Since it opened its doors in 1931, the Addison Gallery of American Art has become renowned for its outstanding collection of works by American artists. This superb volume serves as a general introduction to the collection.

Addison Gallery Of American Art: 65 Years

Arts & Photography

Reynolds, Jock

Collections, Catalogs & Exhibitions

Addison Gallery of American Art

<p>"The Architectural Unconscious" brings together two artists with differing but complementary attractions to architecture. James Casebere is known for his photographs of small-scale, tabletop models reminiscent of prisons, monasteries, tunnels or factories, while Glen Seator devises architectural forms from existing office spaces and building facades that provoke a comparable dislocation. Presented alongside one another, their work lucidly extrapolates architecture's unique capacity for disquiet and oppression.</p>

The Architectural Unconscious: James Casebere and Glen

Casebere, James

Seator, Glen

Re-inventing the West : The Photographs of Ansel Adams and Robert Adams

Allison N.

Stilgoe Kemmerer

Girls' heads bowed in a secretive huddle, girls' hands wrapped 'round another girl's arm, girls' bare legs and feet dangling in a chorus, girls' lab-coated figures standing in a clinical circle. Girls staring into another girl's mouth, girls being eaten by one another, girls throttling another girl's two-foot long neck. Girls' stockings, girls' hair, girls' spindly hands and skinny legs. In this, her first artist's book, are Anna Gaskell's girls, in mysterious color photographs and scratchy, toothy drawings.

Resemblance: Photographs By Anna Gaskell

Individual Artists

Richard Serra began making prints in 1972. Since then, his continued investigations into printmaking have produced an innovative body of work that is as large as it is varied. While Serra's prints explore the perceptual possibilities suggested by his sculptural work, they are not merely illustrative, but rather autonomous works of art that constantly push the medium to its limits. Conveying a sense of weight, instability, and potential motion, Serra's graphic works possess a physical presence that provokes reactions similar to those experienced in the presence of his sculptures. Rounding out the publication's visuals, two essayists explore the many ramifications of presence in Serra's work.

Richard Serra: Large Scale Prints By Richard Serra

Axsom, Richard

History & Criticism

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Books by Addison Gallery of American Art