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Hall, Jake Wild

Parenting & Relationships

Bad Betty Press

The Body You're In

Literature & Fiction

Wagner, Phoebe

Poetry

Suedehead, pulp horror writer, and man about town; the UK poetry scene would be a duller place without Tim Wells. In No Weakeners, he harks back to the streets that made him--captured in snapshots of his teenage love life--with trademark chutzpah and dry wit. We stop at pubs, gigs, behind the bins, in cemeteries and sticky-floored cinemas, to honour a shimmer of fierce and formidable young women. Hard drinking and hard fighting, they are nobody's fools. Spitting defiance: 'a million girls are born, they do not cry but kick.'

No Weakeners

Wells, Tim

Anja Konig's is a voice we need now more than ever. In an era of tribalism, it's rare to encounter one so committed to identifying the root of things as they really are, and then laying those findings bare with benign frankness. While the world ends around us daily, these pages offer a macro and micro view, in which we find ourselves both culpable and insignificant, and it is in this paradox that, perhaps, we might be redeemed.

Animal Experiments

König, Anja

poems for my FBI agent

Geater, Charlotte

There is an arresting and profound specificity to Susannah Dickey’s astute tragicomedy, in which the sky is ‘the colour of a cous cous salad’, gods rub shoulders with video game characters and everyone is enslaved to desire. Corrupting the classically male, reportedly frivolous hendecasyllabic form, Dickey forges a register that feels both ancient and millennial. At the centre of this work beats a star-bright pain, seen through the poems’ breezy vacillations and squandered love, crushed to a shimmer.

bloodthirsty for marriage

Dickey, Susannah

Rheuma

Health, Fitness & Dieting

Gee, William

Diseases & Physical Ailments

In Passerine, Kirsten Luckins' epistolary poems distill the daily process of grieving, healing, remembering, through nature's wild and atomic industry. Reading this collection is like pressing your ear to the ground to hear the orchestra of the world: alive with buzzing hum and beating wing; death, all the while, lurking on the doorstep. The language is lush, tack-sharp and playful, capturing both the contradictions of being in and of the world, and the rare honesty of a true and fierce friendship. It's this friendship that binds the collection: a golden thread of sunlight.

Passerine

Luckins, Kirsten

Amara Amaryah's debut is a 'backward walk' towards oneself and one's history, in which the poet plays with plurality of voice, story and silence. A mother and daughter sit down together as children, second-generation kids 'choose language the way a carpenter chooses tools'. &#65279;Archival in their various forms, these poems hold dialogue with bell hooks, Jamaica Kincaid and Ntozake Shange. They collage dreams, receipts, text messages, psalm. They live 'somewhere between where I am and who I was', activating this liminal space as a moment of perpetual rebirth.

The Opposite of an Exodus

Amaryah, Amara

Tom Bland's inimitable first collection and verse novel is luxuriously subversive: both inviting the reader to explore the dark corners of the human psyche, and challenging the boundaries of contemporary poetics, fusing poetry with satire, surrealism and psychoanalysis. Shockingly funny, tragically humanistic, its characters are melancholic, hedonistic, scarred, deeply touching. Camp Fear explores ritual, gnosis, the cult of celebrity, the commodification of insight; calling upon Freud, Artaud and Acker; 4chan and Lana Del Rey. If the id, ego and superego met at a fetish club, it would look something like this.

Camp Fear

Bland, Tom

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Books by Bad Betty Press