Death of an Overseer : Reopening a Murder Investigation from the Plantation South

In May of 1857, the body of Duncan Skinner was found in a strip of woods along the edge of the plantation near Natchez, Mississippi, where he worked as an overseer. Although a coroner's jury initially ruled his death to be accidental, an investigation organized by planters from the community concluded that he had been murdered by three slaves acting under instructions from John McCallin, an Irish carpenter. Now, almost a century and a half later, Michael Wayne has reopened the case to ask whether the men involved in the investigation arrived at the right verdict. Part essay on the art of historical detection, part seminar on the history of slavery and the Old South, Death of an Overseer is, above all, a murder mystery--a murder mystery that allows readers to sift through the surviving evidence themselves and come to their own conclusions about who killed Duncan Skinner and why.

History

Wayne, Michael

Americas

Oxford University Press

In May of 1857, the body of Duncan Skinner was found in a strip of woods along the edge of the plantation near Natchez, Mississippi, where he worked as an overseer. Although a coroner's jury initially ruled his death to be accidental, an investigation organized by planters from the community concluded that he had been murdered by three slaves acting under instructions from John McCallin, an Irish carpenter. Now, almost a century and a half later, Michael Wayne has reopened the case to ask whether the men involved in the investigation arrived at the right verdict. Part essay on the art of historical detection, part seminar on the history of slavery and the Old South, Death of an Overseer is, above all, a murder mystery--a murder mystery that allows readers to sift through the surviving evidence themselves and come to their own conclusions about who killed Duncan Skinner and why.

The South after the Civil War and the re-emergence of the plantation society in this postbellum era. 226 pages.

The RESHAPING OF PLANTATION SOCIETY: The Natchez District, 1860-80 (Blacks in the New World)

University of Illinois Press

A fascinating and challenging inquiry into black identity and its shifting meaning throughout U.S. history Scientific research has now established that race should be understood as a social construct, not a true biological division of humanity. In Imagining Black America, Michael Wayne explores the construction and reconstruction of black America from the arrival of the first Africans in Jamestown in 1619 to Barack Obama’s reelection. Races have to be imagined into existence and constantly reimagined as circumstances change, Wayne argues, and as a consequence the boundaries of black America have historically been contested terrain. He discusses the emergence in the nineteenth century—and the erosion, during the past two decades—of the notorious “one-drop rule.” He shows how significant periods of social transformation—emancipation, the Great Migration, the rise of the urban ghetto, and the Civil Rights Movement—raised major questions for black Americans about the defining characteristics of their racial community. And he explores how factors such as class, age, and gender have influenced perceptions of what it means to be black. Wayne also considers how slavery and its legacy have defined freedom in the United States. Black Americans, he argues, because of their deep commitment to the promise of freedom and the ideals articulated by the Founding Fathers, became and remain quintessential Americans—the “incarnation of America,” in the words of the civil rights leader A. Philip Randolph.

Imagining Black America

Historical Study & Educational Resources

Yale University Press

The Reshaping of Plantation Society: The Natchez District, 1860-1880

Politics & Social Sciences

Social Sciences

Louisiana State Univ Pr

Is there an innate healing system within the body, capable of facilitating the healing process? And if so, what is the mechanism that triggers this potential? Many scientists, philosophers, healers, and spiritually minded people have asked these very same questions, and Dr. Michael Wayne has begun to address the answers. Although billions of dollars fuel the modern healthcare system, people are not getting healthier-the contrary seems to be the case. Modern medicine does not have a good track record with chronic ailments because these are more complicated, diverse, and unpredictable, and do not fit in with modern medicine's more linear approach that requires patterns that follow set rules. For this reason our current form of medicine has problems with many illnesses, even those as commonplace as the common cold.

Quantum-Integral Medicine: Towards a New Science of Healing and Human Potential

Health, Fitness & Dieting

Alternative Medicine

Ithink Books

An Angel's Faith

Literature & Fiction

Contemporary

Xlibris

Is Kant really the 'bourgeois' philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism.
 Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant's philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant's concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due.
 Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukács, Ranciére and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kant's Third Critique that challenges Marxist and mainstream assessments of Kant alike.

Red Kant: Aesthetics, Marxism and the Third Critique (Bloomsbury Studies in Philosophy)

Philosophy

Bloomsbury Academic

Is Kant really the 'bourgeois' philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism. Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant's philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant's concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due. Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukács, Ranciére and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kant's Third Critique that challenges Marxist and mainstream assessments of Kant alike.

Red Kant: Aesthetics, Marxism and the Third Critique

Mclintock!

Wayne, John

O'Hara, Maureen

Powers, Stefanie

Copyright Collection (library Of Congress)

Grant, James Edward

Mclaglen, Andrew V. (andrew Victor)

Wayne, Patrick

Kruschen, Jack

Wills, Chill

Batjac Productions

GoodTimes Home Video (Firm)

Goodtimes Home Video

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Books by Wayne, Michael