The United States Subprime Mortgage Crisis was a series of events and conditions that led to a financial crisis and subsequent recession that began in 2008. It was characterized by a rise in subprime mortgage delinquencies and foreclosures. The crisis had severe, long-lasting consequences for the U.S. economy. Between June 2007 and November 2008, Americans lost more than a quarter of their net worth. Nearly 9 million jobs were lost during 2008 and 2009, roughly 6% of the workforce. U.S. housing prices fell nearly 30%. Nevada was the worst-hit state in the country with one home foreclosure filing for every 23 households. The Sub-Prime Mortgage Bailout Coloring Book will introduce to the children of America the unprecedented burden imposed on them, and generations to come. More more information visit www.pcppress.com # # # # #

The SubPrime Mortgage Crisis Bailout Coloring Book

Arts & Photography

Williams, LG

History & Criticism

CreateSpace Independent Publishing Platform

The Story Of Art Workbook is designed specifically to accompany the classic text, The Story of Art by E.H. Gombrich. This supplemental drawing workbook has roughly 400 assignments to help students get the most they can out of The Story of Art, and out of their art history and art appreciation courses. The workbook challenges students to undertake fun-to-do drawing excersises that help them experience and understand the concepts firsthand, before or after they’ve read about in the textbook.  As a supplemental workbook, The Story Of Art Workbook uniquely addresses the most pressing paradox that currently exists in every college and university Art Appreciation and Introductory Art History classroom in the United States. Namely, the seminal visual principals, theories, and concepts in Art’s history are still delivered solely through the same old, textual approach. This antiquated methodology remains to this very day, as distant, passive, and ineffectual as it was since its conception. After all, one cannot and should not expect the major achievements of the visual arts to be fully understood, grasped or appreciated by any means other than a direct, hands-on approach.  The Story Of Art Workbook’s various assignments are presented in the workbook in simple, contemporary terms and scenarios. The Table of Contents closely follows many versions of Gombrich’s classic text, and is organized along the lines of a typical Art History and Art Appreciation course.  For more information visit www.DrawingUponArt.com  # # # # #

The Story Of Art Workbook: A Supplemental Workbook For The Story Of Art By E.H. Gombrich

Reference

Whether truth or madness, Wally Hedrick's voice is certainly that of a prophet in the more general sense of the word, for he is a denouncer of the evils of the world around him, calling for a return to Humanity and a renunciation of worldly things for spiritual Wally Hedrick's Black Paintings appear at one of the most important and turbulent junctures of history, at the beginning of the Unamerican Empire which is currently and radically transforming the fabric of life in the USA and the world, creating totally new and alien problems with which the old world cannot cope. Hence, with I revolution was in the air, flamed by the violent US militarism, Hedrick leads those with a visionary bent (like Blake) to see the signs of apocalypse in world events, when all mankind would break free of their shackles and arise to overthrow tyranny in all its hideous forms. As an artist and mystic, Wally takes the stance of a radical visionary against the established order of his time. Hedrick is a type which is never in tune with the times; but one can hardly imagine a century he more definitely opposed, point by point, to everything in which he was surrounded by. The corollary is equally true, that no age needed him more. But of course it never heard him. More information can be found at www.pcppress.com # # # # #

Envisioning The Dark Millennium: Wally Hedrick's Black Paintings: 1953 - 2003

LG Williams' eminent oeuvre underwent several transformations over the decades. Probably the most incisive of these was his encounter with Hawaiian culture, which led to Williams's retreat from the New York art scene: from 1990 on, he lived in Hawaii and shuttled between Waikiki and Los Angeles. The world of Hawaiian gods, bright Pacific light, and the history, literature, and mythology of the Oriental found their way into his art. On ever larger canvases, the drama of mankind was transformed into a sensual and poetic vision of color, drawing, and form. Editor Weiner Faustian has now added the first volume to our Catalogue Raisonne, covering the years from 2005 until 2010. It includes, inter alia, the series of monumental paintings that occupied the artist during the middle years of his career.

LG Williams Selected Artworks Volume 02: 2005-2010 (Volume 2)

LG Williams’ eminent oeuvre underwent several transformations over the decades. Probably the most incisive of these was his encounter with Hawaiian culture, which led to Williams’s retreat from the New York art scene: from 1990 on, he lived in Hawaii and shuttled between Waikiki and Los Angeles. The world of Hawaiian gods, bright Pacific light, and the history, literature, and mythology of the Oriental found their way into his art. On ever larger canvases, the drama of mankind was transformed into a sensual and poetic vision of color, drawing, and form. Editor Weiner Faustian has now added the first volume to our Catalogue Raisonne, covering the years from 2005 until 2010. It includes, inter alia, the series of monumental paintings that occupied the artist during the middle years of his career.

LG Williams Selected Artworks Volume 03: 2011 - 2013 (Volume 1)

"EVERYONE SUCKS" by LG Williams has an apocalyptic-looking cover and a title that needs explication. The book is not an aesthetic doomsday scenario, quite the contrary, as the explanation of the title will show. Williams, who is an unemployed surfer in Beverly Hills, completed this artwork in late 2002, and in it, he explains in a logical, well-considered progression why he believes that art is at a final resting point in progressive art history, and that that future art will render humanity as less than what it could be - comfort seeking, self-involved, "men without chests." The book, which could be subtitled "I Love Art and Why You Should Too", builds on LG's idea that there could be further, progressive art. This is what LG is referring to when he says that Art has reached its end; he doesn't mean that nothing else will happen, but that the progression of art history toward a universally beneficial system of brilliant nonsense has culminated in commercial mediocrity and bureaucrats. He defines mediocrity "as a rule of art that does not recognise individual genius or freedoms from forces of control, stupidity, and domination" and he defines those rights in three classes, wrong rights, commercial rights and left rights. But he cautions that Nietzsche believed in war and conflict as a way for humanity to express its passions, and that without conflict in the Jungian sense (LG says that great artist do not attack each other), humans will become soft, meaningless, and passionless. LG does not advocate that artist become "the last artists," even though in this volume, he believes the End of Art is near.

Everyone Sucks

Other Media

The Book Of Dandy is another installment in the series of photography books by American artist LG Williams. The Book Of [Your Name Here] series, originating in January 2015, is an artistic re-examination of the "miracle" of the daguerreotype photograph, in which the artist reaches back to the origins of photography. On August 19, 1839 the French Academy of Sciences announced the invention of the daguerreotype by the scene painter and physicist Louis-Jaques-Mande Daguerre (1787-1851). Word of the discovery spread swiftly, and the daguerreotype photography enjoyed great popularity until the 1850s, especially in America where the process was free from patent restrictions.
 While there was great demand for portraits captured by the "miracle" of photography, early daguerreotype technology had its shortcomings. The necessarily long exposure times that were required to capture an image, fifteen minutes on average under bright lights, led to necessarily inevitable lacunae in representing the subject. The resulting single image daguerreotypes are de facto composites of the lapsed long exposure time, but not, as was purported, scientifically captured replicas of both time and image.
 This publication and series presents an opportunity for Williams to provide an artistic, political, and social perspective on the missing truths, images, and loss of time that occurred during the age of Daguerre. In other words, each book from this single-portrait-series consists of hundreds of continuous images during a fifteen-minute stretch of time, or just about as many images as the artist could take as fast as possible using his out-dated FujiFilm FinePix Z70 3-MP Digital Camera. From this historical perspective, Williams' series points to the limitations of daguerreotype photography with the seemingly limitless possibilities of contemporary analogue-image capture and production.

The Book Of Dandy

Individual Artists

The Book Of Richard is another installment in a series of photography books by American artist LG Williams. The Book Of [Your Name Here] series, originating in January 2015, is an artistic re-examination of the "miracle" of the daguerreotype photograph, in which the artist reaches back to the origins of photography. On August 19, 1839 the French Academy of Sciences announced the invention of the daguerreotype by the scene painter and physicist Louis-Jaques-Mande Daguerre (1787-1851). Word of the discovery spread swiftly, and the daguerreotype photography enjoyed great popularity until the 1850s, especially in America where the process was free from patent restrictions. While there was great demand for portraits captured by the "miracle" of photography, early daguerreotype technology had its shortcomings. The necessarily long exposure times that were required to capture an image, fifteen minutes on average under bright lights, led to necessarily inevitable lacunae in representing the subject. The resulting single image daguerreotypes are de facto composites of the lapsed long exposure time, but not, as was purported, scientifically captured replicas of both time and image. This publication and series presents an opportunity for Williams to provide an artistic, political, and social perspective on the missing truths, images, and loss of time that occurred during the age of Daguerre. In other words, each book from this single-portrait-series consists of hundreds of continuous images during a fifteen-minute stretch of time, or just about as many images as the artist could take as fast as possible using his out-dated FujiFilm FinePix Z70 3-MP Digital Camera. From this historical perspective, Williams' series points to the limitations of daguerreotype photography with the seemingly limitless possibilities of contemporary analogue-image capture and production.

The Book Of Richard

Humor & Entertainment

Pop Culture

In 1990 Richard Carter (BFA, KCAI 1985) established Richard Carter Studio to provide an environment in which to stimulate creative and personal growth among committed ceramic artists through mutual exchange of ideas, techniques and philosophies. In the spring of 2000, Richard moved to his new location in Pope Valley and founded Pope Valley Pottery; in 2007, Richard returned to his roots, rechristening the Pottery to Richard Carter Studio. This volume is the precise, archival record of the anagama firings conducted in Pope Valley, CA from February 2008 - April 2012 at the Richard Carter Studio.

Richard Carter Studio: Pope Valley Anagama Kiln Firing Record Book

Carter, Richard

For four decades, the legendary painter Wayne Thiebaud taught, passionately, at the University of California Davis, until retiring aged 70. As a teacher, Thiebaud had introduced thousands of undergraduates to the delights of great art and art making. Thiebaud still refers to exercises he would assign his students when explaining the dynamics of his own works. Here, collected for the first time, are student records of Thiebaud's famous lectures, which include Beginning Drawing, Descriptive Drawing, Life Drawing, Beginning Painting, Printmaking, and Theory and Criticism. These lecture notes are, apart from everything else, delightful and vibrant. They are concrete, efficient, not the wanderings of an imported academic star who takes class off early to get to the tennis courts. Introductory essay by Dr. Gene Cooper, Professor Emeritus, California State University Long Beach.

Wayne Thiebaud Lectures on Art and Drawing

Thiebaud, Wayne

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Books by Williams, LG