Chick Corea -- Piano Music, Vol 1

Arts & Photography

Corea, Chick

Music

advance music GmbH

Transcriptions of eight of the tunes Clare improvised on the solo piano recordings, ""Alone Together"" and ""Just Me."" Titles: Yesterdays * Du, Du, liegst mir im Herzen * Excerpt from ""Canonic Passacaglia"" * Everything Happens To Me * 'Round Midnight * (I Would Do) Anything for You * Liebesleid (Love's Sorrow) * Ill Wind * Pensativa (Pensive Woman).

Alone Together / Just Me (Solo Jazz Improvisations)

Dobbins, Bill

Fischer, Clare

Preludes for Piano, Vol 1

How to Comp: A Study in Jazz Accompaniment is a comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists, and horn players.

How to Comp: A Study in Jazz Accompaniment (Book & CD)

Crook, Hal

The Jazz Chord / Scale Handbook provides a concise yet comprehensive reference source for chord/scale theory. This is not a ""how to"" book, but rather a systemized guide to identifying, organizing, and understanding the relationships between virtually all the common (and uncommon) scale/chord relationships used in jazz improvisation and composition. Based on the principle of harmonic systems, the handbook organizes all the modes of major, melodic and harmonic minor, harmonic major, as well as nine different symmetric scales, various pentatonic scales, the blues scale(s), and more. Most importantly, each scale is presented with appropriate modal and functional chord voicings, information about common usage, and examples from the recorded jazz literature.

The Jazz Chord/Scale Handbook

Keller,Gary

The goal of Modal Jazz Composition &amp; Harmony, Volume 1 by Ron Miller is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz, ECM, fusion, pop, classical, etc., that is not tied to any harmonic particulars.

Modal Jazz Composition & Harmony, Vol 1

Miller, Ron

Changes Over Time: The Evolution of Jazz Arranging was conceived to illustrate, through comparative case studies, the dramatic development of rhythmic, melodic, harmonic, orchestrational, and structural variation in jazz arranging from the 1920s to the present. A broad category of compositions that have each inspired numerous jazz arrangements was established, and the arrangements associated with each of the original works were examined to determine the level of quality, the span of jazz history represented, and the number of renditions created by historically significant jazz arrangers, including Don Redman, Fletcher Henderson, Benny Carter, Duke Ellington, Billy Strayhorn, Gil Evans, Thad Jones, Bill Holman, Bob Brookmeyer, and Clare Fischer. The case studies were narrowed to 35 arrangements of three classic jazz compositions and one American popular standard song: Jelly Roll Morton's ""King Porter Stomp,"" Don Redman's ""Chant of the Weed,"" Gerald Marks' and Seymour Simon's ""All of Me,"" and Billy Strayhorn's ""Take The 'A' Train."" Scores and/or parts representing nine decades were supplied by living arrangers, borrowed from collections, reconstructed from sketches, or transcribed from recordings. Four contemporary masters were ultimately commissioned to create new arrangements of four selected compositions. Titles: Melody and Rhythm * Harmonic Variation * Voicings and Vertical Sonorities * Orchestration * Unifying Components * Form and Structure * A Look to the Future * Appendix: Glossary * Index to Corresponding Compact Disc Recording * Selected Discography of Featured Arrangements * Resources for Featured Scores * Artist Biographies * About the Author.

Changes Over Time -- The Evolution of Jazz Arranging (Book & CD)

Sturm, Fred

The Art of Drumming: An In-Depth Approach (English/French Language Edition)

Kaufman, Robert

The rhythms and bass lines of Bikutsi, Mbala, Mangambeu, Ekang, Ashiko, Makossa, Tchamassi, and Makassi are notated here as one could hear them played throughout Cameroon and other regions of Africa. Discover many different ways of hearing and feeling each rhythm and open new doors for your creativity, regardless which style of music you are playing.

African Rhythms for Drumset: Rhythms from Cameroon (Book & CD)

Bourdon, Christian

Based on the premise that time and rhythm are essential to improvisation, Inside Improvisation Series, Vol. 4: Melodic Rhythms explains how to practice and play creative rhythms in an effective melodic context. The disc contains 10 standard chord progressions, each played in two different tempos, with demonstrations supplied by the author on tenor sax.

Inside Improvisation, Vol 4: Melodic Rhythms (For All Instruments) (Book & CD)

Bergonzi, Jerry

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