Now in paperback, Anthropology and the Dance is a lively, controversial examination and discussion of theories of dance by the pioneer of the anthropology of human movement. Drid Williams's definitive text is explicitly intended for graduate students in anthropology faced with the wide spectrum of theories of human movement, including the dance, sign language, martial arts, and rituals. With its groundbreaking approach to this previously unexamined field, however, Anthropology and the Dance brings the study of human movement to readers in fields such as philosophy, psychology, sociology, ethnomusicology, library science, physical education, history, music, linguistics, dance, and dance education. Williams examines subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment, locating human movement firmly and irrefutably within the sphere of serious study. Anthropology and the Dance: Ten Lectures is the thoroughly rewritten second edition of Ten Lectures on Theories of the Dance (1991). Included are a glossary of terms, indexes and notes, an updated bibliography, and an appendix, "An Exercise in Applied Personal Anthropology."

Anthropology and the Dance: TEN LECTURES (2D ED.)

Politics & Social Sciences

Williams, Drid

Anthropology

University of Illinois Press

Teaching Dancing with Ideokinetic Principles

In examining ideokinesis and its application to the teaching and practice of dancing, Drid Williams introduces readers to the work of Dr. Lulu Sweigard (1895–1974), a pioneer of ideokinetic principles. Drawing on her experiences during private instructional sessions with Sweigard over a two-year span, Williams discusses methods using imagery for improving body posture and alignment for ease of movement. Central to Williams's own teaching methods is the application of Sweigard's principles and general anatomical instruction, including how she used visual imagery to help prevent bodily injuries and increasing body awareness relative to movement. Williams also emphasizes the differences between kinesthetic (internal) and mirror (external) imagery and shares reactions from professional dancers who were taught using ideokinesis. Williams's account of teaching and practicing ideokinesis is supplemented with essays by Sweigard, William James, and Jean-Georges Noverre on dancing, posture, and habits. Teaching Dancing with Ideokinetic Principles offers an important historical perspective and valuable insights from years of teaching experience into how ideokinesis can shape a larger philosophy of the dance.

Arts & Photography

Performing Arts

Now in paperback, Anthropology and the Dance is a lively, controversial examination and discussion of theories of dance by the pioneer of the anthropology of human movement. Drid Williams's definitive text is explicitly intended for graduate students in anthropology faced with the wide spectrum of theories of human movement, including the dance, sign language, martial arts, and rituals. With its groundbreaking approach to this previously unexamined field, however, Anthropology and the Dance brings the study of human movement to readers in fields such as philosophy, psychology, sociology, ethnomusicology, library science, physical education, history, music, linguistics, dance, and dance education. Williams examines subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment, locating human movement firmly and irrefutably within the sphere of serious study. Anthropology and the Dance: Ten Lectures is the thoroughly rewritten second edition of Ten Lectures on Theories of the Dance (1991). Included are a glossary of terms, indexes and notes, an updated bibliography, and an appendix, "An Exercise in Applied Personal Anthropology."

Social Sciences

We like to think that stereotypes about 'the dance,' 'dancers,' and 'dancing' are not as prevalent as they were in the 19th century, but is this true? Theories of the dance_unlike sport, signing, martial arts, and rituals_are trivialized and vitiated by an astonishing number of outdated ideas. This book aims to clear some of the intellectual underbrush that tends to accumulate in neglected fields of academic study, and it will be especially useful to people who are interested in the anthropology of the dance and human movement.

Ten Lectures on Theories of the Dance

Scarecrow Press

Explores how the micro-histories of dances and sign languages fit into the macro-history of the human race. Drid Williams brings together four major scholars in the field: Sylvia Glasser, Douglas Baynton, Brenda Farnell and Theresa Buckland, as they consider the problems that arise when searching for the origins of sign languages and dances. The essays written by each of these scholars are found in the first section of the book. Glasser talks about the political nature of dancing in South Africa. Baynton summarizes significant changes in American attitudes toward deaf-signing during the nineteenth and early twentieth centuries. Farnell addresses two issues: different ways of thinking about time/space and gesture and the general notion of embodiment among the Assiniboine (Nakota) people. Buckland discusses the origins of English forms of traditional dancing and the resources available for its study. Following is a section concerning the confusions that exist regarding ideas of evolution, subjectivity and objectivity, progress, primitivity, and universality as they pertain to the study of dance and sign languages. The final section provides intellectual resources on ancient dances, movement literacy and evidence, and the basic structures of argument. The chapters are accompanied by biographical notes, summary exercises and study questions. A comprehensive supplement for courses providing anthropological perspectives on the study of sign languages and dances, this is an ideal resource for audiences interested in sociocultural anthropology, performance studies, linguistics, ethnomusicology and ethnology.

Searching for Origins (Anthropology and Human Movement, Volume 2)

History

World

The Sokodae: a West African Dance (Institute for Cultural Research Monographs)

The Institute for Cultural Research

Writing on front page. Otherwise clean inside and out. Some signs of age.

Beyond Survival

Drid Williams

See the best price to sell, buy, or rent books by Williams, Drid. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Williams, Drid

See the best price to sell, buy, or rent books by Williams, Drid. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Anthropology and the Dance: TEN LECTURES (2D ED.)

Teaching Dancing with Ideokinetic Principles

Anthropology and the Dance: TEN LECTURES (2D ED.)

Teaching Dancing with Ideokinetic Principles

Teaching Dancing with Ideokinetic Principles

Ten Lectures on Theories of the Dance

Searching for Origins (Anthropology and Human Movement, Volume 2)

The Sokodae: a West African Dance (Institute for Cultural Research Monographs)

Beyond Survival