In In Parts: 1998-2001, Richard Tuttle draws on 13 discrete bodies of work dating from 1998 to the present. Fully illustrated catalogue and designed in collaboration with the Purtill Family Business, this book includes an essay by Ingrid Schaffner, Senior Adjunct Curator at the Institute of Contemporary Art, and text by the poet Charles Bernstein, a frequent collaborator with Tuttle.

1998-2001: A Project by Richard Tuttle

Arts & Photography

Bernstein, Charles

Tuttle, Richard

Gould, Claudia

Individual Artists

ICA Philadelphia

Sphericity (Signed Edition)

Literature & Fiction

Berssenbrugge, Mei-Mei

Poetry

Kelsey Street Pr

Poetry. Art. Music. A collaboration, with poems by the Richard Tuttle, drawings by Heather Deedman, and an audio CD, "Slide Sunset," by Zoe Irvine. Paperback in full color.

Cowboy Story

Deedman, Heather

Irvine, Zoe

Morning Star Editions

Richard Tuttle, TheStars

MODERN ART

I Don’t Know . The Weave of Textile Language is a unique project by the renowned American artist Richard Tuttle (b. 1941). Tuttle, who came to prominence in the 1960s, is revered for his delicate and playful approach, often using such humble, everyday materials as cloth, paper, rope, and plywood. Drawing on Tuttle’s knowledge as a longstanding collector of textiles from around the world, the book investigates the importance of the material throughout history, across Tuttle’s remarkable body of work, and into the latest developments in his practice. Included are photographs of Tuttle’s collection; essays about the historical, aesthetic, social, and material value of textiles; images of works from a recent Whitechapel Gallery exhibition; and documentation of his newly commissioned sculpture in Tate Modern’s Turbine Hall.

Richard Tuttle: I Don't Know . The Weave of Textile Language

Petersens, Magnus af

Borchardt-Hume, Achim

History & Criticism

Tate Publishing

Accompanying a unique exhibition at the respected Marianne Boesky Gallery in New York, this book is a remarkable combination of the work of poets and artists, that explores in new ways the relationship between the visual and the verbal. In his preface, Charles Bernstein writes: "Not words and pictures but poems as visual objects. Not poems about pictures but pictures that are poems. Not works closed in a book but hanging on a wall or suspended from the ceiling or rising from the floor or sounding from inside a figure or embedded with paint on a canvas or written in the sky or flickering on a screen." Co-curator Jay Sanders explains in his introduction: "We had a gallery and we wanted to flood it with poetry. Not with "poetic" artwork, but with actual poetry, made by poets. But, we have gallery walls, not pages in a book. So we organized a show of art overrun with poetry and a show of poetry riddled with art."

Poetry Plastique

CAGE, John

Antin, David

Bök, Christian

Scalapino, Leslie

Lin, Tan

Hejinian, Lyn

Drucker, Johanna

Goldsmith, Kenneth

Gins, Madeline

Grenier, Robert

McCaffery, Steve

McVarish, Emily

CREELEY, Robert

Wershler-Henry, Darren

MacLow, Jackson

Piombino, Nick

Granary Books/Marianne Boesky Gallery

Richard Tuttle : My Best

Frémon, Jean

GALERIE LELONG

From 1996 to 1999 Richard Tuttle worked for the Kunsthaus Zug, in Switzerland, in an endeavor to provide the institution's collective activities with a new orientation. To this end, Tuttle created four rather different large works that referred to the space of the museum as a whole as well as its immediate surroundings. Astounding in view of Tuttle's body of mostly small and delicate work, these tailor-made objects redefine the space which they inhabit. The works also act in dialogue with each other: Replace the Abstract Picture Plane IV, for instance, consists of no less than forty parts whose asymmetrical arrangement on the first two floors of the southern wing respond to the spiral shape of the green snake located in the northern wing. Conceived by Tuttle, this new monograph constitutes a work of art in itself, and represents a pioneering step in collaborations between artists and museums. Also presented here is a photographic essay by Guido Baselgia, who viewed and documented Tuttle's work at Zug for the duration of its three-year stay.

Richard Tuttle: Replace The Abstract Picture Plane

Gross, Jennifer

Hatje Cantz Publishers

This catalogue offers a detailed documentation of Tuttle's recent installation at the Kunstahalle Baden-Baden.

Richard Tuttle: Chaos, Die / The Form (English and German Edition)

Cantz

Small sculptures of the 70s

Annemarie Verna Gallery

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Books by Tuttle, Richard