Chekhov, a Structuralist Study

Tulloch, John

Barnes & Noble Imports

Real Sex Films: The New Intimacy and Risk in Cinema

Arts & Photography

Middleweek, Belinda

Photography & Video

Oxford University Press

Real Sex Films explores one of the most controversial movements in international cinema through an innovative interdisciplinary combination of theories of globalization and embodiment. Risk sociology, feminist film theory, and critical feminist mapping theory are brought together with concepts of production, narrative, genre, authorship, stardom, spectatorship, and social audience as several lenses of understanding and extension in ways of seeing real-sex cinema. Notions of personal subjectivity and critical distance, disciplinary co-operation and critique, and cinematic perceptions of the utopia and dystopia of love within risk modernity are the tensions exposed reflexively and in parallel, as each chapter focuses different lenses communicating intimacy, desire, risk and transgression. This book substantively, methodologically, and theoretically embraces and engages in its consideration of the images, ethics, double standards, and embodiments of brutal cinema. Crossing the boundaries of film studies, media and cultural studies, the ethnographic turn, risk sociology, feminist psychoanalytical, and geopolitical studies, this is a book for students, academics, as well as general and professional audiences.

Risk and Hyperconnectivity: Media and Memories of Neoliberalism (Oxford Studies in Digital Politics)

Risk and Hyperconnectivity brings together for the first time three paradigms: new risk theory, neoliberalization theory, and connectivity theory, to illuminate how the kaleidoscope of risk events in the opening years of the new century has recharged a neoliberal battlespace of media, economy, and security. Hoskins and Tulloch argue that hyperconnectivity is both a conduit of risk and a form of risk in itself, and that it alters the ways in which we experience events and remember them. Through interdisciplinary dialogue and case study analysis they offer original perspectives on the key questions of risk of our age, including: What is the path to a 'balance' between individual privacy and state (or corporate) security? Is hyperconnectivity itself a new risk condition of our time? How do remembering and forgetting shape citizen insecurity and cultures of risk, and legitimize neoliberal governance? How do journalists operate as 'public intellectuals' of risk? Through probing a series of risk events that have already scarred the twenty-first century, Hoskins and Tulloch show how both established and emergent media are central in shaping past, present and future horizons of neoliberalism, while also propelling wide pressure for its alternatives on those ranging from economics students worldwide to potential political leaders cultivated by austerity policies.

Politics & Social Sciences

Hoskins, Andrew

Social Sciences

A study of the creation and development of the popular BBC series, "Doctor Who," offers facts, trivia, background data, and more about this extraordinary television phenomenon

Doctor Who: The Unfolding Text

Science Fiction & Fantasy

St Martins Pr

Paperback book about Dr. Who BBC television series.

Alvarado, Manuel

St.Martin's Press

Doctor Who: The Unfolding Text (Communications and Culture)

PALGRAVE~MACMILLAN

This book is an up-to-date survey of current work on the audiences for different TV genres. It provides students and academics not only with an understanding of audience theories but also of the different methodologies used to research different types of audience.

Watching Television Audiences: Cultural Theories and Methods

Business & Money

Hodder Education Publishers

This book is an up-to-date survey of current work on the audiences for different TV genres. It provides students and academics not only with an understanding of audience theories but also of the different methodologies used to research different types of audience.

Bloomsbury Academic

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Books by Tulloch, John