most people live. His satire can be biting and his wit devastating. He found no escape from human tragedy in the comforts we build to shield ourselves from reality – even in art, which for most intellectuals has replaced religion. However, he did develop a moral message – one which is in direct contradiction to the values of ambition, success, acquisition and security which is normally held up for admiration, and he looks at the greed, God-worship, and cruelty to others which we increasingly take for granted, in a way that is both unconventional and revolutionary. If this study shocks many readers it is because the honesty, the integrity and the depth of Beckett’s thinking – expressed through his novels, plays and poetry, but also through his other writings and correspondence – is itself shocking, to conventional thinking. Yet what he has to say is also comforting. He offers a different ethic and prescription for living – a message based on stoic courage, compassion and an ability to understand and forgive.

The Philosophy of Samuel Beckett

Calder, John

Humor & Entertainment

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