Discusses the evolution of and influences upon Gauguin's artistic work and presents examples of his paintings, caricatures, and drawings

Gauguin (The Great impressionists)

Arts & Photography

Wildenstein, Daniel

History & Criticism

BANTAM DOUBLEDAY @ DELL

Gauguin (The Great Impressionists)

Thames and Hudson

Recreates Monet's life and artistic development during his years in the village of Giverny, reproducing eightyone of the finest paintings completed there

Monet's Years at Giverny: Beyond Impressionism (English and French Edition)

Harry N.Abrams, Inc.

Monet. Complete Paintings, 1900-1926. Vol. 3 of the Catalogue Raisonné. (Catalogue Raisonné)

Alan Wofsy Fine Arts

Gauguin

Individual Artists

Book Sales

Claude Monet found inspiration in the rose-covered trellises, wild rambles of nasturtiums, and idle drift of water lilies in the gardens of Giverny outside Paris. So too did Stephen Shore, who photographed the gardens one hundred years later after their painstaking restoration. Commissioned by The Metropolitan Museum of Art to photograph the renascence of the gardens, Shore visited Giverny over six years beginning in 1977. Going to the gardens before dawn and leaving after dusk, in different seasons, he came to know them in all the moods and textures that inspired Monet. Shore's fidelity to the gardens' plenitude and his desire to present the abstract beauty of nature result in exquisitely serene photographs that express the essence of Giverny.

Stephen Shore: The Gardens At Giverny: A View of Monet's World

Van Der Kemp, Gerald

Aperture

A Colorful Photographic Tribute to the Gardens Celebrated in Monet's Paintings Claude Monet found inspiration in the rose-covered trellises, the wild ramble of nasturtiums, and the idle drift of water lilies in the gardens of Giverny outside Paris. So, too, did Stephen Shore, who photographed the gardens one hundred years later, upon their painstaking restoration to the state they had enjoyed during Monet's lifetime. Originally commissioned by the Metropolitan Museum of Art to photograph the renaissance of the gardens, Shore visited Giverny over a period of six years beginning in 1977. Going before dawn and leaving after dusk, visiting in different seasons, he came to know the gardens in all the moods and textures that nurtured Monet. "With the sensitivity of a poet, Stephen Shore has given a new interpretation of this garden, which so enchanted Claude Monet," writes Gerald Van Der Kamp, the man in charge of spearheading the careful revival of Monet's beloved gardens. Shore's uncompromising fidelity to both the gardens' plenitude and his desire to present the abstract beauty of nature results in exquisitely serene photographs that express the essence of Giverny.

The Gardens at Giverny: A View of Monet's World

Ce ne sont ni des mémoires ni une somme autobiographique. C'est juste un homme qui parle. Mais pas n'importe qui : Daniel Wildenstein, 82 ans, empereur et patriarche des marchands d'art. Basée à New York, la Wildenstein Inc s'adosse à un stock évalué en milliards de dollars, qui balise près de six siècles de peinture. Petit-fils de Nathan, fils de Georges, " Monsieur Daniel " - c'est ainsi qu'on l'appelle à son institut ou sur les hippodromes - est donc le troisième maillon de la dynastie de marchands de tableaux la plus puissante au monde et la plus secrète qui soit. Depuis près d'un demi-siècle et du bout des lèvres, Daniel Wildenstein n'acceptait de parler que de ses chevaux. De rien d'autre. Il ne répondait à aucune question, à aucune attaque, à aucune polémique. Une véritable abstraction vivante. Pour la première fois de son existence, il a brisé son mutisme légendaire. Aujourd'hui, il nous raconte " quelques petites choses vues, entendues ou vécues ". Passent alors dans le paysage : Clemenceau, Picasso, Maurice de Rothschild, Randolph Hearst, Bonnard, Malraux, Paul VI et " quelques " autres... Daniel Wildenstein nous convie à une promenade intime, à travers des instants de sa vie, des portraits, des récits, des éclairages, des révélations, des réflexions. Et promène son œil aigu de faucon pèlerin sur la fabuleuse planète des arts.

Marchands d'Art

Stavridès, Yves

PLON

Along with Turner, no artist has sought more than Monet to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

Monet or the Triumph of Impressionism

Taschen America, LLC

A biography of Monet. Numerous reproductions and archive photos appear alongside a detailed and insightful commentary.

Monet: Or the Triumph of Impressionism

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Books by Wildenstein, Daniel