This 1986 bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (salons) held during the Second Empire, 1852-70. It includes an extensive list of references each presented in a standard format, with titles, dates and ordering codes based on the holdings of the Bibliothèque Nationale in Paris. It is indexed by authors and by periodicals. The catalogued essays and articles are of fundamental importance in establishing a picture of contemporary reactions to art in mid-eighteenth-century France. Tourneux's standard work Salons et expositions d'art ... Paris 1801-70 has long been out of print. By incorporating and correcting the relevant material from Tourneux, and adding many new references from unpublished and newspaper sources, the compilers have achieved a substantial increase in the amount and range of criticism available for analysis by cultural and literary historians.

A Bibliography of Salon Criticism in Second Empire Paris (Cambridge Studies in the History of Art)

Arts & Photography

Ward, Martha

Parsons, Christopher

History & Criticism

Cambridge University Press

Different eras experience art in different ways—often dramatically so. Looking and Listening in Nineteenth-Century France, the catalog to an exhibition at the Smart Museum of Art, uses a selection of prints, paintings, drawings, sculptures, and recorded music to demonstrate how new technological developments and changing social settings transformed the French experience of art in the nineteenth century. Treating a disparate range of subject matter from Joan of Arc to Homer, from concert audiences to comet sightings, the contributors provide a cultural context for this flowering of imagery concerned with looking and listening. They also explore how artists and composers sought to better capture the attention of their beholders and listeners. Presenting the achievements of both well known artists (Daumier, Degas, Fantin-Latour, Vuillard) and lesser known figures in a fresh light, Looking and Listening in Nineteenth-Century France cuts to the heart of debates about the function of art and the role of audiences. The catalog includes a special CD compilation of music relating to the works in the exhibition, along with two bonus tracks of early recordings.

Looking and Listening in Nineteenth-Century France

Leonard, Anne

Smart Museum Of Art, The University Of C

Pamper that special pet in your life by serving them homemade treats from the pages of this delightful cookbook. Home baked, using natural ingredients, these treats are quick and fun to make. The cat and dog in your life will thank you!

Doggie Delights & Kitty Cuisine: Taste-Tested by Cinnamon

Cookbooks, Food & Wine

Amherst Pr

Each year, thousands of pilgrims visit the celebrated New Orleans tomb where Marie Laveau is said to lie. They seek her favors or fear her lingering influence. Voodoo Queen: The Spirited Lives of Marie Laveau is the first study of the Laveaus, mother and daughter of the same name. Both were legendary leaders of religious and spiritual traditions many still label as evil.
The Laveaus were free women of color and prominent French-speaking Catholic Creoles. From the 1820s until the 1880s when one died and the other disappeared, gossip, fear, and fierce affection swirled about them. From the heart of the French Quarter, in dance, drumming, song, and spirit possession, they ruled the imagination of New Orleans.
How did the two Maries apply their "magical" powers and uncommon business sense to shift the course of love, luck, and the law? The women understood the real crime--they had pitted their spiritual forces against the slave system of the United States. Moses-like, they led their people out of bondage and offered protection and freedom to the community of color, rich white women, enslaved families, and men condemned to hang.
The curse of the Laveau family, however, followed them. Both loved men they could never marry. Both faced down the press and police who stalked them. Both countered the relentless gossip of curses, evil spirits, murders, and infant sacrifice with acts of benevolence.
The book is also a detective story--who is really buried in the famous tomb in the oldest "city of the dead" in New Orleans? What scandals did the Laveau family intend to keep buried there forever? By what sleight of hand did free people of color lose their cultural identity when Americans purchased Louisiana and imposed racial apartheid upon Creole creativity? Voodoo Queen brings the improbable testimonies of saints, spirits, and never-before-printed eyewitness accounts of ceremonies and magical crafts together to illuminate the lives of the two Marie Laveaus, leaders of a major, indigenous American religion.

Voodoo Queen: The Spirited Lives of Marie Laveau

Reference

UNIVERSITY PRESS OF MISSISSIPPI

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