The six essays collected in this volume are a selection from a number of papers which were given at a one-day colloquium on 'Art, Literature and the Spanish Civil War' which was held in Westfield College on 18 July 1986, precisely fifty years to the day after Franco's military coup in the Canary Islands, which was destined to have such a decisive effect on the course of Spanish history. Though this date subsequently became a Francoist celebration - the so-called 'Dia del Alzamiento' (Day of the Uprising) - the papers collected here do not demonstrate a Francoist bias. The overall approach is intertextual and interdisciplinary, thereby stressing the international nature of the artistic response to the war. For the benefit of the English reader, all foreign quotations are followed by an English translation.

No Pasarán: Art, Literature and the Civil War (Monografías A, 136)

Literature & Fiction

History & Criticism

BOYE6

Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.

The Performance of the Basso Continuo in Italian Baroque Music (Studies in Musicology)

Arts & Photography

Tharald Borgir

Music

Supported by a wealth of information --- often novel and fascinating --- which the author has collected from a great variety of sources. Admirable industry, sound judgement, and excellent style have produced a book that ought to be in the hands of every conductor. --- Max Rudolf Journal of the Conductors' Guild An essential book for anyone trying to give responsible performances of 19th-century music. --- Early Music News

Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating (Studies in Musicology, 85)

Koury, Daniel J.

Weimar Germany -- the age of Bauhaus and Brecht -- was a time of significant activity in all areas of the artistic avant-garde. Musicologist Susan Cook explores this intriguing period in a look at I&gt;Zeitoper (topical opera) and its primary exponents, Ernst Krenek, Kurt Weill and Paul Hindemith. Zeitoper has proved to be of importance as an experimental form that broadened the definition of modern opera and musical theatre, incorporating elements previously thought unsuitable. Celebrating modern life in its libretti, its scores borrowed heavily from American dance music and jazz. Opera for a New Republic is the first book to provide a broad historical, cultural and artistic context for the development of this operatic genre. Through it we learn that Zeitoper, although short-lived, has proved to be a vital component in the development of twentieth-century operatic style. Susan Cook is Professor of Musicology at the University of Wisconsin.

Opera for a New Republic: The Zeitopern of Krenek, Weill, and Hindemith (Studies in Musicology, 96)

Cook, Susan C

Art and Power Renaissance Festivals 1450-1650

A work of great learning and skilful synthesis, beautifully illustrated. SUNDAY TIMES The spectacular festivals mounted by the princes of the Renaissance were both a marriage of the arts and a complex and subtle expression of political theory. From the Renaissance festivals ballet, opera and even the proscenium arch theatre are derived. Festivals are therefore a vital part of European cultural history. Here Roy Strong provides a guide to their origins and purpose, and their lasting influence.

Art and Power: Renaissance Festivals 1450-1650

STRONG, Roy

`Superb general account.' Times Literary Supplement The story of the history of Western astrology begins with the philosophers of Greece in the 5th century BC. To the magic and stargazing of Egypt the Greeks added numerology, geometryand rational thought. The philosophy of Plato and later of the Stoics made astrology respectable, and by the time Ptolemy wrote his textbook the Tetrabiblos, in the second century AD, the main lines of astrological practice as it is known today had already been laid down. In future centuries astrology shifted to Islam only to return to the West in medieval times where it flourished until the shift of ideas during the Renaissance.

A History of Western Astrology

Tester, S.J.

`A scholarly feast... a milestone in the history and historiography of medieval England. Its essays are without exception authoritative and well-written and it indicates not only the progress made in Domesday studies in the last hundred years but also the continuing significance of the pioneer work of the great Domesday scholars such as Maitland and Galbraith.' PROGRESS IN HUMAN GEOGRAPHY `An enduring contribution to historical scholarship.' AMERICAN HISTORICAL REVIEW name studies, palaeography and topography.

Domesday Studies: Papers read at the Novocentenary Conference of the Royal Historical Societry and the Institute of British Geographers, Winchester, 1986

Business & Money

Economics

The influence of war on late Anglo-Saxon and Anglo-Norman society was dominant and all-pervasive. Here in this book, gathered together for the first time, are fundamental articles on warfare in England and Normandy in the 11th and 12th centuries, combining the work of some of the foremost scholars in the field. Redressing the tendency to study military institutions and obligations in isolation from the practice of war, equal emphasis is given both to organisation and composition of forces, and to strategy, tactics and conduct of war. The result is not only an in-depth analysis of the nature of war itself, but a study of warfare in a broader social, political and cultural context. The Themes dealt with largely span the period of the Conquest, offering an assessment of the extent to which the Norman invasion marked radical change or a degree of continuity in the composition of armies and in methods of fighting. This important collection, with an introduction and select bibliography, will be is essential not simply for the student of medieval warfare, but for all studying Anglo-Norman society and its ruling warrior aristocracy whose raison d'être was war. Contributors: NICHOLAS HOOPER, MARJORIE CHIBNALL, J.C. HOLT, J.O. PRESTWICH, R. ALLEN BROWN, JOHN GILLINGHAM, JIM BRADBURY, MATTHEW STRICKLAND, MATTHEW BENNETT.

Anglo-Norman Warfare: Studies in Late Anglo-Saxon and Anglo-Norman Military Organisation and Warfare

`His work demonstrates the importance of these neglected sources for our understanding of the late Old English church.' HISTORYAn important book of immense erudition. It brings into the open some major issues of Late Anglo-Saxon history, and gives a thorough overview of the detailed source material. When such outstanding learning is being used, through intuitive perception, to bear on the wider issues such as popular devotion and the reception of the monastic reform in England, and bold conclusions are bing drawn from such minutely detailed studies, there is no doubt that David Dumville's contribution in this area of study becomes invaluable. The sources for the liturgy of late Anglo-Saxon England have a distinctive shape. Very substantial survival has given us the possibility of understanding change and perceiving significant continuity, as well as identifying local preferences and peculiarities. One major category of evidence is provided by a corpus of more than twenty kalendars: some of these (and particularly those which have been associated with Glastonbury Abbey) are subjected to close examination here, the process contributing both negatively and positively to the history of ecclesiastical renewal in the 10th century. Another significant body of manuscripts comprises books for episcopal use, especially pontificals: these are examined here as a group, and their associations with specific prelates and churches considered. All these investigations tend to suggest the centrality of the church of Canterbury in the surviving testimony and presumptively therefore in the history of late Anglo-Saxon christianity. Historians' study of English liturgy in this period has heretofore concentrated on the development of coronation-rites: by pursuing palaeographical and textual enquiries, the author has sought to make other divisions of the subject respond to historical questioning. Dr DAVID N. DUMVILLEis Reader in the Early Mediaeval History and Culture of the British Isles at the University of Cambridge and a Fellow of Girton College.

Liturgy and the Ecclesiastical History of Late Anglo-Saxon England: Four Studies (Studies in Anglo-Saxon History, 5) (Volume 5)

History

Dumville, David N.

Europe

This volume is based on a selection of papers presented during a study course devoted to Gloriana held at the Britten-Pears School for Advanced Musical Studies in 1991. Glorianahas been a source of controversy since its première as part of the Coronation celebrations in 1953. It was planned as a national opera of broad appeal by its authors, Benjamin Britten and William Plomer, but, despite wide coverage in the media, the opera failed to establish itself in the repertoire until a new production in 1966 revealed it to be a powerful and stageworthy work. In recent years it has attracted an increasing amount of scholarly attention. This volume offers essays by ROBERT HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER EVANS which explore the opera's cultural background, the early stages of its creative evolution, the first critical responses, and various aspects of the work itself: these are supplemented by a list of source materials for the opera and the works derived from it, and an extensive bibliography.

Britten's Gloriana: Essays and Sources (Aldeburgh Studies in Music) (Volume 1)

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