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Gentle Art of Making Enemies

WHISTLER, James McNeill

Biographies & Memoirs

William Heinemann, Ltd.

James McNeill Whistler (1834–1903) ranks among the greatest of modern etchers, and this compilation features the best of his work in this genre. Here are 149 outstanding examples of his etchings and drypoints, most in the original size, and all reproduced with exceptional quality. Appealing subjects include views of wharfs and bridges; street scenes from London, Amsterdam, and Venice; and portraits. Popular individual prints presented are "Black Lion Wharf," 'Rotherhithe," "Annie Haden," "Zaandam," "The Storm," "Little Venice," "The Palaces," "Portrait of Whistler," "The Village Sweet-Shop," "The Two Doorways," "St. James's Street," "Fanny Leyland," "Longshoremen," "Old Battersea Bridge," "Nocturne," and many others. The famous sets are also well represented: the complete French set, the Thames set, and the two Venice sets. Editor Maria Naylor has provided an insightful introduction and an explanatory note for each print, giving Kennedy catalog number, the particular state illustrated, the medium, the original dimensions (in the few cases where illustrations have been reduced), and the set to which the print belongs (where applicable). An excellent reference for those already acquainted with Whistler's etchings, this volume also makes a fine introduction.

Etchings of James McNeill Whistler (Dover Fine Art, History of Art)

Arts & Photography

Individual Artists

Dover Publications

Arrangement in Grey and Black: Portrait of the Painter's Mother ("Whistler's Mother") appears in this vibrant collection, along with At the Piano, Symphony in White No. 2: The Little White Girl, Nocturne: Blue and Gold — St. Mark's, Venice, and 20 others.

Whistler Paintings: 24 Cards

The Gentle Art Of Making Enemies

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Painting

Kessinger Publishing

Vertex Editions is proud to present the only illustrated edition of The Gentle Art of Making Enemies by James McNeill Whistler, with 117 black and white images of paintings, drawings, and etchings by Whistler and a few other artists in his circle. Included is a catalogue of Venice etchings and a catalogue of paintings. The Gentle Art of Making Enemies is a compilation of published articles, essays, and letters documenting the public debate between Whistler and his critics, which attained an infamous reputation for its comically polite insults. This is also the only edition with a comprehensive index which will be useful for art historians, critics, researchers, and students.

The Gentle Art of Making Enemies: Illustrated Edition

Diederichsen Mediahaus

Whistler Pastels

George Braziller, Inc.

The catalog of the new Whistler exhibition--the largest since his death in 1903--reveals the range and variety of his work, showing him as a talented painter, printmaker, and designer and as a central figure in the Victorian art world.

James McNeill Whistler

Dorment, Richard

MacDonald, Margaret F.

Harry N.Abrams, Inc.

Lithographs of James McNeill Whistler

Smithsonian Inst Traveling Service

The Gentle Art of Making Enemies

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Gentle art of Making Enemies

Wentworth Press

History

Legare Street Press

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