Team Building: issues and Alternatives

Business & Money

William G. Dyer

Management & Leadership

Addison

New Horizons in English: Tchrs' Bk. 5

Mellgren, Lars and Walker, Michael

Covers taxes, financial statements, accounting procedures, statement analysis, forecasting, budgeting, valuation of assets and sources of long-term financing

Finance and Accounting for Nonfinancial Managers

DROMS, William G.

Mathematics in Our World/Book Three

Phares O'Daffer

robert e.eicholz

Advanced Geometry

Freddie Renfro

Paperback, as pictured; shelf wear (back cover corner) (mth)

Math, Grade 5, Teacher's Toolkit

Unknown, Author

details math strategies for primary grades 3 - 5

Scott Foresman Reading Strategies for Math Grades 3-5 (Masters for group activities)

Microeconomics Fifth Edition

PARKIN, MICHAEL

Economics

In 1968 artist Jennifer Bartlett (b. 1941) began painting in what would become her celebrated and trademark style––colored dots on gridded steel plates and canvas. Focusing on the single and multi-plate pieces that began in 1968 and culminated in 1976 when Bartlett sprang onto the art scene with her pivotal Rhapsody painting (The Museum of Modern Art, New York), this important book analyzes for the first time the significant role these formative and long-overlooked works played in her artistic development. Analytical and lyrical, Bartlett’s early plate work reflects her transformation of the prevailing Minimalist aesthetic into something distinctly her own. With beautiful color illustrations of this body of work––many of which have never before been published or exhibited––the book charts Bartlett’s fascinating progression from mathematically precise dot paintings to rigorously structured patterned pieces to more freehand and expressive painterly pieces. In the process, the importance of these works to the artist's career and to the history of contemporary art is discovered.

Jennifer Bartlett: Early Plate Work

Arts & Photography

RICHARDSON, Brenda

History & Criticism

Born in Ipswich, Massachusetts, Arthur Wesley Dow (1857–1922) is renowned for his paintings and prints that take their subject matter from nature and reflect the orderly design and fine handcrafting championed by the Arts and Crafts movement. This charming bookpresents an important discovery―a previously undocumented photograph album titled Ipswich Days comprising forty-one cyanotypes that Dow produced in 1899. Dedicated to his poet-friend Everett Stanley Hubbard, Ipswich Days offers a fresh new look at Dow’s attention to the abstract aspects of form, color, and cropping in the creation of his designs while documenting his deep personal attachment to his rural and historic hometown.
Ipswich Days analyzes this album and its significance in the artist’s career. Each of the images––which depict Ipswich’s clam shanties, marshes, farms, people, trees, flowers, and boats alike––is handsomely reproduced and reflects the beauty that Dow saw and interpreted in this quintessentially New England town.

Ipswich Days: Arthur Wesley Dow and His Hometown (Addison Gallery of American Art)

Fairbrother, Trevor

History

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