Every fantasy has a price. Vivian Xu knows this all too well, having catered to the criminal underworld of the Czech Republic in ways no one can imagine. Now she finds herself at the mercy of a homicide detective who would sacrifice anyone to stop a deranged serial killer. Vivian becomes an unwilling informant in a game of hunt-or-be-hunted. Delving deeper into the killer’s web, she discovers the shocking truth behind the slayings, but she does not escape with her mind unscathed. Vivian will pay any price to see society again, even at the cost of becoming just like the killer.

Red Widow

Literature & Fiction

Wilson, Nathan

Genre Fiction

Nathan Wilson

Native Americans in the United States, similar to other indigenous people, created political, economic, and social movements to meet and adjust to major changes that impacted their cultures. For centuries, Native Americans dealt with the onslaught of non-Indian land claims, the appropriation of their homelands, and the destruction of their ways of life. Through various movements, Native Americans accepted, rejected, or accommodated themselves to the nontraditional worldviews of the colonizers and their policies. The Historical Dictionary of Native American Movements is designed to provide a useful reference for students and scholars to consult on topics dealing with key movements, organizations, leadership strategies, and the major issues these groups confronted. This second edition of Historical Dictionary of Native American Movements contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on important personalities, language, religion, politics, and the environment.

Historical Dictionary of Native American Movements (Historical Dictionaries of Religions, Philosophies, and Movements Series)

History

Leahy, Todd

Americas

Rowman & Littlefield Publishers

Native Americans in the United States, similar to other indigenous people, created political, economic, and social movements to meet and adjust to major changes that impacted their cultures. For centuries, Native Americans dealt with the onslaught of non-Indian land claims, the appropriation of their homelands, and the destruction of their ways of life. Through various movements, Native Americans accepted, rejected, or acclimated to the nontraditional worldviews of the colonizers and their policies. The Historical Dictionary of Native American Movements is designed to provide a useful reference for students and scholars to consult on topics dealing with key movements, organizations, leadership strategies, and the major issues these groups confronted. Historical Dictionary of Native American Movements, Third Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has more than 300 cross-referenced entrieson such topics as key movements, organizations, leadership strategies, and the major issues these groups confronted. This book is an excellent resource for students, researchers, and anyone wanting to know more about Native Americans. ations, leadership strategies, and the major issues these groups confronted. This book is an excellent resource for students, researchers, and anyone wanting to know more about Native Americans.ations, leadership strategies, and the major issues these groups confronted. This book is an excellent resource for students, researchers, and anyone wanting to know more about Native Americans.ations, leadership strategies, and the major issues these groups confronted. This book is an excellent resource for students, researchers, and anyone wanting to know more about Native Americans.

Wilson Fort Hays State Universit, Raymond

Darkness fell swiftly on Tetra. It wasn't anything special. It was just night. But it was dark. Stars were sneaking in and out of a couple desert clouds. The bullhorn slept, and s'moring had begun around a few thousand campfires. But there was one tent, the tent where the leaders met, that had no campfire in front of it. Nor was anyone inside it. At least not anyone other than Randy Jarvis, the Antichrist. He had been laid on the table in the middle of the tent for examination by the leaders. When they had all been convinced that he was actully the Antichrist, and Buford had been reprimanded for makng him slip at the pool, the Antichrist had been shoved into a large plastic bag and left on the table. 
That plastic bag, full of evil, on the table, in the middle of the tent, now stirred. Was it a breeze? Was it some evil thing come with the darkness? Something was afoot. The bag now did more that stir. It jerked and lurched, it quaked and snapped, but there was no wind in the tent. Then the bag fell off the table on to the fake sheep skin rug and stopped. But not for long. It wasn't jerking now, it was expanding, stretching, growing thinner. A tear opened at the top and out came four fingers, followed by a hand. Then another hand. Both were followed by arms. A head emerged, slowly and painfully, wrapped in cloth. Before long the entire body crawled its way out, a body wearing nothing but its own flesh and a red Speedo. 
"Mother?" it said. "Mother, are you there?" And then, exhaused, it collapsed into a deep sleep.

Supergeddon: A Really Big Geddon (The Upturned Table Parody Series)

Dr. Sock

Canon Pr

Frazer Irving is the denizen of the dark, the disturbing, and the diabolical in comic book illustration. From his earliest work in Britain's 2000AD to his breakthrough contributions with Wildstorm, Dark Horse, and Marvel Comics, Irving is widely known for his iconic work on DC Comics titles such as Klarion: The Witch Boy, Azrael: Death's Dark Knight, and most recently, Batman: The Return of Bruce Wayne and Batman and Robin. An award-winning illustrator who has collaborated with the likes of John Wagner, Grant Morrison, and Matt Fraction, Irving is also behind the creator-owned Image series Gutsville with Simon Spurrier. When not performing with his London-based band, this true Modern Master is hard at work redefining and challenging the boundaries of comic art with his innovative digital techniques and style. Now, Nathan Wilson and Eric Nolen-Weathington examine Irving's career through an exhaustive interview with the artist, where he outlines his creative process, and presents reams of rare and unseen art, including a gallery of commissioned pieces, and a full-color gallery of his work. Come with us as we shine the light on another master of modern comic art: Frazer Irving! From Grant Morrison's Introduction: "Nathan Wilson's interview/conversation with Frazer is one of the best of its kind that I've read on the subject of comics and their creators; Wilson's done his research and knows when to vary the tone or deepen the inquiry but what makes this so much fun to read is his willingness to keep pace with Frazer's restless playful imagination. Wilson is unfazed by Irving's surreal digressions and the best of the knockabout exchanges read as though they were scripted for a double act. As a portrait of the artist, it more than accomplishes its job. Frazer's honesty, humour, intelligence and insight come across as vividly as the ultra-pinks and infra-violets with which he drenches in light his remarkable pages. If you're reading this, you probably already know and love Frazer Irving's work. Here's your chance to get to know and love the lad himself."--Grant Morrison

Modern Masters Volume 26: Frazer Irving (MODERN MASTERS SC)

Biographies & Memoirs

Nolen-Weathington, Eric

Arts & Literature

TwoMorrows Publishing

Obsidian Wraith (Obsidian Blade)

Nin, S. E.

Independently published

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