Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art capitals of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on "The Beckmann Effect"; and artist William Kentridge on Beckmann's Death. This sumptuous volume is published on the occasion of the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964.

Max Beckmann

Arts & Photography

Westheider, Ortrud

Lloyd, Jill

Haxthausen, Charles

Kruszynski, Anette

Bieber, Susanne

Buenger, Barbara

Peter, Nina

STORR, Robert

History & Criticism

The Museum of Modern Art, New York

Die Legende vom verfuehrten, bedrängten und gequälten Eremiten Antonius bot Kuenstlern seit dem späten Mittelalter reichen Stoff fuer phantastische Bilderwelten. Gezeigt werden rund 80 Gemälde, Zeichnungen und Radierungen vom Beginn des 15. Jahrhunderts, darunter Werke aus der Nachfolge von Hieronymus Bosch sowie von Paolo Veronese, Jan Bruegel d. J., Salvator Rosa, Lovis Corinth, James Ensor und Max Ernst.

Schrecken und Lust: Die Versuchung des heiligen Augustinus von Hieronymus Bosch bis Max Ernst (German Edition)

Philipp, Michael

Hirmer Verlag GmbH

A painter of the elements, J. M. W. Turner depicted in his landscapes natural forces such as wind, fire, and water with an emphasis on their considerable destructive power and man’s raw vulnerability in the face of it. And be they storm scenes, avalanches, or disasters at sea, Turner’s oil paintings and watercolors were also informed by contemporary research in the natural sciences. Conceived by the Bucerius Kunst Forum in Hamburg and edited by leading Turner experts, this volume comprises eighty-five masterpieces from the Tate Gallery in London that are also scheduled for the National Museum in Krakow and the UK’s newly opened Turner Contemporary. The works presented here exemplify Turner’s extensive knowledge of nature and the impact of its forces, garnered from a lifelong fascination, and show that important developments in the artist’s technique over the course of several decades mirrored the many new scientific insights of the time. Especially significant is Turner’s stunningly realistic depiction of light, which made many of his canvases seem to actually glow. With 150 lush, full-color illustrations, this volume shows how Turner’s ever-deepening understanding of the natural world—and of light in particular—earned him his place in the pantheon of great European artists.

Turner and the Elements

Hirmer Publishers

This beautifully illustrated book examines the artistic career of the French painter and draftsman Henri-Edmond Cross who was a key figure in the development of European modernism. Inspired by the work of Realist painters such as Gustave Courbet and François Bonvin, Henri-Edmond Cross's earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross's palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross's artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter's anarchist sympathies and the political dimensions of his depictions of utopian sceneries.

Color and Light: The Neo-Impressionist Henri-Edmond Cross

Prestel

Featuring ancient Greek and Roman sculpture, this book explores the history and legacy of ancient statues of Olympian gods. For people in ancient Greece, ornately and imposingly fashioned statues depicting the gods symbolized power or ideal beauty. During the Roman Empire, when sculptors copied Greek models, the sculptures conveyed an aura of education and scholarship. This volume showcases antique sculptures that represent the most important Greek Olympian gods. Culled from the collection of the Staatliche Kunstsammlungen Dresden, one of the most important collections of antiquities, this book features objects ranging from the 6th century B.C.E. to the 4th century C.E. The sculptures express the Greek ideal of beauty and the remarkable creative powers of these artists as well as the evolving ways gods were portrayed--from solemn and religiously formal to natural and graceful figures.

Olympian Gods: From the Dresden Sculpture Collection (Barberini Studies)

Koja, Stephan

This beautiful volume offers a comprehensive overview of Impressionist landscape painting from an incomparable collection. During the 1860s, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley joined forces to revolutionize art with light- flooded landscapes that dispensed with the conventional imagery of the time. In 1874, with their penchant for working out of doors in order to capture fleeting sensory impressions directly on the canvas, they came to be known as the "Impressionists." Berthe Morisot, Paul Cézanne, and Gustave Caillebotte became affiliated with the new tendency as well. More than a decade later, artists such as Paul Signac and Henri-Edmond Cross developed their pioneering ideas further, and in 1901, during his first year in Paris, the young Pablo Picasso too drew inspiration from the Impressionist style. No comparable collection provides such a comprehensive overview of Impressionist landscape painting and its development as the one assembled in recent decades by Hasso Plattner, founder of the Museum Barberini. On its basis, Ortrud Westheider, the director of the Museum Barberini, presents the history of French Impressionism. With its focus on the transitory moment, the artistry of the Impressionists continues to exert a powerful fascination. Guided by the interplay between light and atmosphere, they created exquisite and timeless images whose innovative spirit and vitality continue to delight viewers today.

Impressionism: The Hasso Plattner Collection

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