In 1982, the fledgling Native nonprofit Sealaska Heritage Institute held a dance-and-culture festival to celebrate the Tlingit, Haida, and Tsimshian cultures of Southeast Alaska. A couple of hundred Native people gathered in Juneau for the event, called Celebration. They could not have imagined then that Celebration woud spark a movement across the region - a renaissance of Native culture that prompted people largely unfamiliar with their heritage to learn their ancestral songs and dances and to make regalia for future Celebrations. Today, Celebration is the largest cultural event in the state, drawing thousands of people to the five-day biennial festival. Celebration: Tlingit, Haida, Tsimshian Dancing on the Land, featuring the work by the noted Alaska photographer Bill Hess, includes images from the first Celebrations to the present-day festivals. It is both an introduction to Native cultures and a cherished keepsake for the people who have participated in Celebration. Sealaska Heritage Institute is a regional Native nonprofit organization serving the indigenous peoples of Southeast Alaska. The Institute was founded in 1980 to administer cultural programs for Sealaska Corporation, a Native for-profit company formed under the Alaska Native Claims Settlement Act. The Institute's mission is to perpetuate and enhance Tlingit, Haida, and Tsimshian cultures.

Celebration: Tlingit, Haida, Tsimshian Dancing on the Land

Arts & Photography

Davidson, Robert

Williams, Maria

Worl, Rosita

History & Criticism

University of Washington Press

A long time ago, Raven was pure white, like fresh snow in winter. This was so long ago that the only light came from campfires, because a greedy chief kept the stars, moon, and sun locked up in elaborately carved boxes. Determined to free them, the shape-shifting Raven resourcefully transformed himself into the chief's baby grandson and cleverly tricked him into opening the boxes and releasing the starlight and moonlight. Though tired of being stuck in human form, Raven maintained his disguise until he got the chief to open the box with the sun and flood the world with daylight, at which point he gleefully transformed himself back into a raven. When the furious chief locked him in the house, Raven was forced to escape through the small smokehole at the top — and that's why ravens are now black as smoke instead of white as snow. This engaging Tlingit story is brought to life in painterly illustrations that convey a sense of the traditional life of the Northwest Coast peoples. About the Tales of the People series: Created with the Smithsonian's National Museum of the American Indian (NMAI), Tales of the People is a series of children's books celebrating Native American culture with illustrations and stories by Indian artists and writers. In addition to the tales themselves, each book also offers four pages filled with information and photographs exploring various aspects of Native culture, including a glossary of words in different Indian languages.

How Raven Stole the Sun (Tales of the People, 4)

Children's Books

Animals

Abbeville Kids

More than one hundred color photographs demonstrate detailed stitching and yarn blends, completed projects, and step-by-step instructions for twenty-five knitting projects for knitters of all skill levels, including patterns for today's hottest scarves, ponchos, shawls, pullovers, and more. Original.

Chic Knits: Mix Novelty Yarns to Create 25 Ponchos, Capes, Tops & Purses

Fashion

Krause Pubns Inc

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Books by Williams, Maria