<p>Contents: J. Bos, Between Physiognomy and Pathognomy. Theoretical Perspectives on the Representation of Characters and Emotions in the Seventeenth Century - U. Heinen, Velum est timantis imago. The Portraits of Stoics and the Stoicism of Portrait - B. Watteeuw, Oppervlakkig of onderhuids? Over het psychologisch portret en de psychologie van het portretteren (1600-1650) - J. Dequeker, A Physician's View Beyond the Curtains of Seventeenth-Century Flemish and Dutch Baroque Portraits - H. Roodenburg, Netherlandish Baroque Portraits and Civil Conversation - R. Van Leeuwen, The Portrait Historie in Religious Context and its Condemnation - D. Meuwissen, A Change in Tradition. The Seventeenth-Century Portraits in the Series with the Land Commanders of the Utrecht Bailiwick of the Teutonic Order - K. De Clippel, Naked or Not Naked? Some Thoughts on Nudity and Portraiture in Seventeenth-Century Flemish Paintin - R. Ekkart, Het portret van de schilder en zijn familie. De familie van Mierevelt geschilderd door Pieter van Mierevelt - B. Timmermans, Het (familie-)portret als visuele stamboom en maatschappelijk gezicht bij de zeventiende-eeuwse Antwerpse elites - A. Jensen Adams, The Family Portrait Historie and the Viewer in Narrative Time- J. De Landtsheer, Justus Lipsius (1547-1606). A Scholar and His European Network - J. Muller, Eucharist and Eternal Life. The Wardens of the Sacrament Chapel in the St. Jacob's Church Antwerp, Immortalised in their Group Portrait by Pieter Thys - Z. Zaremba Filipczak, Portraits of Women who Do Not Love to be Lead by the Nose - K. Hearn, Pregnancy Portraits in Sixteenth- and Early Seventeenth-Century England - K. Van der Stighelen, Portretten en hun perceptie. De barokke blik op het portret. English and Dutch Text.</p>

Pokerfaced: Flemish and Dutch Baroque Faces Unveiled (Museums at the Crossroads)

Arts & Photography

Van Der Stighelen, Katlijne

History & Criticism

Brepols Publishers

Elck zijn waerom: Vrouwelijke kunstenaars in België en Nederland, 1500-1950 (Dutch Edition)

Reference

et.al.

Mirjam Westen

Maaike Meijer

Koninklijk Museum Voor Schone Kunsten (Belgium)

Museum voor Moderne Kunst Arnhem

Foreign Language Study & Reference

Ludion

Michaelina Wautier: 1604-1689 : triomf van een vergeten talent

For a variety of reasons, the female artists of the early-modern period who had the opportunity to pursue an artistic career can be counted on the fingers of one hand. So it is hardly surprising that until recently even connoisseurs of painting were unfamiliar with the name Michaelina Wautier. This is the first book about this forgotten painter, many of whose works were at one time ascribed to better-known male contemporaries. Michaelina Wautier was born in Mons but pursued her career in Brussels, in the courtly circle around Leopold Wilhelm, governor of the Habsburg Netherlands. The archduke himself acquired several of her works, which with the rest of his renowned collection ended up in Vienna's Kunsthistorisches Museum. About thirty paintings survive that can be identified as Michaelina's. She produced penetrating portraits, masterly large-scale history paintings, disarming genre scenes, and refined floral still lifes. Just like Artemisia Gentileschi in Italy and Judith Leyster in the Dutch Republic, the versatile Michaelina, whose pictures display challenging themes and technical virtuosity, uniquely enriched baroque painting.

Michaelina Wautier (1614-1689)

Individual Artists

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