<p>In this personal account of Samuel Beckett's theatre, Katharine Worth draws on a wealth of remarkable material, such as her own work producing and directing Beckett's plays, the experience of watching other productions, and conversations and correspondence with Beckett. This book focuses on the power that Beckett's theatre has to fascinate the viewer with the ordinary experiences of life as well as its great mysteries.<br></p>

Samuel Beckett's Theatre: Life-Journeys

Literature & Fiction

Worth, Katharine

British & Irish

Clarendon Press

Samuel Beckett's Theatre: Life Journeys

Oxford University Press

Each generation needs to be introduced to the culture and great works of the past and to reinterpret them in its own ways. This series re-examines the important English dramatists of earlier centuries in the light of new information, ew interests and new attitudes. The books will be relevant to those interested in literatire, theatre and cultural history, and to threatre-goers and general readers who want an up-to-date view of these dramatists and their plays, with the emphasis on performance and relevant culture history.This book explores the reasons for the deep and lasting appeal of Sheridan's and Goldsmith's comedies, showing how they operate at the profound imaginative level and draw on their author's experience as Irish wits in an English scene. Their subtle dramatic techniques are examined in relation to physical features of the eighteenth-century stage. A chapter on sentimental comedy relates to plays such as Hugh Kelly's False Delicacy to the balance of irony and sentiment in Goldsmith's The Good Natur'd Man and Sheridan's A Trip to Scarborough. The continuing freshness of the comedy of mistakes, masks and Harlequin-like role playing which the two playwrights draw from the operatic and theatrical conventions of their day is illustrated from modern productions. These have helped to illuminate the psychological truth and social awareness underlying the sparkling surfaces of Sheridan's and Goldsmith's classic comedies.

Sheridan and Goldsmith (English Dramatists, 10)

Dramas & Plays

Red Globe Press

This study provides a European perspective on the drama of Yeats and of the Irish playwrights – Wilde and Synge, O'Casey and Beckett – who share in the achievement of creating a modern ‘drama of the interior'. Professor Worth traces in particular the influence of Maeterlinck, examining his ‘static drama' in some detail. A dominant theme is the importance of total theatre techniques to the playwrights of the interior from Wilde in Salomé to O'Casey in plays like Cock-a-Doodle Dandy. Yeats is seen as the great pioneer, assimilating inspiration from the French, with Arthur Symons as guide, from Synge, from Gordon Craig and from the No drama, and evolving a modern technique for a drama of complex self-consciousness.

Irish Drama of Europe from Yeats to Beckett

Humanities Pr

The Irish drama of Europe from Yeats to Beckett

distributed by Humanities Press

The Irish Drama of Europe from Yeats to Beckett

History

UNKNO

Revolutions in modern English drama

Bell

The Irish Drama of Europe from Yeats to Beckett (Bloomsbury Academic Collections: English Literary Criticism)

Bloomsbury Academic

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Books by Worth, Katharine