Ugetsu monogatari =: Tales of moonlight and rain : a complete English version of the eighteenth-century Japanese collection of tales of the ... of representative works : Japanese series)

Literature & Fiction

Ueda, Akinari

Short Stories & Anthologies

George Allen Unwin

First published in 1776, the nine gothic tales in this collection are Japan's finest and most celebrated examples of the literature of the occult. They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu. The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense. The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

Tales of Moonlight and Rain (Translations from the Asian Classics (Hardcover))

Genre Fiction

Columbia University Press

Tales of Moonlight and Rain

History & Criticism

Text: English, Japanese (translation)

Ugetsu Monogatari: Tales of Moonlight and Rain

University of British Columbia Press

Leon Zolbrod

Literary

Tuttle Pub

Ugetsu monogatari ; Harusame monogatari (Kanʼyaku Nihon no koten) (Japanese Edition)

Shōgakkan

Japan has a long history of weird and supernatural literature, but it has been introduced into English only haphazardly until now. The first volume of a 3-volume anthology covering over two centuries of kaiki literature, including both short stories and manga, from Ueda Akinari's "Ugetsu Monogatari" of 1776 to Kyogoku Natsuhiko's modern interpretations of popular tales. Selected and with commentary by Higashi Masao, a recognized researcher and author in the field, the series systemizes and introduces the scope of the field and helps establish it as a genre of its own. This first volume presents a variety of work focusing on pre-modern Japan, and includes one manga.
Contents
<ul>
<li>Robert Weinberg: Preface: "An Ordinary World, Interrupted" </li>
<li>Higashi Masao: Introduction: "The Origins of Japanese Weird Fiction"</li>
<li>Lafcadio Hearn: "The Value of the Supernatural in Fiction"</li>
<li>Lafcadio Hearn: "In a Cup of Tea"</li>
<li>Ueda Akinari: "The Chrysanthemum Pledge"</li>
<li>Kyōgoku Natsuhiko: "Three Old Tales of Terror"</li>
<li>Miyabe Miyuki: "The Futon Room"</li>
<li>Okamoto Kidō: "Here Lies a Flute"</li>
<li>Tanaka Kōtarō: "The Face in the Hearth" </li>
<li>Kōda Rohan: "Visions of Beyond"</li>
<li>Inagaki Taruho: "The Inō Residence, Or, The Competition with a Ghost"</li>
<li>Yamamoto Shūgorō: "Through the Wooden Gate"</li>
<li>Sugiura Hinako: "Three Eerie Tales of Dark Nights" </li>
</ul>
Reviews
<ul>
<li>...an outstanding set of publications. This is an invaluable contribution to scholarship on the supernatural in literature and folklore in Japan and elsewhere. The stories are accessible and entertaining; they could easily be used in an undergraduate class where they would illuminate some of the sources and motifs so prevalent in contemporary Japanese horror film, manga, and anime. Moreover, these stories provide an introduction not only to a variety of important authors—many of whom are underappreciated even in Japan—but also tempt the reader to venture more deeply into the cultural and folkloric contexts that inform them. In short, the series is a perfect entree into some of the enduring traditions of Japanese supernatural folklore and supernatural literature, and the cross fertilization between the two.—Michael Dylan Foster, Journal of Folklore Research</li>
<li>The stories themselves are a wonderful mixed bag. Some tales are very odd in structure, sometimes without a conventional ending and with a lesson to be learnt. [ ... ] But be warned Western horror fans unfamiliar with Asian horror, these are not ordinary horror tales, not all involve terror and violence, they differ greatly from a collection of western tales of the same genre.—Elizabeth Vinton, Dark Matter</li>
<li>...a unique treat and a wonderful experience. [...] None of the entries here could be mistaken for horror. Although populated with ghosts and monsters, Japan's storytelling tradition lends more towards strange experiences and odd phenomena than chills and thrills. Kurodahan Press was very careful in choosing the term "uncanny tales" for the title."—Zack Davisson, Japan Reviewed</li>
<li>"Japanese genre fiction is largely unrepresented in English, and this book provides a taste of what we've been missing out on... there's something for everybody in this eclectic and unprecedented collection."—Adam Groves, fright.com</li>
<li>"Kaiki will cater to a clear gap in the market. Japanese supernatural fiction (in contrast to film and manga) is little known in the English language world. A whole new experience—yet one sometimes strangely familiar—is out there and waiting."—John Howard, writing in Wormwood No. 13</li>
</ul>

Tales of Old Edo - Kaiki: Uncanny Tales from Japan, Vol. 1

Miyabe, Miyuki

Masao, Higashi

Kyogoku, Natsuhiko

SUGIURA, Hinako

Okamoto, Kidō

Inagaki, Taruho

Yamamoto, Shugoro

Koda, Rohan

Kurodahan Press

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