Cy Twombly's work realizes its most personal expression in his intimately sized drawings and paintings on paper. Finding inspiration as much in the forces of nature as in ancient epics and legend, and using the simplest of media - pencils, ballpoint pens, crayons, wall paint - he creates poetic and archaic worlds, usually in series and often as collages. The eighty-four works in this retrospective, organized by the State Hermitage Museum, St. Petersburg, in 2003 to mark Twombly's seventy-fifth birthday, were collected from the artist's studio, and many have not been previously exhibited. Dating from between 1953 and 2002, the drawings embrace the entire career of one of the most important American artists alive today, from his early monotypes to the major mythological cycles of later years, revealing the many nuances of his aesthetic approach.

Cy Twombly: Fifty Years Of Works On Paper.

Arts & Photography

BARTHES, ROLAND

TWOMBLY, Cy

SCHAMA,Simon

Individual Artists

WHITNEY MUSEUM OF ART.

Cy Twombly: Paintings, drawings, constructions, 1951-1974 : [exhibition] Institute of Contemporary Art, University of Pennsylvania, Philadelphia, ... California, May 9 to June 22, 1975]

The Institute

Cy Twombly

Reference

Houston Fine Art Pr

Winkler, Paul

Turrell, Brown, Julia

The Menil Collection / Houston Fine Art Press

Winner of the T.S. Eliot Poetry Prize Dean Rader reaches beyond artistic description to engage Twombly’s work in conversation. 
In 2018, just a few weeks after his father’s death, Dean Rader made a pilgrimage to the Gagosian Gallery in New York to see a retrospective of Cy Twombly’s work, In Beauty It is Finished: Drawings 1951-2008. The exhibit led to a poem that would become the genesis of this book — from loss and fear to regret and beauty, Before the Borderless: The Cy Twombly Cycle reaches for the embodiment of emotion and the aesthetics of possibility. 
Through a range of experimental forms, including a series of octets, Rader writes to decode the gestures and energies in Twombly’s drawings and paintings. He reaches past observation and admiration to create a game of echolocation, reflecting Twombly’s infinite scrawls as “saddle stitch, spaghetti curl, white whirl.” Even as Rader searches for proximity, examining the gaps between symbols and what they signify, the collection remains unmistakably autobiographical. From the wheatfields of his Western Oklahoma upbringing to questions of loss—first his father and then his mother, who passed only weeks after Rader finished the manuscript for this book—the poems in Before the Borderless are both elegy and prayer, for Rader’s parents, for his children, for the world. 
Blurring the distinction between canvas and page, Twombly’s work often includes lines of poetry from many of the authors who shaped Rader’s work — John Keats, Sappho, Federico García Lorca, and Rainer Maria Rilke. As Rader’s poems are paired with 50 color images of Twombly’s paintings and drawings, the line between looking and reading is blurred. Before the Borderless awakens in the space between language and silence to pose provocative questions about art and its power to heal.

Before the Borderless: Dialogues with the Art of Cy Twombly

Rader, Dean

History & Criticism

Copper Canyon Press

For the first time in nearly 30 years, new paintings by Cy Twombley were exhibited at a New York gallery. This book documents the recent show at Gagosian Gallery, and includes color plates of all paintings in a beautiful multipanel gatefold.

Coronation of Sesostris

SHAPIRO, DAVID

Waters, Patricia

GAGOSIAN GALLERY

CY TWOMBLY: LEPANTO - A PAINTING IN TWELVE PARTS (VENICE)

Description: Lepanto, Cy Twombly's ravishing suite of 12 large canvases in acrylic, crayon, and graphite, may be the artist's most satisfactory work. First exhibited at the Venice Biennale in the summer of 2001, the series depicts the famous 16th century sea battle raged by the combined European forces under Venetian leadership against the Ottoman invasion. Twombly's glorious, luminously intense sequence of panels is meant to be absorbed as a single image, a panoramic portrayal of war on a heroic scale, with the viewer standing in the midst of a battle that ends in the destruction of the Turkish fleet.

Cy Twombly: Lepanto

HOWARD, Richard

FAGE

One of the essential artists of our time, Cy Twombly is known primarily for his paintings, but his lesser-known sculpture oeuvre is an important dimension of his work as an artist. This large-format publication reveals his extensive body of sculptural work. Inspired by Kurt Schwitters, Giacometti and Surrealist object art, some of his early assemblages date back to the 1950s. These pieces are composed of everyday found objects, which Twombly arranged in the vein of magical or fetishistic objects. Later he began to cover them with a uniform coat of white paint. Thus placed in a new formal context, the original meaning of the individual pieces is blurred, connecting them with a wide range of cultural references. Literature and music, landscape and plantlife are all evoked. Twombly's sculptures are always white, exuding both an odd, ethereal quality and an aura of timeless poetry.

Cy Twombly: Die Skulptur - The Sculpture (English and German Edition)

Schmidt, Katharina

Hatje Cantz Publishers

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