Innes? Innes, it's Isabella. Isabella Velasco ... Don't ask me how I got hold of you ... We live quite close, you know, would you believe? God, you sound just the same. Just the same! ... I need to talk to you ... see you. Can you call me as soon as you can?
Innes Haldane, who as a teen was deemed out of control both physically and sexually, has made every attempt to put that stage of her life behind her. Until a voice from the past leaves a message on her answering machine and an obituary with a familiar name interrupts her quiet life.
In 1977, Innes was one of seven dysfunctional teenagers incarcerated in the Unit, an avant-garde psychiatric hospital on the outskirts of Edinburgh. She and her fellow inmates -- Danny, a rapist by age fourteen; Carrie, whose mother's boyfriends always found her more attractive than her drug-addict mother; Lydia, who as a grossly overweight teenager retreated into a severely manic-depressive world; Simon, whose domineering mother blamed him for the death of his twin; Alexandra, a member of thesocial upper class who revolted against her parents; and Isabella, who suffered at the hands of a prominent yet highly abusive father and a vain, jealous mother -- were forced into one another's lives, exposed to one another's pasts, and now share a collective memory.
Since then, they have spent their adult lives trying to forget the unspeakable acts that sent them to the Unit and the terrible secret that occurred behind its walls. But a murderer is stalking the former patients and the only way to save themselves is by reuniting -- no matter what the emotional cost. If the killer doesn't shatter their new lives, the memories being brought back to life just might.
Now Innes must contact the others before someone else finds them first ...

The Reunion: A Novel

Walker, Sue

Literature & Fiction

William Morrow

Twenty years after spending a year with fellow incarcerates at an experimental home for intelligent and troubled teens, Innes Haldane becomes increasingly terrified when a ruthless stalker begins killing them off, a situation that prompts the group to reconnoiter, brainstorm for answers, and band together for survival. 50,000 first printing.

Reunion, The

Genre Fiction

Harper

In 1977, Innes Haldane was one of seven extremely dysfunctional teenagers incarcerated in the Unit, an avant-garde psychiatric hospital on the outskirts of Edinburgh. There, she and her fellow inmates were forced into each other's lives, exposed to each other's pasts, and now share a collective memory. Since then, they have spent their adult lives trying to forget the unspeakable acts that sent them there and the terrible secret that occurred behind its walls . . . until a message on Innes's answering machine with a voice from the past interrupts the quiet life she has tried so hard to make for herself. There is a murderer stalking the former inmates, and the only way for them to save themselves is by reuniting - no matter what the emotional cost. If the killer doesn't shatter their new lives, the memories being brought back to light just might. Now Innes must contact the others before someone else finds them first. . . .

United States

Harper-perennial

The Reckoning

Contemporary

Penguin Uk

Typography and Language in Everyday Life provides a detailed look at graphic as well as linguistic aspects of language and suggests there is much to be gained from collaboration between typographers and applied linguists.The first part of the book provides an introduction to aspects of typographic theory and history and suggests some areas of applied linguistics that offer approaches to studying graphic language. The second part comprises case studies which look at the relationship between prescription and practice for visual organisation by considering everyday display typography, house style and typing manuals, and letter-writing. Each of these subjects is looked at from historical and theoretical perspectives.Aimed at those who may be unfamiliar with theoretical and historical perspectives on the graphic aspects of language, and with broad concepts in applied linguistics, the book also directs readers to areas of further reading in each of these fields. Extensively illustrated with examples of past and present graphic language, Typography and Language in Everyday Life is essential reading for students of typography, graphic design, applied linguistics and education, as well as the general reader.

Typography and Language in Everyday Life (Language in Social Life)

Politics & Social Sciences

Social Sciences

Routledge

An illustrated discussion of the relationship between the graphic and linguistic elements of language, using familiar typographic examples from letter-writing conventions to the house style of printers and publishers. Language has graphic as well as linguistic aspects to it, and it is argued here that there are many oppurtunities for collaboration between typographers and applied linguistics. Organised in two parts, the first introduces aspects of typographic theory and history, and suggests areas of applied linguistics that offer approaches to the study of graphic language. The case studies in the second part examine everyday examples of display typography, house style and typing manuals, and letter-writing, from both theoretical and historical perspectives. Intended for a wide audience, including those unfamiliar with either these issues or the broad concepts in applied linguistics. Extensively illustrated with examples of past and present graphic language. Wide-ranging and accessible, drawing on examples from everyday life. A growing area of interest in the area of sociolinguistics. Comprehensive bibliography.

Typography, Rules and Usage

Computers & Technology

Graphics & Design

Pearson ESL

Innes? Innes, it's Isabella. Isabella Velasco ... A simple message on an answer machine. But one that made Innes Haldane's blood run cold. Isabella Velasco was a name from a past that Innes had tried hard to forget. For in 1977 both had spent a fateful year at the Unit, an experimental home for dysfunctional teenagers in

The Reunion

Mystery, Thriller & Suspense

Thrillers & Suspense

Gardners Books

They buried three girls. They buried the killer. But did they bury the truth? In June 1973 the bodies of three missing teenagers were found on the tiny Scottish island of Fidra. And when his father was arrested for the murders, 11-year-old Miller McAllister's life fell apart. Thirty-two years later, Douglas McAllister has died in prison and Miller returns home after decades of self-imposed exile. Because, though the rest of his family protested Douglas's innocence, Miller always maintained his guilt. But when Miller is given the legal archive and a letter his father wrote to him just days before his death, suddenly everything looks less clear. Could Douglas have been innocent after all? And if he didn't kill the girls - who did?

Fidra's Archive

Michael, Joseph

Portrait of Salisbury

Halsgrove

Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.

Typography Papers: Number 7

Arts & Photography

Howes, Justin

Kindel, Eric

Reynolds, Linda

Vervliet, Hendrik D. L.

Graphic Design

Hyphen Press

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