The Golden Age is Grand Space Opera, a large-scale SF adventure novel in the tradition of A. E. Van vogt and Roger Zelazny, with perhaps a bit of Cordwainer Smith enriching the style. It is an astounding story of super science, a thrilling wonder story that recaptures the excitements of SF's golden age writers. The Golden Age takes place 10,000 years in the future in our solar system, an interplanetary utopian society filled with immortal humans. Within the frame of a traditional tale-the one rebel who is unhappy in utopia-Wright spins an elaborate plot web filled with suspense and passion. Phaethon, of Radamanthus House, is attending a glorious party at his family mansion to celebrate the thousand-year anniversary of the High Transcendence. There he meets first an old man who accuses him of being an impostor and then a being from Neptune who claims to be an old friend. The Neptunian tells him that essential parts of his memory were removed and stored by the very government that Phaethon believes to be wholly honorable. It shakes his faith. He is an exile from himself. And so Phaethon embarks upon a quest across the transformed solar system--Jupiter is now a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life forms that are partly both, to recover his memory, and to learn what crime he planned that warranted such preemptive punishment. His quest is to regain his true identity. The Golden Age is one of the major, ambitious SF novels of the year and the international launch of an important new writer in the genre.

The Golden Age

Science Fiction & Fantasy

Wright, John C.

Science Fiction

Tor Books

The rave reviews for John Wright's science fiction trilogy, The Golden Age, hail his debut as the most important of the new century. Now, in The Last Guardian of Everness, this exciting and innovative writer proves that his talents extend beyond SF, as he offers us a powerful novel of high fantasy set in the modern age. Young Galen Waylock is the last watchman of the dream-gate beyond which ancient evils wait, hungry for the human world. For a thousand years, Galen's family stood guard, scorned by a world which dismissed the danger as myth. Now, the minions of Darkness stir in the deep, and the long, long watch is over. Galen's patient loyalty seems vindicated. That loyalty is misplaced. The so-called Power of Light is hostile to modern ideas of human dignity and liberty. No matter who wins the final war between darkness and light, mankind is doomed either to a benevolent dictatorship or a malevolent one. And so Galen makes a third choice: the sleeping Champions of Light are left to sleep. Galen and his companions take the forbidden fairy-weapons themselves. Treason, murder, and disaster follow. The mortals must face the rising Darkness alone. An ambitious and beautifully written story, The Last Guardian of Everness is an heroic adventure that establishes John Wright as a significant new fantasist. It is just the start of a story that will conclude in the companion volume, Mists of Everness.

The Last Guardian of Everness (Chronicles of Everness)

Fantasy

The medium of television, although a daily part of most modern lives, remains mysterious in the manner it may influence its audience. At the center of this mysery lies the debate of content vs. medium without regard to its content. This monograph presents new research in this debate by following up on a report of 570 adolescents studied as preschoolers and the long-term relationships between preschool television viewing and adolescent achievement, behavior, and attitudes. The results of the report provide stron support for content-based hypotheses then for theories emphasizing television as a medium. In an interesting twist, the results of the report trace a cognitive difference in the patterns of boys and girls and the way television influences them.

Early Childhood Television Viewing and Adolescent Behavior, Volume 66, Number 1 (Monographs of the Society for Research in Child Development)

Health, Fitness & Dieting

Huston, Aletha C.

Anderson, Daniel R.

Linebarger, Kelly L.

Psychology & Counseling

Wiley/Blackwell

The Phoenix Exultant: The Golden Age, Volume 2

And now The Phoenix Exultant, a second epic novel of an heroic quest in a far future world of super-science from an important new talent. The Phoenix Exultant is a continuation of the story begun in The Golden Age and, like it, a grand space opera in the tradition of Jack Vance and Roger Zelazny (with a touch of Cordwainer Smith-style invention). At the conclusion of the first book, Phaethon of Radamanthus House, was left an exile from his life of power and privilege. Now he embarks upon a quest across the transformed solar system--Jupiter is a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life-forms, to recover his memory, to regain his place in society and to move that society away from stagnation and toward the stars. And most of all Phaethon's quest is to regain ownership of the magnificent starship, the Phoenix Exultant, the most wonderful ship ever built, and to fly her to the stars. It is an astounding story of super-science, a thrilling wonder story that recaptures the verve of SF's Golden Age writers The Phoenix Exultant is a suitably grand and stirring fulfillment of the promise shown in The Golden Age and confirms John C. Wright as a major new talent in the field.

Beginning with The Golden Age, continuing with The Phoenix Exultant and now concluding in The Golden Transcendence, The Golden Age is Grand Space Opera, an SF adventure saga in the tradition of A. E. van Vogt and Roger Zelazny, with perhaps a bit of Cordwainer Smith enriching the style. It is an astounding story of super-science, a thrilling wonder story that recaptures the excitements of SF's golden age writers in the suspenseful and passionate tale of a lone rebel unhappy in utopia. The end of the Millennium is imminent, when all minds, human, posthuman, cybernetic, sophotechnic, will be temporarily merged into one solar-system-spanning supermind called the Transcendence. This is not only the fulfillment of a thousand years of dreams, it is a day of doom, when the universal mind will pass judgment on all the races of humanity and transhumanity. The mighty ship Phoenix Exultant is at last in the hands of her master; Phaethon the Exile is at her helm. But the terrible truth has been revealed: he is being hunted by the agents from a long-lost dead star, the eerie and deadly Lords of the Silent Oecumene, whose super-technology plumbs depths even the all-knowing Earthmind cannot fathom. Humanity will be helpless during the Golden Transcendence. Phaethon's enemies plan to use the opportunity to destroy the population of the Inner System, man and machine alike. To do this, they must take control of Phaethon's beloved starship and turn her unparalleled power to warlike uses. Phaethon's memories are incomplete - but he knows a spy for the Silent Ones is already aboard. And when the all-encompassing Mind of the Golden Transcendence wakes - who will it condemn? Which future will it chose? Are Phaethon's dreams of star-flight about to revolutionize the Golden Age into an age even more glorious than gold, or will they kindle the first open war fought across the immensity of interstellar space?

The Golden Transcendence: or, The Last of the Masquerade (The Golden Age, Book 3)

John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright’s new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors.

Orphans of Chaos (The Chronicles of Chaos)

The Chronicles of Everness continue. Young Galen Waylock is the last watchman of the Dream Gate, beyond which the ancient evils wait, hungry for the human world. For a thousand years, Galen's family has stood guard, scorned by a world that dismissed the danger as myth. Even Galen's father deserted their post. Discarding his belief in the other world, he left Castle Everness and the lonely coast of Maine to travel the world as a soldier. But the warning bell has sounded in the dream world, unheeded. Now, the minions of Darkness have stirred in the deep and the long watch is over. An army of mythic monsters has invaded our world, and Galen and his friends have begun to fight them. To join the battle with universal darkness, even his father returns. The forces of light have gathered in Castle Everness, which must stand, or all is lost. John Wright has been called the most important talent of the new century, and received rave reviews for each volume of his debut SF trilogy, The Golden Age. Now, in Mists of Everness he continues the towering fantasy begun in The Last Guardian of Everness, a stirring epic that will inspire readers everywhere.

Mists of Everness (Chronicles of Everness)

Fugitives of Chaos (The Chronicles of Chaos)

Wright's new fantasy, which began with Orphans of Chaos, and continues in Fugitives of Chaos, is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger. The five have made sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The children must experiment with and learn to control their strange abilities in order to escape their captors. Something very important must be at stake in their imprisonment.

Literature & Fiction

Contemporary

Grandmaster A. E. van Vogt was one of the giants of the Golden Age of classic SF, the 1940s. Of his masterpieces, The World of Null-A is perhaps most influential. It was the first major trade SF hardcover ever, in 1949, and has been in print ever since. The careers of Philip K. Dick, Keith Laumer, Alfred Bester, Charles Harness, and Philip Jose Farmer were created or influenced by The World of Null-A. It is required reading for anyone who wishes to know the canon of SF classics. And so John C. Wright was inspired to write a sequel to the two novels of Null-A (the second was The Players of Null-A). To do this, he trained himself to write in the pulp style and manner of van Vogt. So return again to the Null-A future, in which the superhuman amnesiac with a double brain, Gilbert Gosseyn, must pit his wits once more against the remorseless galactic dictator Enro the Red and the mysterious shadow-being known as The Follower, while he is hurled headlong through unimaginable distances in space and in time and through alternate eternities to fend off the death, and complete the rebirth, of the Universe itself!

Null-A Continuum

United States

Titans of Chaos (The Chronicles of Chaos)

Titans of Chaos completes John Wright's The Chronicles of Chaos. Launched in Orphans of Chaos--a Nebula Award Nominee for best novel in 2006, and a Locus Year's Best Novel pick for 2005--and continued in Fugitives of Chaos, the trilogy is about five orphans raised in a strict British boarding school who discovered that they are not human. The students have been kidnapped, robbed of their powers, and raised in ignorance by super-beings. The five have made incredible discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter; Vanity can find secret passageways through solid walls; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the universe. They have learned to control their strange abilities and have escaped into our world: now their true battle for survival begins. The Chronicles of Chaos is si

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