Habits of Industry provides a richly descriptive social, historical, and cultural account of the Carolina Piedmont -- the area between the Blue Ridge Mountains and the Coastal Plain -- over the course of 150 years. By examining the social and religious culture of the region, Allen Tullos illuminates the lives of the working men and women whose "habits of industry" shaped their world. Tullos combines archival research with an extensive collection of oral histories to shed new light on the essentially all-white textile industry in the era before World War II. He examines such topics as workers' transition from an agrarian folk culture to an industrial working class, the changing patterns of employers' paternalistic relations, and the contrasting and complimentary meanings of "industry." Using biographies and autobiographies of both mill owners and mill workers, Tullos juxtaposes the entrepreneurial narratives of the Belks, Hammetts, Tompkinses, Dukes, and Loves with the equally remarkable stories of such workers as Ethel Hillard, Alice and Grover Hardin, and Nigel League.

Habits of Industry: White Culture and the Transformation of the Carolina Piedmont (Fred W. Morrison Series in Southern Studies)

Business & Money

Tullos, Allen

Industries

Univ of North Carolina Pr

Habits of Industry: White Culture and the Transformation of the Carolina Piedmont (The Fred W. Morrison Series in Southern Studies)

The University of North Carolina Press

In Alabama Getaway Allen Tullos explores the recent history of one of the nation’s most conservative states to reveal its political imaginary―the public shape of power, popular imagery, and individual opportunity.From Alabama’s largely ineffectual politicians to its miserly support of education, health care, cultural institutions, and social services, Tullos examines why the state appears to be stuck in repetitive loops of uneven development and debilitating habits of judgment. The state remains tied to fundamentalisms of religion, race, gender, winner-take-all economics, and militarism enforced by punitive and defensive responses to criticism. Tullos traces the spectral legacy of George Wallace, ponders the roots of anti-egalitarian political institutions and tax structures, and challenges Birmingham native Condoleezza Rice’s use of the civil rights struggle to justify the war in Iraq. He also gives due coverage to the state’s black citizens who with a minority of whites have sustained a movement for social justice and democratic inclusion. As Alabama competes for cultural tourism and global industries like auto manufacturing and biomedical research, Alabama Getaway asks if the coming years will see a transformation of the “Heart of Dixie.”

Alabama Getaway: The Political Imaginary and the Heart of Dixie (Politics and Culture in the Twentieth-Century South)

History

Americas

University of Georgia Press

In Alabama Getaway Allen Tullos explores the recent history of one of the nation’s most conservative states to reveal its political imaginary―the public shape of power, popular imagery, and individual opportunity. From Alabama’s largely ineffectual politicians to its miserly support of education, health care, cultural institutions, and social services, Tullos examines why the state appears to be stuck in repetitive loops of uneven development and debilitating habits of judgment. The state remains tied to fundamentalisms of religion, race, gender, winner-take-all economics, and militarism enforced by punitive and defensive responses to criticism. Tullos traces the spectral legacy of George Wallace, ponders the roots of anti-egalitarian political institutions and tax structures, and challenges Birmingham native Condoleezza Rice’s use of the civil rights struggle to justify the war in Iraq. He also gives due coverage to the state’s black citizens who with a minority of whites have sustained a movement for social justice and democratic inclusion. As Alabama competes for cultural tourism and global industries like auto manufacturing and biomedical research, Alabama Getaway asks if the coming years will see a transformation of the “Heart of Dixie.”

Alabama Getaway: The Political Imaginary and the Heart of Dixie (Politics and Culture in the Twentieth-Century South Ser.)

William Christenberry is an internationally recognized interpreter of the American South. Through drawing, painting, sculpture, photography, and installation, Christenberry reveals a stirring vision of the heritage that obsesses his art. His original imagery and objects form a distinguished voice in American contemporary art. Addressing the experience of migration and the toll of regionalism on personal identity, he specifically describes and considers the social and material culture of the deep South. This volume presents the first comprehensive survey of the artist's expression ever published.

Christenberry Reconstruction: The Art of William Christenberry

Arts & Photography

Stack, Trudy Wilner

Christenberry, William

University of Arizona Museum of Art

Individual Artists

Univ Pr of Mississippi

LOTS OF INFORMATION AND IMAGES. GREAT REFERENCE FOR COLLECTORS, DEALERS AND HISTORIANS. BE SURE TO EMAIL US IF YOU HAVE ANY QUESTIONS. HAPPY BIDDING!

Christenberry: Reconstruction : The Art of William Christenberry

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