Paul Verhoeven's father, John, is a cop. Well, an ex-cop. Decorated and long since retired, John spent years embroiled in some of the seediest, scariest intrigue and escapades imaginable. Paul, however, is something of an artsy, sensitive soul who can’t understand why he doesn’t have the same heroism and courage as his dad. One day, John offers Paul the chance of a lifetime: he'll spill his guts, on tape, for the first time ever, and try to get to the bottom of this difference between them. What unfolds is a goldmine of true crime stories, showing John’s dramatic (and sometimes dodgy) experience of policing in Sydney in the 1980s. The crims, the car chases, the frequent brushes with death and violence, and the grey zone between what’s ethical and what’s effective: finally Paul gets real insight into what’s formed his father’s character. Thrilling, fascinating and often laugh-out-loud funny, Loose Units is a high-octane adventure in policing, integrity and learning what your father is really all about.

Loose Units

Biographies & Memoirs

Verhoeven, Paul

Professionals & Academics

Viking Australia

Capturing the extravagance of the controversial film, this lavishly illustrated photography/film book brilliantly displays the erotically-charged steamy drama of the sex-soaked world of Las Vegas lap dancing, strip clubs, and top-of-the-line topless showgirl revues. Set against the bright lights, glitz, and glamour of the Las Vegas stage, Showgirls is an erotic, exotic, and often gritty expose of life behind the scenes on the strip. Here are portfolios of four distinguished photographers who were invited to the production of this film to capture the glittery world of Las Vegas sex, glamour and spectacle. The more than seventy powerful images--with over fifty in vibrant full-color, the others in rich, quadratone black-and-white--are introduced by the director's candid essay about the artists, and his own approach to moviemaking. 96 photos: 65 color plates, 35 quadratone.

Showgirls: Portrait of a Film (A Newmarket Pictorial Moviebook)

Humor & Entertainment

Kirkland, Douglas

Movies

Newmarket Pr

Building on the work of the great Biblical scholars of the twentieth century—Rudolf Bultman, Raymond Brown, Jane Schabert and Robert Funk, founder of the Jesus Seminars, among others—filmmaker Paul Verhoeven disrobes the mythical Jesus to reveal a man who is, after all, startlingly familiar to us, a man who has much in common with other great political leaders throughout history, human beings who believed that change was coming in their lifetimes. Gone is the Jesus of the miracles, gone the son of God, gone the weaver of arcane parables whose meanings are obscure. In their place Verhoeven gives us his vision of Jesus as a complete man, someone who was changed by events, the leader of a political movement, and, perhaps most importantly, someone who, in his speeches and sayings, introduced a new ethics in which enlightened behavior and the embrace of human contradictions transcend the mechanics of value and worth that had defined the material world before Jesus. Coming to a deeper understanding of the historical Jesus has been a lifelong passion for Verhoeven, who for the last quarter-century has been among the very few nonacademics participating in the Jesus Seminars. Verhoeven assumed that one day he would make a film of the life of Jesus. Then he realized that it must be a book. Steeped in Biblical scholarship but free of the institutional biases, whether academic or religious, that so often dictate the terms of discussion of the historical Jesus, Jesus of Nazareth is a book that builds a bridge reaching all the way back to Jesus's lifetime, all the way forward to the present, and from biblical scholars to lay readers whose interest might be personal or political.

Jesus of Nazareth

Historical

Seven Stories Press

Building on the work of biblical scholars—Rudolph Bultmann, Raymond Brown, Jane Schaberg, and Robert Funk, among others—filmmaker Paul Verhoeven disrobes the mythical Jesus to reveal a man who has much in common with other great political leaders throughout history—human beings who believed that change was coming in their lifetimes. Gone is the Jesus of the miracles, gone the son of God, gone the weaver of arcane parables whose meanings are obscure. In their place Verhoeven gives us his vision of Jesus as a complete man, someone who was changed by events, the leader of a political movement, and, perhaps most importantly, someone who, in his speeches and sayings, introduced a new ethic in which the embrace of human contradictions transcends the mechanics of value and worth that had defined the material world before Jesus. "The Romans saw [Jesus] as an insurrectionist, what today is often called a terrorist. It is very likely there were ‘wanted’ posters of him on the gates of Jerusalem. He was dangerous because he was proclaiming the Kingdom of Heaven, but this wasn’t the Kingdom of Heaven as we think of it now, some spectral thing in the future, up in the sky. For Jesus, the Kingdom of Heaven was a very tangible thing. Something that was already present on Earth, in the same way that Che Guevara proclaimed Marxism as the advent of world change. If you were totalitarian rulers, running an occupation like the Romans, this was troubling talk, and that was why Jesus was killed." —Paul Verhoeven, from profile by Mark Jacobson in New York Magazine

History

World

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Books by Verhoeven, Paul