<p>From Contents - Prehistoric Background, CA. 8000-5000 BC; Protohistoric Period, CA. 3500-3000 BC; Third Millennium Cities, CA. 3000-2100 BC; Old Syrian Period, CA. 2100-1600; Middle Syrian Period, CA. 1600-1200 BC; New Syrian period, CA. 1200-330 BC; Hellenistic and Roman Periods, CA. 330 BC - AD 400; Byzantine Period, CA. AD 400-600; Islamic Period, CA. 600-1600. (Description by http-mart)</p>

Ebla to Damascus: Art and Archaeology of Ancient Syria

Travel

Walters Art Gallery (Baltimore, M.D.)

Middle East

Smithsonian Inst Traveling Service

The most authoritative history of the sculpture of Thailand ever to appear, The Sacred Sculpture of Thailand examines 100 objects from a collection unparalleled outside Thailand. Many years in the making, the book has been co-authored by a team of conservation scientists who have carried out pathbreaking technical analyses. The EreEsult is an entirely fresh and up-to-date account of the history of sculpture in Thailand.

The Sacred Sculpture of Thailand: The Alexander B. Griswold Collection, the Walters Art Gallery

Arts & Photography

Woodward, Hiram W., Jr.

Strahan, Donna K.

Collections, Catalogs & Exhibitions

Univ of Washington Pr

Hellenistic Art in the Walters Art Gallery

<p>Over-sized soft cover book titled HELLENISTIC ART IN THE WALTER ART GALLERY. See my photograph of this book on main listing page. (LL-9)</p>

Ridgway, Brunilde Sismondo

Walters Art Gallery

Masterpieces of Ivory from the Walters Art Gallery

Book by Walters Art Gallery (Baltimore, M.D.)

Hudson Hills Pr

The nineteenth-century holdings of the Walters Art Gallery are unique amongst museum art collections from this period. This new title presents the highlights from this collection. These include a series of paintings by the foremost masters of the Romantic era, J. A. D. Ingres and Eugene Delacroix, as well as landscapes by painters associated with the Barbizon school. Likewise, the "transportation" series of watercolors that William Walters bought from Honore Daumier in 1864 is generally recognized as the highpoint of nineteenth-century Realism. However, it is in the field of academic art, which dominated French art during the Second Empire (1852-70), that The Walters excels. The conflicts between the academic painters - especially Jean-Leon Gerome and Alexandre Cabanel - and the impressionists are demonstrated by the museum's collection. The author presents the work of Edouard Manet in close proximity to that of his teacher, Thomas Couture, and the landscapes of Claude Monet and Alfred Sisley are juxtaposed with a highly idealized, poetic vision of Egypt by Charles Gleyre, with whom they trained.

Nineteenth-Century Art: From Romanticism to Art Nouveau

Johnston, William R.

History & Criticism

Scala Books

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Books by Walters Art Gallery (Baltimore, M.D.)