In 1686 King Louis XIV of France had the great Hall of Mirrors in the Versailles specially prepared to receive, with exceptional pomp and ceremony, a group of foreign envoys. The envoys brought with them two shiploads of gifts for the court. In fact, they delivered so many objects of gold, silver, and lacquer that the French complained that their list would be as long as a book. The envoys had been sent from the kingdom of Ayutthaya, or "Siam" as it was known in the West. Though little remembered today, Ayutthaya was one of the largest and most important kingdoms of Southeast Asia. Founded in 1351, the kingdom flourished for more than four hundred years - longer than China''s Ming dynasty. It was a major trading center with diplomatic ties with China, Japan, Persia, and the Ryukyu kingdom (Okinawa), and, from the seventeenth century on, with Great Britian, France, the Netherlands, and Portugal. The envoys'' gifts reflected this trade activity - more than fifteen hundred pieces of porcelain (mostly Chinese), Persian, and Indian carpets, and many other objects from Japan and China were given to the French king and his relatives. Despite the kingdom''s power, prosperity, and influence, it was completely destroyed by a devastating invasion from neighboring Burma in 1767. As a result, many Ayutthaya artifactfs, especially made of fragile materials, were destroyed, and the kingdom''s splendor gradually faded from memory. The Kingdom of Siam: The Art of Central Thailand, 1350-1800 - the first exhibition of classical art from Thailand shown in the United States in more than thirty years - collects eighty-nine of the finest surviving works from Ayutthaya, drawn from collections in Thailand, Europe, and the United States; many of these are being displayed for the first time in the West. They include stone and bronze Buddha images, sculptures of Hindu deities, figural and decorative wood carvings, temple furnishings, illuminated manuscripts, jewelry, and textiles. Despite the length and importance of Ayutthaya kingdom, this period of Thai history has received little scholarly attention. This book, combining essays by leading scholars and entries examining each of the objects in the exhibition, at last sheds light on a one of history''s greatest, but least known, cultures.

The Kingdom of Siam: The Art of Central Thailand, 1350-1800

Arts & Photography

McGill, Forrest

Collections, Catalogs & Exhibitions

Art Media Resources, Inc.

For over fory years, the name Virginia Atchley has been synonymous with the collecting of miniature Japanese arts in America. Her eclectic collection encompasses netsuke, inro, pipe cases and tobacco boxes in a wide range of styles, techniques and materials. Virginia Atchley has now decided to share her collection with other aficionados in this book. Detailed here are over 400 pieces, with signatures.

The Virginia Atchley Collection of Japanese Miniature Arts

Crafts, Hobbies & Home

Virginia Atchley

Neil Davey

Crafts & Hobbies

Bamboo basket making is a practice that has been around for thousands of years and is still admired to this day. Hin: The Quiet Beauty of Japanese Bamboo Art celebrates the work of 37 modern Japanese bamboo basket makers. Included here are two essays, one discussing Japanese baskets as an art form, and another on bamboo collecting in the west. Photographs illustrate the stunning detail of each peice. Also included is an index of artist and their biographies.

Hin: The Quiet Beauty of Japanese Bamboo Art

Robert T. Coffland

Donald Doe

Bamboo basket making is a practice that has been around for thousands of years and is still admired to this day. Hin: The Quiet Beauty of Japanese Bamboo Art celebrates the work of 37 modern Japanese bamboo basket makers. Included here are two essays, one discussing Japanese baskets as an art form, and another on bamboo collecting in the west. Photographs illustrate the stunning detail of each peice. Also included is an index of artist and their biographies.

In this ground breaking book the career and work of contemporary woodblock print artist Paul Binnie (1967-present) is presented. Binnie's complete Japanese prints are illustrated in colour and many other reference photographs are provided as well, ensuring that the reader is given an insight into his working methods and his sources of inspiration. The in-depth essay provide the context of the more than 100 prints Binnie has made to date. An indispensable book for all those interested in 20th century Japanese woodblock prints and the very newest prints being created today.

Paul Binnie - A Dialogue with the Past: The First 100 Japanese Prints

et.al.

Brown, Kendall H.

Paul Binnie

Tibetan Paintings: A Study of Tibetan Thankas Eleventh to Nineteenth Centuries

Pratapaditya-Pal.

Jain Cosmology

Science & Math

Collette Caillat, Ravi Kumar

Astronomy & Space Science

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