Saint Petersburg is, as we all agree, one of the most beautiful cities of Europe; but because of its chequered twentieth century history, it is still one of the least well known. For most of us Saint Petersburg is no more than an acquaintance. We are rill getting to know it and for such a a purpose we need all the help we can lay our hands on.You now hold in your hands the first guide book exclusively devoted to the lesser known museums in the city. It will tell you what they are, where they are, when they are open and what you can expect to find in them. It will open a new world, a Saint Petersburg that lies behind the great palaces and churches; that has seen much, experienced much and suffered much; and that is prepared to reveal its secrets to anyone who takes the trouble to investigate and inquire.

Saint Petersburg: Museums, Palaces, and Historic Collections

Arts & Photography

Cathy Giangrande

History & Criticism

Bunker Hill Publishing Inc

The story of the dodo is a classic of evolution and extinction equal in fascination to that of the dinosaur or the saber-toothed tiger. Unlike these, however, the dodo was the first recorded example of an extinction that was, in all probability, entirely caused by humans. Humankind coexisted with the dodo between 1598 and 1681 and then the dodo was gone, hunted to extinction, unable to escape the new predators that arrived in ships on the isolated island later known as Mauritius. The giant pigeon, for this was what the dodo was, evolved from ancestors that had populated the island millions of years before in the Pleistocene period, when Mauritius was far adrift of where it lies today. The pigeons colonized an island paradise abundant with food, free of any terrestrial mammalian predators. Over millions of years they lost their instinct for danger. They also lost the ability to fly, and grew bulky with sturdy running legs. For the 17th-century sailors who arrived and settled on the island, they were easy to kill and as tasty as the turtles the sailors also caught and ate. The sailors introduced domestic animals and rat as well, competitors for the dodos' habitat. So much about the dodo is unknown and will never be known, and yet, the dodo engenders much speculation. The Dodo: Extinction in Paradise explores the science and the mythology, the history, archaeology, and legend, as well as the dodo's place in art and literature.

The Dodo: Extinction in Paradise (3) (Lost Worlds)

Science & Math

FULLER, Errol

Biological Sciences

Garefowls, Penguins of the North, Riesenalks, Apponaths, Great Auks - all of these were names for a sea bird whose extinction was entirely the work of humankind. The birds' existence ended on the morning of the third day of June 1844, when the last two recorded great auks were killed by three fishermen on the island of Eldey. a few miles south of Iceland in the North Atlantic Ocean. For thousands of years, until not so long before that fateful day, great auks swam the Atlantic in their millions and flocked to their breeding grounds from Newfoundland in the west, to Iceland and the Outer Hebrides in the east. Whole colonies at a time were hunted to death for their meat, feathers, and fat by sailors and fishermen from Europe and the Americas. Since the total vanishing of the species, the great auk has become an icon of extinction, alongside the dodo, the passenger pigeon, and the moa. More highly prized as a trophy than any other extinct bird, all its attributes - from its eggs to the oral history of its demise - were until fairly recently, voraciously collected. Its protean appearance in almost every artistic and visual form, from cigarette boxes to bronze and marble statues, has immortalised one of the most tragic man-made extinctions. The Great Auk: The Extinction of the Original Penguin tells this tale of destruction and of what we, as a species, do to the world around us. Errol Fuller is a world-renowned authority on extinct birds and the author of many books concerned with extinction and conservation,

The Great Auk: The Extinctionof the Original Penguin (3) (Lost Worlds)

The North Atlantic right whale (Eubalaena glacialis) is the most endangered large whale in the oceans today. Fewer than 350 are left in their breeding and feeding grounds, which extend from Nova Scotia to the Gulf of Mexico. Survivors of hundreds of years of commercial exploitation, the right whales we see in the ocean today are barometers for the plight of whales in the 21st century. For over 900 years, beginning about a.d. 1000, whalers from Europe and the Americas hunted North Atlantic right whales almost out of existence. By 1935, when they were at last given international protection as an endangered species, some scientists suspected that there were fewer than 100 right whales left in the North Atlantic Ocean. Most thought the right whale was doomed to extinction. Disappearing Giants: The North Atlantic Right Whale describes and illustrates an ongoing story of science and rediscovery, of survival and protection, and of research, without which we cannot hope to protect the right whale's habitat along 1,400 miles of the east coast of North America, from Nova Scotia to Florida. Disappearing Giants: The North Atlantic Right Whale also describes in great detail the history and current status of the species, from the reason for its name, to the way each individual can be recognized, the species' feeding and breeding habits, migration, and life in the wilderness of the Atlantic Ocean. Scott Kraus is the director of research and Kenneth Mallory is the editor-in-chief of the publishing program at the New England Aquarium. Between them they have published books and numerous scientific papers as well as children's books, one of which they wrote together, Search for the Right Whale, published in 1992.

Diappearing Giants: The North Atlantic Right Whale (Natural World)

Mallory, Kenneth

Kraus, Scott

The war correspondent trails clouds of glory. The names of the pioneers of the trade are stardust: Ernest Hemingway, Alexander Dumas, Henry Villard, Winston Churchill, Stephen Crane, John Reed, Arthur Conan Doyle, Rudyard Kipling, Richard Harding Davis, John Dos Passos, John Steinbeck, Jack London, George Orwell, Philip Gibbs, Luigi Barzini. The names from World War II, Korea, and Vietnam, the Gulf War, and Kosovo are likewise as redolent of adventure and derring-do, with photojournalists and radio and televisioncommentators crowding the pantheon. They are the eyes of history. War Stories: Reporting in the Time of Conflict from The Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War in 2003. War Stories: Reporting in the Time of Conflict From the Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War. Through the notebooks, photographs, headlines, wires, telegrams, and satellite uplinks and direct interviews, Harold Evans describes the personal and professional challenges of these uniquely dedicated men and women as they attempted and succeeded, sometimes at the cost of their own lives, in retelling the most immediate stories of war. Harold Evans is an internationally acclaimed editor, author, and publisher. He was the editor of the Sunday Times and The Times of London. He was subsequently president and publisher of Random House and the editorial director for the publishers of US News &amp; World Report, The Daily News, and The Atlantic. He is the author of The American Century. He guest curated the Newseum exhibition that inspired this book. Harold Evans is the author of two critically acclaimed best-selling histories of America: The American Century and They Made America: From the Steam Engine to the Search Engine: Two Centuries of Innovators. This book was the basis for a four-part documentary of the same title on PBS, which he wrote. It is also being adapted into a college curriculum. His latest book is My Paper Chase: True Stories of Vanished Times, a memoir covering his early life, his years in Britain's newspaper business and his move to America. He is editor at large of The Week magazine, and moderates The Week's panel discussions with political and economic leaders. Evans graduated M.A. from Durham University and held a Harkness Fellowship at the Universities of Chicago and Stanford. In London, he was the editor of The Sunday Times from 1967 to 1981, and editor of The Times from 1981 to 1982. His account of these years was published in his best-selling book Good Times, Bad Times. He was regular presenter on the TV series What the Papers Say. Evans moved to America in 1984. He was the founding editor of Conde Nast Traveler magazine and President and Publisher of Random House Trade Group (1990-1997) From 1997-1999 he was Editorial Director and Vice Chairman of U.S. News &amp; World Report, the New York Daily News, The Atlantic Monthly and Fast Company, a position from which he resigned in January 2000 to write full time. (Evans remains a Contributing Editor at U.S. News &amp; World Report.) Among many recognitions, Evans was awarded the European Gold Medal by the Institute of Journalists. This followed his successful Sunday Times investigation and campaign on behalf of children injured by the pharmaceutical thalidomide. In 1999, he received the Lifetime Achievement Award from the UK Press Award Committee, its highest accolade. In 2000, Evans was honored as one of 50 World Press Heroes on the 50th anniversary of the founding of the International Press Institute in defense of press freedom; for the IPI's 60th anniversary, he will deliver the keynote address at their 2010 conference in Vienna. In 2001, British journalists voted him the greatest all time British newspaper editor, and in 2004 he was honored with a knighthood in the Queen's 2004 New Year's Honors list.

War Stories: Reporting in the Time of Conflict From the Crimea to Iraq

History

Harold Evans

Military

Explore the Mona Lisa's smile, Titian's noises, Duccio's artistic omelet, a Jackson Pollock splash, a king's portrait, an entire battle, saints and sinners, knights and peasants, motorcars and animals; and paintings on every conceivable surface -- walls, wood panels, cloth, glass, metal, bark, and leather. Follow Mickey and his friends through this most magical of worlds as they show us how to look at, understand, and enjoy the works of the greatest artist. This unique introduction to the techniques and history of painting takes the young reader through more than 15,000 years of art, from cave painters to Picasso. The result of a collaboration between one of the most important art museums in the world,?London's National Gallery, and the best Disney graphic artists,?Looking at Paintings?is a family reference book to be treasured by children from 8 to 88 years old. This light hearted yet utterly serious celebration of our universal heritage has more than 400 color illustrations, including 24 pages of comic histories and over 200 illustrations of paintings and details, providing the most approachable introduction to the history of painting ever written. DisneyHand, worldwide outreach for The Walt Disney Company, and Disney Publishing Worldwide are delighted to provide a web based?Teacher's Resource Guide for Looking at Paintings?with classroom activity and project suggestions for students in grades 2-4 and grades 5-6 that correspond with?Looking at Paintings.

Disney- Looking at Paintings: An Introduction to Art for Young People

Langmuir, Erika

Thompson, Ruth

The mammoth, with its shaggy coat, enormous tusks, and ponderous presence, is one of the great icons of extinction. It is also one of the few prehistoric creatures that is known not only from a few scattered fossilized bones, but from specimens that have been preserved perfectly, with skin, flesh and hair. Complete mammoths lie frozen in the icy wastes of Siberia, and from time to time one is exposed as the temperature or conditions change. So while there is doubt about when most prehistoric animals first appeared on earth, we know precisely when and where the mammoth lived. Not only are there excellent specimens, we also have pictures of mammoths painted by people who actually saw them alive - our ancestors who, thousands of years ago, decorated the walls of caves with the animal's image. Today, this artistic tradition continues and many modern painters have chosen to create pictures showing the mammoth as it appeared in life. Its lumbering form is often shown crossing great ice fields or snowbound plateaus. The Mammoth is one of the great icons of prehistory. The name conjures up an immediate picture of a huge, shaggy, reddish, elephant-like creature trudging across a vast icy waste, its enormous curved tusks reflecting in their whiteness the snows lying all around. The word mammoth is now so familiar that it has come to mean not just an extinct elephant but anything that is immense, formidably large or outsized. The mammoth has entered popular culture in a way that few animals have. And, curiously, we know more about them than we do about most prehistoric beasts. The majority of these are identified only from fossil bones, yet modern man has found whole frozen mammoths, completely preserved for centuries, in the ice of Siberia. We also have cave paintings, drawn by our ancestors, which show us exactly what mammoths looked like in life. These are among the earliest images produced by the hand of man. Yet the mammoth remains mysteriously elusive. The idea of an elephant living in arctic conditions seems to us a strange one. After all, today's elephants are essentially creatures of the tropics. Why did they die out, perhaps as recently as four or five thousand years ago--just as man was beginning his rise to true civilization? This book tells the story of the mammoth and its interaction with man--both in prehistory and today. Errol Fuller is the author of The Great Auk: The Extinction of the Original Penguin, and The Dodo: Extinction in Paradise.

Mammoths: Giants of the Ice Age (3) (Lost Worlds)

Amazing Jellies presents an entertaining and authoritative look into the little-known world of what we commonly, but incorrectly, have known as jellyfish. Jellies are among the most beautiful and unusual animals on earth. They are found in all the oceans of the world and even in some freshwater lakes and rivers. They come in all sizes, from 3mm to 12 feet across and 100 feet long. They are 95 percent water, with a little bit of protein, oil, and salt. Jellies have lived on the earth for millions of years, and their fossils have been found in rocks 650 million years old. They have no brain, no liver, no kidneys, no heart, no lungs, or gills. They do not need blood, have no eyes, nose or tongue. They can be lethal and are nearly always beautiful.

Amazing Jellies: Jewels of the Sea

Gowell, Elizabeth

The only surviving of the seven ancient wonders of the world, the Pyramids and Sphinx are the most familiar of all archaeological sites. Despite their popularity, there are no books that focus on the Giza plateau and its monuments and how they evolved. This comprehensive book incorporates all of the latest information on the excavations and interpretations of the Sphinx and the Pyramid and puts them in geological, historical and social context. The monuments are fully described along with detailed discussions of how they were contracted and why. Some of the lesser well-known, but equally interesting, monuments and private tombs at the site are also illustrated, many for the first time in an archaeological guide. Chapters include: The Giza Plateau, Early Travelers, The Archaeology of Giza, The Great Pyramid, The Khufu Boat, The Second Pyramid and the Sphinx, Mastaba Field (East and West) and The Isis temple. This lavishly illustrated and well-documented book with be an invaluable resource to anyone traveling to or interested in Egypt. Peter Lacovara received his Ph.D. in Egyptian Archaeology from the University of Chicago and is currently Curator of Ancient Art at the Michael C. Carlos Museum of Emory University in Atlanta, GA. Before that he was Assistant Curator in the Department of Ancient Egyptian, Nubian and Near Eastern Art at the Museum of Fine Arts, Boston. He has participated in many excavations n Egypt, including several seasons at Giza, as well as at Abydos, Hierakonpolis, the Valley of the Kings, Deir el-Ballas and Gebel Silsileh.

The Pyramids The Sphinx: Tombs and Temples of Giza (Archaeology)

Lacovara, Peter

Mary McFadden draws her inspiration almost entirely from the artistry of ancient civilizations. She is one of the most exotic, unconventional designers in the United States today. A design archaeologist at heart, McFadden celebrates Asian, African, Middle Eastern, and ancient Greek cultures and incorporates their ideas and expressions into her couture designs. McFadden's luxurious, uninhibited creations showcase gleaming royal colors, rich fabrics, and detailed embroidery. The art of ancient civilizations is literally woven into her fabrics. McFadden's designs convey her deep interest in distant cultures and times. In contrast to many of her colleagues, who plunder other periods for their forms with only a cursory understanding of their meanings, McFadden reflects in her designs an archeologist's fascination with the cultures and narratives expressed through art. Harold Koda, curator of Goddess : The Classical Mode, Metropolitan Museum of Art My goal has been to give an art form to dressing by virtue of creating some of the most beautiful hand-painted fabrics and developing new areas in pleating and quilting that have not been done before on Seventh Avenue. --Mary McFadden This first complete portrait of the artist behind the legendary dresses is published to coincide with the first museum retrospective of designs by this American fashion icon. Mary McFadden is a fashion designer based in New York. She launched her first collection there in 1973 and won a Coty Award in 1976, entering the Coty Hall of Fame in 1979. Since then she has received many honors and has served as President of the Council of Fashion Designers of America. McFadden's collections have been shown on runways in New York, Paris, Rome, Milan, and Tokyo. Ruta Saliklis, is the Kate Fowler Merle-Smith Curator of Textiles at the Allentown Art Museum in Allentown, Pennsylvania. Ruta Saliklis acquired her M.F.A. in Museum Studies from Syracuse University and a Ph.D. in Textile History from the University of Wisconsin at Madison. Prior to her present postition, Saliklis was curator of the Northampton County Museum in Easton, Pennsylvania, and she was a visiting scholar at the museums of the Historic Bethlehem Partnership. She is a part-time visiting professor at Lafayette College in Easton, where she has taught courses on dress, gender, and American material culture. Her research has led her to work at the Helen Louise Allen Textile Collection and to Middleton, Wisconsin-based Pleasant Company, maker of the American Girl dolls.

Mary McFadden: High Priestess of High fashion

McFadden, Mary

Saliklis, Ruta

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