This work, the first of its kind to deal with the self-reflexive nature of narration of Samuel Beckett and Thomas Bernhard, shows how their works are representative of a persisting perplexity with regard to language. The Imperative of Narration details how the texts of both authors are marked by their narrator’s obsessive need to write, which is inextricably intertwined with their profound suspicion of language. The perpetuation of the narration is explained as an imperative, a simultaneously conscious and unconscious command that forces the artist to submit to the creative process. The author places this inexplicable force of the imperative within the context of Arthur Schopenhauer’s aesthetic theory and Jacques Lacan’s concept of desire. The attempt to define and interpret the two authors’ prose and drama is displaced by this sense of the infinity of desire and by the eternal becoming of the will, which reveal themselves to lie at the heart of Beckett’s and Bernhard’s creativity.

Imperative of Narration: Beckett, Bernard, Schopenhauer, Lacan

Literature & Fiction

Wulf, Catharina

History & Criticism

Liverpool University Press

This is the first book to deal with the self-reflexive nature of narration of Beckett and Bernhard. Samuel Beckett's and Thomas Bernbard's works are representative of a persisting perplexity with regard to language. The texts of both authors are marked by their narrator's obsessive need to write, which is inextricably intertwined with their profound suspicion of language. The perpetuation of the narration is explained as an imperative, a simultaneously conscious and unconscious command which forces the artist to submit to the creative process.The author places this inexplicable force of the imperative within the context of Arthur Schopenhauer's aesthetic theory and Jacques Lacan's concept of desire. The attempt to define and interpret the two authors' prose and drama is displaced by this sense of the infinity of desire (Lacan) and by the eternal becoming of the will (Schopenhauer), which reveal themselves to lie at the heart of Beckett's and Bernhard's creativity.

The Imperative of Narration: Beckett, Bernhard, Schopenhauer, Lacan

Sussex Academic Pr

This is the first book to deal with the self-reflexive nature of narration of Beckett and Bernhard. Samuel Beckett’s and Thomas Bernhard’s works are representative of a persisting perplexity with regard to language. The texts of both authors are marked by their narrator’s obsessive need to write, which is inextricably intertwined with their profound suspicion of language. The perpetuation of the narration is explained as an imperative, a simultaneously conscious and unconscious command which forces the artist to submit to the creative process. The author places this inexplicable force of the imperative within the context of Arthur Schopenhauer’s aesthetic theory and Jacques Lacan’s concept of desire. The attempt to define and interpret the two authors’ prose and drama is displaced by this sense of the infinity of desire (Lacan) and by the eternal becoming of the will (Schopenhauer), which reveal themselves to lie at the heart of Beckett’s and Bernhard’s creativity.

British & Irish

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Books by Wulf, Catharina

See the best price to sell, buy, or rent books by Wulf, Catharina. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Imperative of Narration: Beckett, Bernard, Schopenhauer, Lacan

The Imperative of Narration: Beckett, Bernhard, Schopenhauer, Lacan

Imperative of Narration: Beckett, Bernard, Schopenhauer, Lacan