From the scorching center of Earth's core to the outer limits of its atmosphere, from the gradual process of erosion that carved the Grand Canyon to the earth-shaking fury of volcanoes and earthquakes, this fascinating book―inspired by the award-winning Hall of Planet Earth at New York City's American Museum of Natural History―tells the story of the evolution of our planet and of the science that makes it work. With the same exuberance and expertise they brought to the creation of the Hall of Planet Earth, co-curators Edmond A. Mathez and James D. Webster offer a guided tour of Earth's dynamic, 4.6-billion-year history. Including numerous full-color photographs of the innovative exhibit and helpful, easy-to-understand illustrations, the authors explore the major factors in our planet's evolution: how Earth emerged from the swirling dusts of a nascent solar system; how an oxygen-rich, life-sustaining atmosphere developed; how continents, mountain ranges, and oceans formed; and how earthquakes and volcanic eruptions alter Earth's surface. Traversing geologic time and delving into the depths of the planet-―beginning with meteorites containing minuscule particles that are the solar system's oldest known objects, and concluding with the unusual microbial life that lives on the chemical and thermal energy produced by sulfide vents in the ocean floor―The Earth Machine provides an up-to-date overview of the central theories and discoveries in earth science today. By incorporating stories of real-life fieldwork, Mathez and Webster explain how Earth is capable of supporting life, how even the smallest rocks can hold the key to explaining the formation of mountains, and how scientists have learned to read nature's subtle clues and interpret Earth's ever-evolving narrative.

The Earth Machine: The Science of a Dynamic Planet

Science & Math

Mathez, Edmond

Webster, James

Earth Sciences

Columbia University Press

Ratings Analysis (Routledge Communication Series)

This 4th edition of Ratings Analysis describes and explains the current audience information system that supports economic exchange in both traditional and evolving electronic media markets. Responding to the major changes in electronic media distribution and audience research in recent years, Ratings Analysis provides a thoroughly updated presentation of the ratings industry and analysis processes. It serves as a practical guide for conducting audience research, offering readers the tools for becoming informed and discriminating consumers of audience information. This updated edition covers: <ul>
<li>International markets, reflecting the growth in audience research businesses with the expansion of advertising into new markets such as China. </li> <li>Emerging technologies, reflecting the ever increasing ways to deliver advertising electronically and through new channels (social media, Hulu) </li> <li>Illustrates applications of audience research in advertising, programming, financial analysis, and social policy;</li> <li>Describes audience research data and summarizes the history of audience measurement, the research methods most often used, and the kinds of ratings research products currently available; and</li> <li>Discusses the analysis of audience data by offering a framework within which to understand mass media audiences and by focusing specifically to the analysis of ratings data.</li>
</ul>
Appropriate for all readers needing an in-depth understanding of audience research, including those working in advertising, electronic media, and related industries, Ratings Analysis also has much to offer academics and policy makers as well as students of mass media.

Ratings Analysis: Audience Measurement and Analytics (Routledge Communication Series)

Business & Money

Phalen, Patricia

Lichty, Lawrence

Marketing & Sales

Routledge

This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal.

Haydn's 'Farewell' Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in his Instrumental Music (Cambridge Studies in Music Theory and Analysis, Series Number 1)

Arts & Photography

Music

Cambridge University Press

This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal.

Sally the Seagull

Heinemann Educational Books - Primary Division

Toys and Games to Make

Ayton, Robert

Penguin Books, Ltd.

Tricks and Magic

Children's Books

Wills & Hepworth

Water (Ladybird Leaders)

Whitcomb, Gerald

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