The INDIANA DUNES REVEALED: The Art of Frank V. Dudley

A native Midwesterner’s timeless portrayals of a fragile sanctuary The Indiana Dunes Revealed offers the first comprehensive examination of a widely collected, much loved, and ecologically significant artist. Described by art historian William Gerdts as “one of the finest painters working in the Midwest in the first decades of the twentieth century,” Frank V. Dudley (1868-1957) was a native of Wisconsin who studied at the Art Institute of Chicago before going on to establish a long exhibition record both there and across the country. He also dedicated over forty years of his professional life as a landscape painter to the promotion and preservation the Indiana Dunes. Today, thanks in part to Dudley’s efforts, this unique geographical region enjoys state and federal protection and provides ecologists from around the world with a living laboratory unlike anything else. The Indiana Dunes Revealed serves as the accompanying catalogue for the exhibition of Dudley’s work showing from August 15 to November 30, 2006 at the Brauer Museum of Art at Valparaiso University. Featuring 150 color and 70 black-and-white images, it celebrates Dudley’s unique artistic legacy, documents the exhibition, and demonstrates the painter’s importance to environmentalists and naturalists, especially during the many years of national debate over the designation of parts of the dunes as a national park. In some areas, Dudley’s painting may be the only record of a lost dunescape, and as the struggle between development and preservation continues, his enduring art reminds us of the need for a sustainable environment for the Great Lakes.

The Indiana Dunes Revealed: The Art of Frank V. Dudley

Arts & Photography

William H.Gerdts

Wendy Greenhouse

James R. Dabbert

J. Ronald Engel

Joan Gibb Engel

Individual Artists

University of Illinois Press

As Chicago grew into the world-class city it is today, its civic leaders took exceptional care in their cultivation of the arts. The establishment of the Art Institute, the widespread support of wealthy patronage, and the activity of numerous organizations including the Chicago Architectural Club, the Urban League, and the Chicago Women's Club, combined to make Chicago home to many painters. Since rising from the ashes in 1873, Chicago has supported generation after generation of inspired artists who painted land and cityscapes, and honored their patrons with portraits. The full length and breadth of their amazing work can at last be appreciated in the Powell and Barbara Bridges Collection.             Susan C. Larsen provides a profile of the collectors and introduces the Bridges Collection, featuring an impressive range of canvases by Charles Francis Browne, Alice Kellogg Tyler, Frank Peyraud, Alfred Juergens, and other notable painters. Formerly the private treasure of the Bridges, Chicago Painting makes all 78 paintings of their remarkable collection available, in full color, to art lovers the world over.    Wendy Greenhouse offers a host of insights into the lives and work of the artists who worked prior to the turn of the last century.  She surveys the "conservative" Chicago painters who resisted the avant-garde, showing that while the European avant-garde did exert an influence, excellent work continued to be done in traditional genres such as portraits and landscapes.  Painters the quality of Junius Sloan, Lucie Hartrath, George Peter Alexander Healy, Louis Betts, Ralph Clarkson, and Daniel Folger Bigelow are represented here.   Finally, Susan Weiniger guides us into the Modernist era Chicago painters--Gertrude Abercrombie, Frances Strain, Frederic Tellander, Rudolph Weisenborn, and others--whose works show conclusively that Chicago did more than import avant-garde painting. Chicago Painting 1895 to 1945 also includes updated biographies of 49 painters and commentary on each painting.  

CHICAGO PAINTING 1895 TO 1945: THE BRIDGES COLLECTION

Susan C. Larsen

Kent Smith

Susan Weiniger

History & Criticism

A native Midwesterner’s timeless portrayals of a fragile sanctuary The Indiana Dunes Revealed offers the first comprehensive examination of a widely collected, much loved, and ecologically significant artist. Described by art historian William Gerdts as “one of the finest painters working in the Midwest in the first decades of the twentieth century,” Frank V. Dudley (1868-1957) was a native of Wisconsin who studied at the Art Institute of Chicago before going on to establish a long exhibition record both there and across the country. He also dedicated over forty years of his professional life as a landscape painter to the promotion and preservation the Indiana Dunes. Today, thanks in part to Dudley’s efforts, this unique geographical region enjoys state and federal protection and provides ecologists from around the world with a living laboratory unlike anything else. The Indiana Dunes Revealed serves as the accompanying catalogue for the exhibition of Dudley’s work showing from August 15 to November 30, 2006 at the Brauer Museum of Art at Valparaiso University. Featuring 150 color and 70 black-and-white images, it celebrates Dudley’s unique artistic legacy, documents the exhibition, and demonstrates the painter’s importance to environmentalists and naturalists, especially during the many years of national debate over the designation of parts of the dunes as a national park. In some areas, Dudley’s painting may be the only record of a lost dunescape, and as the struggle between development and preservation continues, his enduring art reminds us of the need for a sustainable environment for the Great Lakes.

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