Carlos—a third-generation U.S. citizen from New Jersey whose family emigrated from Colombia many years before Carlos was born—is often complimented on how articulate he is and asked how long he has been in the United States.
Deborah, a Certified Public Accountant (CPA) who is up for election as church treasurer, has her qualifications questioned, debated, and scrutinized by the congregation far more than any of her male predecessors who were elected with a simple vote.
Lisa, a male-to-female transgender person, attends a Sunday school where her classmates continue to refer to her with masculine pronouns (he, him, his).
The three examples above portray microaggressions: subtle slights, insults, and indignities expressed to persons of varied minority statuses. Although microaggressions are usually unintentional, they occur on a regular basis in education, the workplace, and daily life.
This is the first book that addresses the concept of microaggressions in ministry and church life. Drawing from their background as ordained clergy, Sanders and Yarber introduce ministry leaders to the concept of microaggressions and look specifically at microaggressions directed at race, gender, and sexuality in the church. Sanders and Yarber help readers become more aware of these subtle and often unconscious communications, offering realistic examples and guidance for grappling with this issue in preaching, religious education, worship, spirituality, and pastoral care and counseling. Microaggressions in Ministry equips congregations with methods for assessment and tools for action that will ultimately help create stronger, more welcoming faith communities.

Microaggressions in Ministry: Confronting the Hidden Violence of Everyday Church

Religion & Spirituality

Sanders, Cody J.

Yarber, Angela

Christian Books & Bibles

Westminster/John Knox Press

Holy Women Icons began as a painting project, giving traditional iconography a folk feminist twist. Across the vast pantheon of a virtually all-male sainthood, I noticed something was missing: women. Where were all the holy women across spiritual traditions? I’ve painted over 50 Holy Women Icons and recount their stories in my 2014 book, Holy Women Icons. Now is your chance to join me in the creative process. Color your way toward holiness! As you color, allow each dot to be a meditation, prayer, or mantra. Perhaps you may choose a virtue—such as peace or love—to focus on with each coloring page, or perhaps you could allow the woman you are coloring to inspire a virtue within you. However you choose to color, may your creative time with this contemplative coloring book enliven, inspire, embolden, sooth, and calm you. A brief description of each holy woman, along with a small image of her painting, is found at the back of the coloring book for you to use as a reference if you wish. May these holy women inspire and empower you. May coloring their images embolden you. May you discover something new about spirituality, history, and yourself.

Holy Women Icons Contemplative Coloring Book

Parson's Porch

About the Contributor(s): Rev. Dr. Angela Yarber is also author of The Gendered Pulpit: Sex, Body, and Desire in Preaching and Worship and Embodying the Feminine in the Dances of the World's Religions. She has a Ph.D. in Art and Religion from the Graduate Theological Union and she has been a clergywoman, professional artist, and dancer since 1999. For more, please visit www.angelayarber.com.

Dance in Scripture (Art for Faith's Sake)

Wipf and Stock

Students of all ages appreciate choices and enjoy variety. This book is chock-full of all kinds of creative activities to help them succeed in the language arts classroom: independent work menus, various book responses, menus and task sheets, project sheets and activity boards and much more. An Appendix is also provided with samples of various writing genres.

Discovering Differentiation: Strategies for Success in the Language Arts Classroom

Children's Books

Tuszynski, Kathy Cromwell

Education & Reference

Teaching & Learning Company

Dance in Scripture: How Biblical Dancers Can Revolutionize Worship Today examines the dances of seven biblical figures: Miriam, Jephthah's daughter, David, the Shulamite, Judith, Salome, and Jesus. Each figure offers a virtue that has the potential to revolutionize worship today. Yarber combines feminist and queer hermeneutics with dance history to highlight the nuances of the texts that often go unnoticed in biblical scholarship, while also celebrating the myriad ways the body can be affirmed in worship in creative, empowering, and subversive ways. Liberation, lamentation, abandon, passion, subversion, innocence, and community each contribute to the exciting ways embodied worship can be revolutionized. This is a book for those interested in biblical scholarship, dance, the arts, feminist and queer theory, or revolutionizing worship.

Dance in Scripture: How Biblical Dancers Can Revolutionize Worship Today (Art for Faith's Sake)

Cascade Books

Holy Women Icons

Holy Women Icons wouldn't be a book without first being a series of paintings. So, I am grateful for those galleries that have hosted them: Shell Ridge, Karma, Blue Lotus/Woven Soul, and Barnhills. I'm also tremendously grateful for all the people who have supported my art by purchasing or commissioning an original icon or buying a print. It means a great deal for someone to find enough value in my paintings to actually hang them in their home. The fact that these Holy Women are scattered all over the world, providing inspiration for friends, family, colleagues, and strangers is a gift. And these paintings would have never been written about had Xochitl Alvizo not invited me to become a regular writer on Feminism and Religion, featuring one icon each month and expounding upon her story. Xochitl would not have discovered these paintings if Kittredge Cherry had not interviewed me about my beloved queer saints on Jesus in Love. So, I am grateful to these two women who have helped my icons find voices in the wider public. And I am grateful to the Feminism in Religion community for offering encouragement, constructive feedback, and inspiration along the way.

Arts & Photography

Religious

Parson's Porch Books

Holy Women Icons wouldn't be a book without first being a series of paintings. So, I am grateful for those galleries that have hosted them: Shell Ridge, Karma, Blue Lotus/Woven Soul, and Barnhills. I'm also tremendously grateful for all the people who have supported my art by purchasing or commissioning an original icon or buying a print. It means a great deal for someone to find enough value in my paintings to actually hang them in their home. The fact that these Holy Women are scattered all over the world, providing inspiration for friends, family, colleagues, and strangers is a gift. And these paintings would have never been written about had Xochitl Alvizo not invited me to become a regular writer on Feminism and Religion, featuring one icon each month and expounding upon her story. Xochitl would not have discovered these paintings if Kittredge Cherry had not interviewed me about my beloved queer saints on Jesus in Love. So, I am grateful to these two women who have helped my icons find voices in the wider public. And I am grateful to the Feminism in Religion community for offering encouragement, constructive feedback, and inspiration along the way.

New Age & Spirituality

Queering the American Dream

The chalky remains of a life cut short filled my hands as I watched my faith slip through the cracks between my fingers. As ordained clergy, I've officiated a lot of funerals. For fourteen years, I shaped burnt ash across congregants' foreheads each year before Lent and reminded them that we all come from dust. To dust we shall return. This day, as I officiated my little brother's funeral, I held the ashes of his body in my bare hands. I'd never done this with anyone else's remains, but I wanted to somehow touch him one last time, to feel his pain and let his torment fall through my fingers, as fragments of his bones clung to my palms. Duster to dust. Computer duster killed my brother. I stood before the folding chairs of family with swipes of my brother's remains smudged across my black dress, as though I had been teaching a thorough lesson at the blackboard of my university classroom and mistakenly leaned against the chalk. A colander was perched atop my head. This was, indeed, comical. And intentional. You see, my little brother, Carl, was not religious. In fact, he was anti-religious. He embodied his disdain for organized religion with a profound love for the Church of the Flying Spaghetti Monster. As I am a professor of religion, Carl could hold his own with me when discussing world religions, and I would dare say he knew more about Christian history, scripture, and theology than most people who profess the faith. This was in large part because my brother was an intelligent critical thinker, and in small part because he deplored the way most churches treated his queer big sister. But organized religions were not for Carl, so he opted to study and parody them with the Church of the Flying Spaghetti Monster. Started as a protest against right-wing discrimination, the Church of the Flying Spaghetti Monster holds a light-hearted view of religion and jokingly calls its adherents "pastafarians." So, the colander is a highly esteemed satirical symbol. You know. Because it drains pasta. In addition to omitting any references to god throughout his funeral, I also opted to wear the colander on my head, passing it around whenever anyone wanted to share a memory or a word of comfort. This probably seems blasphemous to many. As an ordained clergywoman, I think it's pretty damn funny. I needed the levity. Other clergy colleagues offered to officiate, knowing how emotional I would be and seeking to provide me with the care I was extending to so many others. But I couldn't trust anyone with the words and gestures, rituals and lamentations for honoring my little brother. Trembling under March clouds, the vineyard behind me, farmhouse beside me, family before me, and shiny metal colander rattling above me, I couldn't help but wonder, "How in the hell did we get here? And how can we survive this?" How'd We Get Here?

Parenting & Relationships

Tehom Center Publishing

Wounded Feminine: Grieving with Goddess

Tierney, April

Clark, Karen

Hendren, Trista

Mines, Stephanie

Aldred, Kay Louise

Livingstone, Glenys

Bailey, Arlene

Dorey, Claire

Raine, Lauren

Norge ISBN

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