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Barracoon: The Story of the Last Slave [Paperback] [Jan 01, 2018] Zora Neale Hurston

Zora Neale Hurston

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.\nIn 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.\nOffering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

Barracoon: The Story of the Last Slave

Hitting a Straight Lick with a Crooked Stick

From one of the greatest writers of our time (Toni Morrison) the author of Their Eyes Were Watching God and Barracoon a collection of remarkable short stories from the Harlem RenaissanceWith a foreword by Tayari Jones, author of An American MarriageGenius Alice WalkerRigorous, convincing, dazzling Zadie Smith on Their Eyes Were Watching GodIn 1925, college student Zora Neale Hurston the sole black student at Barnard College, New York was living in the city, desperately striving for a toe-hold on the world.During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognised as one of the most influential and revered American artists of the modern period.Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurstons lost Harlem stories, which were found in forgotten periodicals and archives.These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humour, as well as more serious tales reflective of the cultural currents of Hurstons world. All are timeless classics that enrich our understanding and appreciation of this exceptional writers voice and her contributions to Americas literary traditions.

You Don't Know Us Negroes and Other Essays

HQ Non Fiction GB

You Don't Know Us Negroes And Other Essays: The incredible new essay collection from the revered 20th-century African-American author, described by ... as ‘one of the greatest writers of our time’

GOODMI

Life of Herod the Great

HarperCollins Publishers, Limited

These legends, folk tales, poems, and short stories, spendidly told, created and rewritten by Hurston, beautifully illustrate the pathos, passion and pleasure of the African American existence.

The Complete Stories

Literature & Fiction

United States

Harpercollins

"Imagine the situations in which these speech acts occur. Recall a front stoop, juke joint, funeral, wedding, barbershop, kitchen: the music, noise, communal energy, and release. Dream. Participate the way you do when you allow a song to transport you, all kinds of songs, from hip-hop rap to Bach to Monk, each bearing its different history of sounds and silences."
-- From the Foreword by John Edgar Wideman
African-American folklore was Zora Neale Hurston's first love. Collected in the late 1920s, Every Tongue Got to Confess is the third volume of folk-tales from the celebrated author of Their Eyes Were Watching God. It is published here for the first time.
These hilarious, bittersweet, often saucy folk-tales -- some of which date back to the Civil War -- provide a fascinating, verdant slice of African-American life in the rural South at the turn of the twentieth century. Arranged according to subject -- from God Tales, Preacher Tales, and Devil Tales to Heaven Tales, White-Folk Tales, and Mistaken Identity Tales -- they reveal attitudes about slavery, faith, race relations, family, and romance that have been passed on for generations. They capture the heart and soul of the vital, independent, and creative community that so inspired Zora Neale Hurston.
In the foreword, author John Edgar Wideman discusses the impact of Hurston's pioneering effort to preserve the African-American oral tradition and shows readers how to read these folk tales in the historical and literary context that has -- and has not -- changed over the years. And in the introduction, Hurston scholar Carla Kaplan explains how these folk-tales were collected, lost, and found, and examines their profound significance today.
In Every Tongue Got to Confess, Zora Neale Hurston records, with uncanny precision, the voices of ordinary people and pays tribute to the richness of Black vernacular -- its crisp self-awareness, singular wit, and improvisational wordplay. These folk-tales reflect the joys and sorrows of the African-American experience, celebrate the redemptive power of storytelling, and showcase the continuous presence in America of an Africanized language that flourishes to this day.

Every Tongue Got to Confess: Negro Folk-Tales from the Gulf States

Amistad

“Warm, witty, imaginative. . . . This is a rich and winning book.”—The New Yorker Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature’s most compelling and influential authors. Hurston’s powerful novels of the South—including Jonah’s Gourd Vine and, most famously, Their Eyes Were Watching God—continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality. First published in 1942, Dust Tracks on a Road is Hurston’s personal story, told in her own words. The Perennial Modern Classics Deluxe edition includes an all-new forward by Maya Angelou, an extended biography by Valerie Boyd, and a special P.S. section featuring the contemporary reviews that greeted the book’s original publication.

Dust Tracks on a Road: A Memoir (Modern Classics)

History

A PBS Great American Read Top 100 Pick
“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith
One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.

Their Eyes Were Watching God

Mystery, Thriller & Suspense

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