Poetry. Fiction. Asian &amp; Asian American Studies. African &amp; African American Studies. Latino/Latina Studies. Jewish Studies. Art. In this, its premiere publication, Acre Books presents an array of established writers and talented newcomers to bring you...babies. These swaddled sacks of boy and girl are not your average infants, however. They are seething teethers, diapered devils, brawling bundles, newborns gone nuclear. Not all are human. Not all are small. Not all are even young. What they are, in a word, is angry. The special promotional volume was put together specifically for Acre Books by head editor Nicola Mason, whose aim is to show the kind and caliber of work Acre is interested in acquiring. All of the pieces in A VERY ANGRY BABY are previously unpublished, save one (which appeared in Wales). Contributors include: Ricardo Almonte, Julianna Baggott, Stephen Baily, Aaron Bauer, Beverly Burch, Allison Campbell, Brock Clarke, Chelsea Dingman, Allen Forrest, Rebecca Hazelton, Tania Hershman, Andrew Hudgins, Kiprop Kimutai, Margaret Luongo, John William McConnell, Craig McDaniel, Erin McGraw, Jamie Quatro, Josh Russell, Changming Yuan, Nicola Mason.

A Very Angry Baby: The Anthology

Literature & Fiction

History & Criticism

Acre Books

After the Afterlife explores the zone between language and spirit. It is a book of inner and outer boundaries: of blockades, of tunnels, of wormholes. Where does our consciousness come from, and where is it going, if anywhere? With a nimble blend of wit, whimsy, and erudition, Hummer’s poems assay the border that the shaman is forced to cross to wrestle with the gods, which is the same border the mystic yearns to broach, and the ordinary human stumbles over while doing laundry or making lunch—where questions of identity melt in the white heat of Being: which is like trying to teach The cat to waltz, so much awkwardness, so many tender advances, and I’m shocked when it actually learns, When it minces toward me in a tiny cocktail gown, offering a martini, asking for this dance, insisting on hearing me refuse To reply, debating all along, in the chorus of its interior mewing, who are you really, peculiar animal, who taught you to call you you.

After the Afterlife: Poems

Hummer, T.R.

Poetry

The characters who populate Jenn Scott’s debut collection are both trapped and adrift. Stuck in dead-end jobs or stagnant relationships or simply caught in the grip of their own inertia, they opt out, act out, and strike out, searching for emotional sustenance in a landscape of pointless patterns and dwindling hopes. Cuttingly clever remarks and excoriating observations act as shields—thrown up to protect an aching vulnerability, a bewildering sense of loss . . . of being lost in a world rife with expectations, where responsibility is ritualistic and meaning elusive. “The beauty of being young was, in fact, the ability to project all that might happen. She recognizes, suddenly, how less grandiose the projection of her plans has become. It’s like she was once standing looking an expanse of field, but now she’s trapped in a hallway hung with too many pastel prints of landscapes that refuse to interest her. It’s as if she’s moved her entire life inside a dental office, minus the gas that sings a person to sleep while their cavities are filled, their roots fixed.” Assumed identities, Russian mail-order brides, pie theft, lost (and found) cleavers, coworkers who commit murder, the sudden ballooning of breasts, conversations with the (surprisingly opinionated) vegetables in a restaurant’s walk-in cooler: in stories sharply funny and deeply poignant, situations that delight and discomfit, Scott explores “the complicated, or simple, ways in which we settle.”

Her Adult Life: Stories

Scott, Jenn

Literary

In ten provocative stories, Ethan Chatagnier presents us with characters in crisis, people grappling with their own and others’ darkness as they search for glimmers to carry them through difficult times, untenable tasks, uncertain futures. The collection explores with unflinching eloquence the quandaries of conscience posed by the present, but also plunges us into a startlingly prescient “what if?” world, exploring in both realms questions concerning the value of perseverance, art, hope, and heart.

Warnings From the Future: Stories

Chatagnier, Ethan

Short Stories & Anthologies

In 1844, Horace Wells, a Connecticut dentist, encountered nitrous oxide, or laughing gas—then an entertainment for performers in carnival-like theatrical acts—and began administering the gas as the first true anesthetic. His discovery would change the world, reshaping medicine and humanity’s relationship with pain. But that discovery would also thrust Wells into scandals that threatened his reputation, his family, and his sanity—hardships and triumphs that resonate in today’s struggles with what hurts us and what we take to stop the hurt. In this novel, Michael Downs mines the gaps in the historical record and imagines the motivations and mysteries behind Wells’s morbid fascination with pain, as well as the price he and his wife, Elizabeth, paid—first through his obsession, then his addiction. The book is a love story, but also a story of what love can’t redeem; of narcotic dreams and waking insanity; of humbug and miracle; of pain’s destruction and what pains can never be eased. Following Wells throughout New England and across the ocean to Paris, the novel immerses the reader in the nineteenth century, conveying through rich physical description and telling dialogue the tragic life of a dentist who gave everything to rid the world of suffering.

The Strange and True Tale of Horace Wells, Surgeon Dentist: A Novel

Downs, Michael

Hannah Dow’s debut poetry collection, Rosarium, is a series of beautiful interrogations. In precise, luminous language, Dow engages the mysteries of faith as a catalyst for meditations on the contradictory human condition—our knot of body and spirit. These poems engage the inexplicable, attempting to articulate the tension between doubt and a longing for certainty, between belief in the potency of language and acceptance of its failures. Yet these lyrics never evaporate into abstraction. They pulse with the particular. Postcards that read as prayers (spoken without hope of response) lead us around the corporeal world through vastly different landscapes—from Mississippi, to California, to Europe, to the Middle East—showing how place shapes us, how the mind cannot escape the body.

Rosarium: Poems

Dow, Hannah

While treating Robert Percy, a burly factory worker, psychologist David Malden unlocks not only his patient’s memories of childhood abuse but also an upwelling violence. When Percy abruptly departs Buffalo for rural Michigan, where he grew up in a series of foster homes, Malden fears that his patient seeks revenge. Concerned with his liability under Duty to Warn laws, Malden sets out after the troubled young man using the only guide he has, his treatment notes—a list of people and places that may or may not exist, especially after twenty years. To aid him in the chase, Malden calls on his colleague, the awkward, remote, intimidatingly tall Sonja Nielsen. She reluctantly agrees to help, either because of or despite her previous entanglements with Malden. Told from the perspectives of these three characters, the story swerves and jolts and switches back, much like Percy’s recollections of his upbringing. Kersting presents the interior struggles of her characters in a searingly spare style, all the while drawing the reader through an escalating series of events as Percy hitches rides and takes buses, searching the small towns of central Michigan, alternately helped and hindered by both old and new acquaintances. While following disparate leads toward Percy’s final, surprising destination, all three conflicted souls are compelled to examine their loyalties, test their convictions, admit their frailties, and confront the ghosts lurking in their pasts, resulting in a revelatory climax.

Duty To Warn: A Novel

Kersting, Sara

A strange museum, an even stranger curator, the deceased artist who haunts him, and the mystery surrounding the museum founders’ daughter, lost at sea as a child . . . The Ambrose J. and Vivian T. Seagrave Museum of 20th Century American Art is by turns a dark comedy, a ghost story, a romance, a whodunit, a family saga, and an exhibition catalog.
Through museum exhibit labels, as well as the interior musings of an elderly visitor wandering through its galleries, the novel’s numerous dramas gradually unfold. We learn of the powerful Seagrave family’s tragic loss of their daughter, the suspicious circumstances surrounding her disappearance during a violent storm, and of the motley conclave of artists (some accomplished, some atrocious) who frequented the Seagrave estate, producing eclectic bodies of work that betray the artists’ own obsessions, losses, and peculiarities. We learn about the curator’s rise to power, his love affair with a deeply troubled ghost—and when a first-time visitor to the museum discovers unexpected connections between the works on exhibit and her painful past, we are plunged into a meditation on the nature of perception, fabrication, memory, and time.

The Ambrose J. and Vivian T. Seagrave Museum of 20th Century American Art

Kirkpatrick, Matthew

The fourteen stories in Every Human Love redefine our sense of reality. Set seemingly in the quotidian, these tales veer into the unexpected, the uncomfortable, occasionally the eerie, thrusting characters in crisis into still greater quandaries, where the world of weddings and work, of frustrated hopes and mundane dissatisfactions, collides with a realm of legend, of fairy tale, of nightmare.

Every Human Love: Stories

Joanna Pearson

United States

Nancy Au’s debut collection is rich with scents, sounds, imaginative leaps, and unexpected angles of vision. These seventeen stories present the challenges facing characters whose inner and outer lives often do not align, whose spirits attempt flight despite dashed hopes and lean circumstances. Marginalized by race, age, and sexuality, they endeavor to create new worlds that honor their identities and their Chinese heritage. Au excels at inhabiting the minds and hearts of children and the elderly. In the title story, Sophie Chu dresses daily in her increasingly shabby elephant costume to ensure her missing parents recognize her upon their return. In “The Unfed,” a village elder seeks to revive, with her dimming magic, a mountain community struck by tragedy. “Louise” follows, with deceptive hilarity (involving a one-eyed duck), the nuanced give and take between May Zhou and Lai, dissimilar yet passionate partners considering parenthood. The volume also offers sparkling speculative work that taps into the strength of nature—fox spirits and fire beetles, swollen rivers and rippling clouds—to showcase the sometimes surreal transformations of Au’s protagonists. Spider Love Song and Other Stories treads the fault line that forms between lovers, families, friends, cultures—exposing injuries and vulnerabilities, but also the strength and courage necessary to recast resentment and anger into wonder and power. Au’s lyrical style, humor, and tender attention to her characters’ fancies and failings make this powerful debut a delight to read.

Spider Love Song and Other Stories (ACRE)

Au, Nancy

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