- A stunning celebration of the career of one of Britain's greatest and most loved photographers, this slip-cased edition, limited to just 300 copies, comes with a portfolio containing a print, and a certificate of authenticity signed by Terry O'Neill - Collects rare and unseen 'vintage' photos of Faye Dunaway, The Beatles, Robert Redford, Sharon Tate, Carrie Fisher, The Rolling Stones, David Bowie, Raquel Welch and many more - Includes quotes from Michael Caine, Keith Richards, Raquel Welch, Elton John, Brigitte Bardot, Twiggy and Kate Moss - A collector's item for all Terry O'Neill fans Terry O'Neill is one of the greatest living photographers today, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie - to name but a few - are instantly recognizable across the globe. Now, for the first time, O'Neill selects a range of images from his extensive archive of "vintage prints", which will surprise and delight collectors and photography lovers alike. Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or - for the lucky few - sent back to the photographer or their photo agencies. At the dawn of the 1960s, when O'Neill's career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. "I just kept everything," he says. "I don't know why. Back then, there wasn't really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later." This book collects hundreds of these rare images, a true must for Terry's fans and photography collectors.

Terry O'Neill: Rare and Unseen

Arts & Photography

O'Neill, Terry

Photography & Video

ACC Publishing Group

There is no doubt that the first edition of this Dictionary, published in 1971 as The Dictionary of Victorian Painters, put Victorian painting on the map , and its subsequent two revisions and eight reprints only go to reinforce the fact that it is the accepted reference on English art of the period. With the continued interest and the author s ongoing research in the subject, it was perhaps inevitable that a further revision and new format was necessary. The Dictionary is now revised in two volumes, each complementary to one another yet entirely independent works depending on the particular interest of the reader. This volume contains over 11,000 entries. In addition to those on artists who have not featured before, many of the existing entries have been revised and updated. In the case of the giants of Victorian painting, the entries take the form of short, analytical essays. Every attempt has been made to list all artists recorded during the period 1837-1901, and the exhaustive research

Dictionary of British Art Vol. 4, Victorian Painters 1-Text

WOOD, Christopher

Painting

A scholarly survey of Victorian painting in which the author discusses the genre?s development and characteristics, setting it within the context of the time, illustrated with 47 full color plates and 750 black and white plates which reflect the tremendous output and range of the period.

Victorian Painters: Vol. 2 Historical Survey and Plates

History & Criticism

To appreciate the phenomenon one only has to attend a standard auction sale of British paintings where as many as a third of the items are portraits. Moreover there are galleries devoted exclusively to portraiture in London, Edinburgh and Dublin - an indication of an enthusiasm for the subject unmatched anywhere else in the world. This seemingly unquenchable thirst for portraits of individuals, families and friends has meant that for over four hundred years, native-born portrait artists have been joined by their foreign-born colleagues, attracted to these isles by the vast number of commissions available. Yet, ironically, most general art historical dictionaries give scant coverage to the many men and women who specialised in what is arguably the most difficult of all subject matter to paint. Attention has been focused on court painters and a favoured few, rarely if ever on the full spectrum of the profession with its wealth of talent. This dictionary redresses the balance. Listing over 5,000 por

Dictionary of Portrait Painters in Britain up to 1920

Stewart, Brian

This text is the first to be published on treen for almost a quarter of a century. It concentrates on pieces related to eating and drinking and celebrates for the first time in colour the range and richness of the turner's art from 1600 to 1900.

Treen for the Table: Wooden Objects Relating to Eating and Drinking

Levi, Jonathan

History

English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood's invention of the jasper body which was to be the tour de force associated with his name. Wedgwood's jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters. This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper. The authors have, for the first time, utilised Wedgwood's surviving sales records from 1774-1794 and these have made it possible to allow

English Dry-Bodied Stoneware (Wedgwood and Contemporary Manufacturers 1774-1830)

Crafts, Hobbies & Home

Edwards, Diana

Antiques & Collectibles

This is the first comprehensive survey of the vast and fascinating subject of Persian flatweaves, and in particular floor covers. Previous publications on the subject have largely been dealers' restricted catalogues focusing on a narrow geographical area or the weavings of a particular group, or sections in more general books. This book thus fills a huge gap in the oriental carpet and textile literature. Flatweaves have until recently been seen as merely the products and property of the poor. Since the late 1960s, however, growing attention has been paid to the best known type of flatweave, the gelim, revealing both its quality and variety. Other flatweaves, such as the palas, which is no less frequently found than the gelim, have scarcely been mentioned in any of the literature published so far, yet are shown in this work to be objects of great beauty and diversity. The book is divided into two parts. The first deals with the cultural background to the subject. Drawing on literary sources as well

Persian Flatweaves

Tanavoli, Parviz

Reference

Peter Monamy was the first English born and English trained specialist marine artist. He recorded the marine scene of the first half of the 18th century, when English Commerce and Sea Power were growing rapidly. He was a friend and contemporary of Hogarth and the precursor of the great school of English Sea Painters, including Samuel Scott, Charles Brooking and Dominic Serres, who were to follow him. This book gives a detailed account of his life and, for the first time, a proper assessment of his enormous artistic output. His reputation has, in the past, been somewhat tarnished by the large number of 'copies' by other minor artists. The author has been careful to illustrate only signed and undoubted examples of his work. Particular attention has been given to 'recognition details' of his technique and picture construction, which differentiate his work from others. The last two chapters are given to considering, in some detail, the work of his 'school' of more minor, yet pleasing, artists who f

Peter Monamy: 1681 - 1749 and His Circle

Cockett, F. B.

Individual Artists

Spode-Copeland-Spode is the story of a manufactory, two families, generations of artists, gilders, modellers and their products. Begun by Josiah Spode I and continued by his son Josiah II, the business and works passed to the Copeland family who for five generations continued the traditions of quality and fine potting started by the Spodes. When the business was sold in 1970 its products reverted to the original name Spode. The book contains illustrations showing the range of products, including commissions for Royalty and the nobility not forgetting examples of the everyday wares of two centuries. There is new unpublished information, drawings and plans showing the many changes which have taken place at the Spode works. This is the fascinating story of a Pottery that has survived for over two centuries and today still produces many fine innovative wares.

Spode-Copeland-Spode: The Works and Its People 1770 - 1970

Wilkinson, Vega

This new , comprehensive and well-illustrated account of the Rockingham Pottery, one of England's major nineteenth century porcelain manufactories, traces its unusual development and diverse wares from 1745, when it was founded, to its closure almost a century later. Archaeological evidence has been used to identify eighteenth century slip-decorated pottery, fine unmarked creamware, pearlware and the early products of the following century. Characteristic shapes and types of decoration are illustrated, including the complete range of transfer-printed designs on pottery. In porcelain, for which the Rockingham Works is justly renowned, its tea and dessert services, including those made for royalty and nobility, are described and illustrated, as are figures and the many ornamental items. All known factory marks are shown and guidance is given to help collectors avoid spurious wares. Many of the pieces illustrated are in private collections. They vary from items of extraordinary beauty and richness to

Rockingham 1745-1842, (Rockingham Porcelain)

Alwyn Cox

Angela Cox

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