The National Gallery, London, possesses an outstanding collection of French seventeenth-century paintings, in part a reflection of the enthusiasm with which British collectors once acquired the works of Poussin and Claude. Many of the greatest works of these two French masters are in the Gallery; some, such as Claude’s Enchanted Castle and Poussin’s Triumph of Pan, were acquired since the publication of The French School by Martin Davies in 1957. In this new catalogue, Humphrey Wine takes a fresh look at these masterpieces, together with the work of such artists as Laurent de La Hyre, Philippe de Champaigne, Valentin de Boulogne, and the Le Nain brothers. Important paintings, including Champaigne’s full-length Cardinal Richelieu, La Hyre’s Allegorical Figure of Grammar, and Eustache Le Sueur’s Alexander and his Doctor, are discussed in detail.New research and information based on a reexamination of each picture are combined with full-page color illustrations, details, technical photographs, and comparative illustrations. This catalogue provides both an invaluable reference for studying seventeenth-century French painting and a closer look at some of the most beautiful paintings in the Gallery’s collection.

The 17th-Century French Paintings

Arts & Photography

Wine, Humphrey

History & Criticism

National Gallery London

This volume brings together over 100 paintings and drawings of the 18th and 19th centuries from the Musee des Beaux-Arts at Lille, one of the greatest of the French provincial museums. It demonstrates the diversity and richness of French art of this period and provides an important overview of the major movements and stylistic developments that flourished then. The revolutionary Neo-Classicism of David, the Romanticism of Delacroix and Gericault, and the Realism of Courbet are seen against a background of traditional academic history and religious painting in a survey that, unusually, does not begin or end at 1800. It discusses exhibiting and selling art in France, the educational ideals, and the market which shaped the nature of French painting in those years. The catalogue entries supply commentary both on works by major artists and on those by lesser figures greatly esteemed by their contemporaries and now again receiving the recognition they deserve.

Tradition & Revolution in French Art 1700-1880: Paintings & Drawings from Lille

Whiteley, Jon & Linda

Gerard, Alain

Natl Gallery England

The National Gallery possesses an outstanding collection of French seventeenth-century paintings, in part a reflection of the enthusiasm with which British collectors once acquired the works of Poussin and Claude, thirteen of whose paintings were in the collection within ten years of the Gallery's opening in 1824. These included such well-known works as Claude's Seaport with the Embarkation of Saint Ursula and Poussin's Bacchanalian Revel before a Term. In more recent years other important works by these two French masters have been added, for example Poussin's Annunciation and Claude's Enchanted Castle.Since 1957, when Martin Davies published The French School, an unprecedented amount of research has been undertaken on French seventeenth-century artists. Taking account of this, Humphrey Wine has written afresh on the seventeenth-century paintings in Davies's catalogue; he has also written detailed entries on all subsequent acquisitions in this field. These include, as well as paintings by Claude and Poussin, major pictures such as La Hyre's Allegory of Grammar, the Le Nain brothers' Adoration of the Shepherds and Le Sueur's Alexander and his Doctor.New research and information based on the re-examination of each picture are combined with full-page colour illustrations of every painting, as well as details, technical photographs and comparative illustrations. The introductory essay provides an account of the collecting of French paintings of the seventeenth century in England from that time until the recent past. An invaluable reference for seventeenth-century French painting, this catalogue also provides the opportunity for a closer look at some of the most beautiful paintings in the Gallery's collection.

Seventeenth Century French Paintings

Painting

Natl Gallery Pubns Ltd

The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms.

National Gallery Catalogues: The Eighteenth-Century French Paintings

<p>This book on the leading French artist of the Rococostyle, Jean-Antoine Watteau, offers the reader anexcellent overview of his life, work, and times.It is one volume in a beautifully illustrated series onfamous artists written by noted authors. Here are thegreat paintings as well as interesting aspects of theartist's personality, his patrons, his critics, his influenceand place in history.</p>

Watteau (Great Artists)

Individual Artists

Scala Books