Book by Lineberry, Heather Sealy; Gilbert-Rolfe, Jeremy

Art on the Edge of Fashion

Jeremy Gilbert-Rolfe

Lineberry, Heather Sealy

Arizona State University Art Museum

Turned Wood Now : Redefining, The Lathe-Turned, Object IV

Perrault, John

Paintings by Lynn Randolph. Publlished by the Arizona State University. Essays by Donna A. Haraway. Signed and inscribed by Lynn Randolph.

Millennial Myths: Paintings by Lynn Randolph

Arts & Photography

Haraway, Donna J.

Zeitlin, Marilyn

Hopps, Walter

Individual Artists

Published in conjunction with the exhibition at Arizona State University Art Museum February 20-May 30, 1999.

Codex Medez: Prints by Leopoldo Mendez (1902-1969)

Heller, Jules & Jean Makin

Leopoldo Mendez

Exhibition catalog (December 10, 2005--April 1, 2006). Artists in the exhibition include Kate Anderson, Nancy Moore Bess, Mary Black, Sally Black, Jane Chavez, Jill Nordfors Clark, Carol Eckert, John Garrett, Shokosai Hayakawa, Elsie Holiday, Hideaki Honma, Kazuaki Honma, Ferne Jacobs, Nancy Koenigsberg, Gyongy Laky, John McQueen, Kenichi Nagakura, Ed Rossbach, Hisako Sekijima, Kay Sekimachi, Hideho Tanaka, Tsuruko Tanikawa, and many other artists. 48-page fully-illustrated color catalog includes an essay by nationally-known curator and scholar Kenneth R. Trapp, and a short piece by artist Ferne Jacobs. French flaps. Curated by Heather Sealy Lineberry.

Intertwined: Contemporary Baskets From the Sara and David Lieberman Collection

Heather Sealy Lineberry

Lawrence Gipe: 3 Five-Year Plans

Diehl, Carol

Marilyn A. Zeitlin

Lawrence Gipe

This is the first in-depth critical overview of the illustrious ceramic career of David Shaner (1934–2002). Trained in the late 1950s at the Alfred University School of Ceramics, Shaner became the director of the influential Archie Bray Foundation for the Ceramic Arts in Montana and an acclaimed studio potter. This book provides a timely tribute to a highly disciplined clay artist who had a deep understanding of himself, his materials, and the world in which he lived, and offers a fresh perspective on the burgeoning ceramic movement in the United States. Richly illustrated, Following the Rhythms of Life presents a survey of Shaner's work, as it evolved from functional pottery to more sculptural concerns throughout his career. The book draws on interviews with Shaner's colleagues, mentors, and family members to provide insight on the artist's worldview and the ceramic work that is the legacy of a life fully lived.

Following the Rhythms of Life: The Ceramic Art of David Shaner

History & Criticism

Organized by the ASU Art Museum, Moulthrop Generations: Turned Wood Vessels by Ed, Philip, and Matt Moulthrop presents more than seventy turned wood vessels created between 1979 and today by three generations of woodturners who have defined the craft.  The Moulthrops are a dynasty of artists - grandfather, son, and grandson - who have made significant contributions to the field of wood turning and share a consistency of vision and process.  Together the Moulthrops' careers frame and exemplify the emergence of wood turning as an art form.  They are known for their concentration on the inherent beauty of local woods, elegant vessel forms, and innovations in surface treatment and turning techniques.  While the Moulthrops are well represented in national and international museum collections, Moulthrop Generations reveals their collective importance within the field of woodturning and contemporary crafts.

Moulthrop Generations: Turned Wood Bowls By Ed, Philip, and Matt Moulthrop

Lineberry, Heather Sealy, et al

The Other Mainstream II: Selections from the Mikki and Stanley Weithorn Collection

Innovation & Change

Held, Peter (editor)

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Books by Arizona State University Art Museum