Con mirada atenta y pulso firme, Juan Villoro se desdobla en periodista, transeúnte, comprador de plumas, adulto nostálgico, padre responsable, brigadista de emergencia, y nos ofrece un testimonio de las múltiples experiencias que la capital mexicana depara a todos y cada uno de sus agremiados.\nConvencido de que quizá la Ciudad de México no sea el lugar más aconsejable para vivir, pero también de que es tan intrincada y apasionante que resulta imposible abandonarla, Villoro propone este libro escrito desde la devoción del urbanita recalcitrante y maravillado que se despliega como un rompecabezas infinito: los atajos viales, el cine de luchadores, los héroes nacionales, el comercio tepiteño, la tramitología gubernamental, el enigma de las vulcanizadoras, las incontables multitudes, la ingesta de chile, los templos ancestrales.\nEl autor también narra ciertos pasajes autobiográficos, como el último paseo con su abuela o el recuerdo de la colonia de casas abandonadas donde creció. Ya sea desde la propia experiencia o a través de la escucha y la investigación de las realidades ajenas, Juan Villoro compone un gran fresco del caos entrañable y eterno que conforma la capital mexicana. El espacio en el que ya nada cabe, pero nada nunca sobra: Chilangópolis.\nENGLISH DESCRIPTION\nWith a sharp-eyed and attentive look, and with a firm pen, Villoro unfolds into a journalist, a passerby, a street buyer, a nostalgic adult, a responsible father, an EMT, and offers a testimony of the multiple experiences that the city has in stored for each and every one of its residents\nConvinced that Mexico City may not be the most logical place to live, but also that it is so intricate and exciting that it is impossible to leave, Juan Villoro offers this book written from the devotion and commitment of a stubborn and amazed urbanite and unfolds like an infinite puzzle: the shortcuts within the city, the wrestling fighters, national heroes, the Tepiteño open-air market, government red tape, the enigma of the vulcanizers, countless crowds at any given time, the over the top ingestion of chile, the ancestral temples. The author also narrates certain autobiographical events, such as the last stroll he took with his grandmother or his memories of the abandoned houses in the neighborhood where he grew up.\nEither from his own experience or through listening and investigating other people’s realities, Juan Villoro composes a great fresco of the endearing and eternal chaos that makes up the Mexican capital. The space in which nothing else fits, but where nothing is superfluous: Chilangopolis.

El vértigo horizontal / Horizontal Vertigo (Spanish Edition)

History

VILLORO, JUAN

Americas

Vintage Espanol

Horizontal Vertigo: A City Called Mexico

Vintage

“The literature of Juan Villoro…is opening up the path of the new Spanish novel of the millennium.” Roberto Bolano A brilliant, prize-winning collection of stories by Mexico’s most important living writer. From the semiotics of pet iguanas to the disillusionment of mariachi singers, Villoro reveals the deep dissatisfactions and absurdities of life in Mexico and its carnivalesque capital. We encounter a border trucker making a movie about illegal migrants, a cuckolded football superstar, and a gluten-free American journalist seeking the authentic Mexican experience. A master of the post-modern narrative, Villoro gives us contemporary Mexico through a complex interplay of culture and character psychology in the most surprising, fresh and humorous ways.

The Guilty: Stories

Literature & Fiction

United States

George Braziller, Inc.

A Caribbean resort specializing in faked cartel kidnappings is the site for Villoro’s profound and satirical murder mystery. Amidst stagings of guerilla warfare, rumors of killer bees and encroaching cartel activity, recovering ex-rocker, Tony Góngora, attempts to solve the mystery of an American scuba-diver’s murder. As he tries to piece together the events of the crime, Tony uncovers his own bizarre and illuminating memories: of a fatherless childhood spent in the high-risk company of his eccentric friend and the hotel’s manager; playing gigs with The Velvet Underground; joining a Japanese pop group. Against the backdrop of a deteriorating climate, a fast-eroding beachfront, official corruption, cartel violence, and delusional Western escapism, Tony and an international cast of hotel staffers make and break alliances as the personal begins to echo the political, and artifice and reality start to blur. With his signature wit, originality, and dashes of dazzling social theory, Villoro has created a biting satire of tourism and a brilliant analogy for Mexico’s unique position in global politics.

The Reef: A Novel

With contributions from seven of Mexico's finest journalists, this is reportage at its bravest and most necessary - it has the power to change the world's view of their country, and by the force of its truth, to start to heal the country's many sorrows.Supported the Arts Council Grant's for the Arts Programme and by PEN PromotesVeering between carnival and apocalypse, Mexico has in the last ten years become the epicentre of the international drug trade. The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up. Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernández and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio González Rodríguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.

The Sorrows of Mexico

Hernández, Anabel

CACHO, LYDIA

OSORNO, DIEGO ENRIQUE

Parra, Emiliano Ruiz

GONZÁLEZ RODRÍGUEZ, SERGIO

Turati, Marcela

Quercus Publishing

At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo- The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city 's cultural, political, and social history- from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today-one of the world's leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics- "Living in the City," "City Characters," "Shocks," "Crossings," and "Ceremonies." What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City's genius loci, its spirit of place.

Pantheon

A brilliant, kaleidoscopic exploration of soccer—and the passion, hopes, rivalries, superstitions, and global solidarity it inspires—from Juan Villoro, “Mexico's top fútbol expert” (NBC News). On a planet where FIFA has more members than the United Nations and the World Cup is watched by more than three billion people, football is more than just a game. As revered author Juan Villoro argues in this passionate and compulsively readable tribute to the world’s favorite sport, football may be the most effective catalyst for panglobal unity at the time when we need it most. (Following global consensus, Villoro uses “football” rather than “soccer” in the book.) What was the greatest goal of all time? Why do the Hungarians have a more philosophical sense of defeat than the Mexicans? Do the dead play football? In essays ranging from incisive and irreverent portraits of Maradona, Messi, Ronaldo, Pelé, Zidane, and many more giants of the game to entertaining explorations of left-footedness and the number 10, Juan Villoro dissects the pleasure and pain of football fandom. God Is Round is a book for both fanatics and neophytes who long to feel the delirium of the faithful.

God is Round

Sports & Outdoors

Miscellaneous

Restless Books

With over one million copies sold in Spanish, Mexican literary legend Juan Villoro's The Wild Book is a fantastical homage to libraries, in which a boy is sent to live with his kooky, book-obsessed uncle in a library where books have supernatural powers and adventure lies behind every cover. Thirteen-year-old Juan's summer is off to a terrible start. First, his parents separate. Then, almost as bad, Juan is sent away to his strange Uncle Tito's house for the entire break! Who wants to live with an oddball recluse who has zigzag eyebrows, drinks fifteen cups of smoky tea a day, and lives inside a huge, mysterious library? As Juan adjusts to his new life among teetering, dusty shelves, he notices something odd: the books move on their own! He rushes to tell Uncle Tito, who lets his nephew in on a secret: Juan is a Princeps Reader, which means books respond magically to him, and he's the only one who can find the elusive, never-before-read Wild Book. But will Juan and his new friend Catalina get to The Wild Book before the wicked, story-stealing Pirate Book does? An unforgettable adventure story about books, libraries, and the power of reading, The Wild Book is the instant-classic young readers' debut by beloved, prize-winning Mexican author Juan Villoro.

The Wild Book (Yonder)

Teen & Young Adult

Yonder

From one of Mexico’s foremost authors comes a wondrous adventure story of a boy who goes to live with his kooky, book-obsessed uncle in a library where books have supernatural powers. “We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.” Thirteen-year-old Juan’s summer is off to a terrible start. First, his parents separate. Then, almost as bad, Juan is sent away to his strange Uncle Tito’s house for the entire break! Who wants to live with an oddball recluse who has zigzag eyebrows, drinks fifteen cups of smoky tea a day, and lives inside a huge, mysterious library? As Juan adjusts to his new life among teetering, dusty shelves, he notices something odd: the books move on their own! He rushes to tell Uncle Tito, who lets his nephew in on a secret: Juan is a Princeps Reader, which means books respond magically to him, and he’s the only one who can find the elusive, never-before-read Wild Book. But will Juan and his new friend Catalina get to The Wild Book before the wicked, story-stealing Pirate Book does? An unforgettable adventure story about books, libraries, and the power of reading, The Wild Book is the young readers’ debut by beloved, prize-winning Mexican author Juan Villoro. It has sold over one million copies in Spanish.

THE WILD BOOK

Comics & Graphic Novels

Graphic Novels

HopeRoad

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