The Body of the Soul: Stories (The Margellos World Republic of Letters)

Literature & Fiction

Ulitskaya, Ludmila

Literary

Yale University Press

The Big Green Tent epitomizes what we think of when we imagine the classic Russian novel. With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys―an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets―struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. A man and his wife each become collaborators, without the other knowing; an artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward. Ludmila Ulitskaya’s novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief―and a revelation of life in dark times.

The Big Green Tent: A Novel

Farrar. Straus and Giroux

Jacob's Ladder: A Novel

One of Russia’s most renowned literary figures and a Man Booker International Prize nominee, Ludmila Ulitskaya presents what may be her final novel. Jacob’s Ladder is a family saga spanning a century of recent Russian history―and represents the summation of the author’s career, devoted to sharing the absurd and tragic tales of twentieth-century life in her nation. 
Jumping between the diaries and letters of Jacob Ossetsky in Kiev in the early 1900s and the experiences of his granddaughter Nora in the theatrical world of Moscow in the 1970s and beyond, Jacob’s Ladder guides the reader through some of the most turbulent times in the history of Russia and Ukraine, and draws suggestive parallels between historical events of the early twentieth century and those of more recent memory. 
Spanning the seeming promise of the prerevolutionary years, to the dark Stalinist era, to the corruption and confusion of the present day, Jacob’s Ladder is a pageant of romance, betrayal, and memory. With a scale worthy of Tolstoy, it asks how much control any of us have over our lives―and how much is in fact determined by history, by chance, or indeed by the genes passed down by the generations that have preceded us into the world.

Story of dying Alik, a charismatic artist, which features his wife and two ex lovers as they attend his sick bed during the last few days of his life.  Located in a small apartment in New York in the sweltering heat, which is always filled with visitors.  All the real time action of the novel takes place in the apartment. The novel is in part about the women - their differences, their different relationships with this charismatic - but it's also about being an emigre. Ulitskaya describes the struggle, and sometimes the resistance, in becoming a fully fledged immigrant. The novel deals with this massive subject with a light touch - it's so plausible and poignant while being, always, wry and funny.

THE FUNERAL PARTY.

Contemporary

Victor Gollancz

August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.

The Funeral Party: A Novel

Humor & Entertainment

Humor

Knopf Doubleday Publishing Group

Medea Georgievna Sinoply Mendez is an iconic figure in her Crimean village, the last remaining pure-blooded Greek in a family that has lived on that coast for centuries. Childless Medea is the touchstone of a large family, which gathers each spring and summer at her home. There are her nieces (sexy Nike and shy Masha), her nephew Georgii (who shares Medea’s devotion to the Crimea), and their friends. In this single summer, the languor of love will permeate the Crimean air, hearts will be broken, and old memories will float to consciousness, allowing us to experience not only the shifting currents of erotic attraction and competition, but also the dramatic saga of this family amid the forces of dislocation, war, and upheaval of twentieth-century Russian life.

Medea and Her Children

Computers & Technology

Networking & Cloud Computing

Schocken

The Los Angeles Times said of Ludmila Ulitskaya’s The Funeral Party, “In America we have friends, family, lovers, and parents–four kinds of love. Could it really be that in Russia they have more? Ludmila Ulitskaya makes it seem so.” In Sonechka: A Novella and Stories, Ulitskaya brings us tales of these other loves in her richly lyrical prose, populated with captivating and unusual characters. In “Queen of Spades,” Anna, a successful ophthalmologic surgeon in her sixties; her daughter, Katya; and Katya’s teenage daughter and young son live in constant terror of Anna’s mother, a domineering, autocratic, aging former beauty queen. In “Angel,” a closeted middle-aged professor marries an uneducated charwoman for love of her young son, raising the child in his image. In “The Orlov-Sokolovs,” perfectly matched young lovers are pulled apart by the Soviet academic bureaucracy. And in the stunning novella “Sonechka,” the heroine, a bookworm turned muse turned mother, reveals a love and loyalty at once astounding in its generosity and grotesque in its pathos. In these stories, love and life are lived under the radar of oppression, in want of material comfort, in obeisance to or matter-of-fact rejection of the pervasive restrictions of Soviet rule. If living well is the best revenge, then Ludmila Ulitskaya’s characters, in choosing to embrace the unique gifts that their lives bring them, are small heroes of the quotidian, their stories as funny and tender as they are brilliantly told.

Sonechka: A Novella and Stories

Medea Georgievna Sinoply Mendez is an iconic figure in her Crimean village, the last remaining pureblooded Greek in a family that has lived on that coast for centuries. Looking like "a portrait Goya had omitted to paint" in the widow's black she has worn since the death of her husband–a jolly Jewish dentist–many years before, the childless Medea is the touchstone of a large family of nieces and nephews who, together with their spouses, children, and friends, gather each spring and summer at her home. Ageless and unflappable, Medea greets each successive wave of visitors with calm warmth and welcome, and observes with interest their romantic entanglements, disappointments, conflicts, and passions. There are her nieces (the seductive and light-hearted Nike and the shy yet passionate Masha); her nephew Georgii (who shares Medea's devotion to the Crimea); and their friends, including Valerii Butonov, a circus performer turned sports trainer who has been pursued by women since he put on his first trousers. Herself unfailingly loyal and faithful, Medea watches her nieces and nephews fall in and out of marriages and affairs. These shifting currents of erotic attraction and competition intertwine with the dramatic saga of a family surviving the upheavals that characterized Soviet life in the twentieth century, as viewed through Medea's memories of the Russian Revolution and the two world wars, her parents' early deaths, and her own late marriage. Ludmila Ulitskaya, one of contemporary Russia's greatest novelists, weaves the stories of the sprawling Sinoply family into a brilliantly detailed and richly textured tapestry.

Medea and Her Children: A Novel

Translated from the Russian by Diane Nemec Ignashev The central character in Ludmila Ulitskaya’s celebrated novel The Kukotsky Enigma is a gynecologist contending with Stalin’s prohibition of abortions in 1936. But, in the tradition of Russia’s great family novels, the story encompasses the history of two families and unfolds in Moscow, St. Petersburg, and the ruins of ancient civilizations on the Black Sea. Their lives raise profound questions about family heritage and genetics, nurture and nature, and life and death. In his struggle to maintain his professional integrity and to keep his work from dividing his family, Kukotsky confronts the moral complexity of reproductive science. Winner of the 2001 Russian Booker Prize and the basis for a blockbuster television miniseries, The Kukotsky Enigma is an engrossing, searching novel by one of contemporary literature’s most brilliant writers.

The Kukotsky Enigma: A Novel

Northwestern University Press

Named a Must-Read Book by New York Magazine, Travel+Leisure, Flavorwire, and Bustle Long-listed for the 2016 Best Translated Book Award in Fiction
With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys---an orphaned poet, a gifted yet fragile pianist, and a budding photographer with a talent for collecting secrets---struggle to reach adulthood in a society where their heroes have been censored and exiled.
Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the possibilities for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at provoking paranoia, division, and self-betrayal. Ludmila Ulitskaya’s novel ultimately belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief---and a discovery of light in dark times.

Picador

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Books by Ulitskaya, Ludmila

See the best price to sell, buy, or rent books by Ulitskaya, Ludmila. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Body of the Soul: Stories (The Margellos World Republic of Letters)

The Big Green Tent: A Novel

Jacob's Ladder: A Novel

THE FUNERAL PARTY.

The Funeral Party: A Novel

Medea and Her Children

Sonechka: A Novella and Stories

Medea and Her Children: A Novel

The Kukotsky Enigma: A Novel

The Big Green Tent: A Novel