This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.

Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764–1832 (Cambridge Studies in Romanticism, Series Number 33)

Literature & Fiction

Watt, James

British & Irish

Cambridge University Press

This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.

Correspondence of the late James Watt on his discovery of the theory of the composition of water. wi

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Correspondence of the Late James Watt on his Discovery of the Theory of the Composition of Water. Wi

Muirhead, James Patrick

Brougham, Henry

History

Wentworth Press

The scientific correspondence of Watt, Black, Robison and others, together with James Watt's notebook of experiments on heat, edited by Eric Robinson and Douglas McKie.  The close friendship that grew up between Dr. Joseph Black, the discoverer of specific and latent heats, and James Watt, the scientific instrument maker who was destined to become perhaps the greatest engineer of all time, is in itself a dramatic relationship, not before fully appreciated, Here for the first time is the full text of all their surviving correspondence, known only fragmentarily before in J. P. Muirhead's Life and Mechanical Inventions of James Watt, and there rather freely amended by the editor.  The amazing range of Watt's interests--in the firing of delft and stoneware, the manufacture of alkali from salt, the invention of scientific instruments as well as the copying press, and many other matters beside the steam-engine--is revealed here. Watt's own position as a scientist and the quality of his association with Black in further experiments on latent heat are fully documented. But the correspondence is also valuable for the light it sheds on many aspects of life in Britain in the later half of the eighteenth century.  In addition, Watt's notebook on his experiments on heat, known before only through quotation, is presented complete. This is a primary source of first-rate importance to the historian of science.

Partners in Science: Letters of James Watt and Joseph Black

Black, Joseph

Biographies & Memoirs

Harvard University Press

Discusses the history, culture, and religion of the Irish, factors encouraging their emigration, and their acceptance as an ethnic group in North America.

Irish Americans (Peoples of North America)

Children's Books

Chelsea House Pub

Journal of James Watt: Expedition to Timbo Capital of the Fula Empire in 1794

Science & Math

Univ of Wisconsin Madison African

A System of Mechanical Philosophy; Volume 1

Robison, John

Brewster, David

Business & Money

Legare Street Press

Forget about building a business—businesses fail and fade into oblivion. Start a revolution instead. James Watt started a rebellion against tasteless mass market beers by founding BrewDog, now one of the world’s best-known and fastest growing craft breweries, famous for beers, bars, and crowdfunding. In this smart, funny book, he shares his story and explains how you too can tear up the rule book and start a company on your own terms. It’s an anarchic, DIY guide to entrepreneurship—and a new manifesto for business. After spending seven years on the high seas of the North Atlantic, James Watt started BrewDog craft brewery in Scotland with his best friend, Martin Dickie. They didn’t have a business plan. All they had was a mission to revolutionize beer drinking and make other people as passionate about craft beer as they are. They’ve succeeded. Within a few years, BrewDog was huge—a world-famous craft brewery with beer bars around the globe and hundreds of thousands of fans. Those fans became literal backers of their business with the introduction of an unprecedented crowdfunding movement, Equity for Punks. And in rewriting the record books and kickstarting a revolution—James and BrewDog inadvertently forged a whole new approach to business. Business for Punks bottles the essence of James’s methods in an accessible, honest manifesto. Among his mantras: · Cash is motherf*cking king. Cash is the lifeblood of your company. Monitor every penny as if your life depends on it—because it does. · Get people to hate you. You won’t win by trying to make everyone happy, so don’t bother. Let haters fuel your fire while you focus on your hard-core fans. · Steal and bastardize from other fields. Take inspiration freely wherever you find it— except from people in your own industry. · Job interviews suck. They never reveal if someone will be a good employee, only how good that person is at interviews. Instead, take them for a test drive and see if they’re passionate and a good culture fit. Business for Punks rethinks conventional business wisdom so you can go beyond the norm. It’s an anarchic, indispensable guide to thriving on your own terms.

Business for Punks: Break All the Rules--the BrewDog Way

Business Culture

Portfolio

British Orientalisms, 1759–1835 (Cambridge Studies in Romanticism, Series Number 126)

How did Britons understand their relationship with the East in the late eighteenth and early nineteenth centuries? James Watt's new study remaps the literary history of British Orientalisms between 1759, the 'year of victories' in the Seven Years' War, and 1835, when T. B. Macaulay published his polemical 'Minute on Indian Education'. It explores the impact of the war on Britons' cultural horizons, and the different and shifting ways in which Britons conceived of themselves and their nation as 'open' to the East across this period. Considering the emergence of new forms and styles of writing in the context of an age of empire and revolution, Watt examines how the familiar 'Eastern' fictions of the past were adapted, reworked, and reacted against. In doing so he illuminates the larger cultural conflict which animated a nation debating with itself about its place in the world and relation to its others.

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