Of Mortal Love contains, for many critics and readers, the essence of all that is best in Gerhardie's writing, and Michael Holroyd, in his 'Preface', voices the suspicion that it is the author's own favourite among his books.   First published in 1936, Of Mortal Love is a simple love story, in the author's own words 'containing fresh love-lore and treating of the succeeding stages of transmutation of love erotic into love imaginative; of love entrancing into love unselfish; of love tender into love transfigured'. It is the story of Dinah, who was not born to live alone, and of Walter, Jim and Eric who loved, but proved unequal to her love. According to C. P. Snow, it is 'one of the most wonderful books of a generation'.

Of Mortal Love (Modern Classics)

Literature & Fiction

William Gerhardie

Contemporary

Penguin Classics

William Gerhardie is one of our immortals. He is our Gogol's Overcoat. We all came out of him.' Olivia Manning  'He is a comic writer of genius ? but his art is profoundly serious.' C.P. Snow  First published in 1925, this is perhaps the most acclaimed of William Gerhardie's novels and was celebrated by Anthony Powell as 'a classic'. Like his first novel, Futility, The Polyglots draws largely on personal experience. It is the story of an eccentric Belgian family living in the Far East in the uncertain years after World War I and the Russian Revolution. The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters - depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs - Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.

The Polyglots (Twentieth Century Classics)

Oxford Paperbacks

Pending Heaven

Literary

TBS The Book Service Ltd

This is the first novel by William Gerhardie, first published in 1922, and it was made famous by H. G. Wells, who described it as 'true, devastating - a wonderful book'. Based on Gerhardie's own experiences as a member of the British Military Mission to Siberia shortly after the October Revolution, Futility paints a picture of contemporary Russian society which deserves comparison with the writing of Chekhov. At the centre of the story is Nicolai Vasilievich, who trails across Russia in the wake of the British Mission in the perpetual and unrealistic hope of seeing his fortunes improve, even though they steadily deteriorate. In counterpoint to Nicolai's comic progression, Gerhardie tells the story of his narrator's hopeless love for Nina, the second of Nicolai's three bewitching adolescent daughters. 'William Gerhardie is one of our immortals. He is our Gogol's Overcoat. We all came out of him.' Olivia Manning 'He is a comic writer of genius ... but his art is profoundly serious.' C. P. Snow

Futility: A Novel on Russian Themes

Faber and Faber

William Gerhardie is one of our immortals. He is our Gogol's Overcoat. We all came out of him.' Olivia Manning 'He is a comic writer of genius ? but his art is profoundly serious.' C.P. Snow First published in 1925, this is perhaps the most acclaimed of William Gerhardie's novels and was celebrated by Anthony Powell as 'a classic'. Like his first novel, Futility, The Polyglots draws largely on personal experience. It is the story of an eccentric Belgian family living in the Far East in the uncertain years after World War I and the Russian Revolution. The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters - depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs - Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.

The Polyglots

First published under the title Jazz and Jasper in 1928, Doom was praised by Arnold Bennett for its 'wild and brilliant originality' and is remembered as William Gerhardie's wittiest and strangest novel. It is the story of Frank Dickin, an impoverished young novelist, and his involvement with an eccentric family of Russian emigres - in particular, their beautiful daughter Eva - and with an all-powerful newspaper magnate, Lord Ottercove (based on Gerhardie's friend Lord Beaverbrook), who takes Dickin on as a lost cause. This irrepressible comic mixture also involves a mad English lord who is bent on destroying the world - and, with an outrageous sleight of hand that only Gerhardie could manage, the novel slowly slips from social comedy toward apocalypse.  'A master of the ridiculous ... Doom seems like nothing else in the language.' Michael Holroyd  'I have talent, but he has genius.' Evelyn Waugh  'He is a comic writer of genius ... but his art is profoundly serious.' C. P. Snow

Doom

GODS 5TH COLUMN

History

World

Simon&Schuster

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Books by William Gerhardie