This beautifully illustrated book opens up the great age of Spanish and Portuguese sculpture, painting, architecture, and the decorative arts. A dazzling array of arts from the Peninsula and Hispanic America of the sixteenth and seventeenth centuries, from the time of the Reconquest of Granada to the decline of the Habsburg dynasty in Spain, is presented here.
The book also discusses Spain’s cultural relationships with the rest of Europe, particularly Britain, in the eighteenth and nineteenth centuries and explores the ambivalent ways in which Spanish art was viewed and received. Often prejudiced ideas about Spanish Catholicism and culture led to a biased understanding of Iberian arts. This view also sometimes affected the Spaniards’ own view of their arts and traditions, as well as the way in which the art of Spain is perceived today by others. This landmark publication explores how works of art produced in Spain and Portugal relate to other European traditions through themes such as the role of the church, secular art, the heritage of Islam and Judaism, and trade and patronage.
The variety of artworks examined in context within each chapter is impressive and eclectic, ranging from paintings, sculpture, books, and engravings to tapestries, furnishings, ceramics, and architecture. Marjorie Trusted’s accessible but authoritative text, works of art from Spain, Portugal, and Hispanic America, and maps and a timeline linking Hispanic art and culture with contemporary events elsewhere make this an invaluable survey of Hispanic art during its golden age.

The Arts of Spain: Iberia and Latin America 1450-1700

Arts & Photography

Trusted, Marjorie

History & Criticism

Penn State University Press

The unrivalled collection of post-medieval British sculpture at the Victoria and Albert Museum is here catalogued and illustrated for the first time. The collection encompasses marble portrait busts and figures, sculpture in wood, terracotta, bronze, lead and plaster, as well as a number of outstanding sculptors' models.Its greatest strengths lie in works from the seventeenth, eighteenth and nineteenth centuries, and virtually every major sculptor active in Britain during this period is represented - among them Nicholas Stone, John Michael Rysbrack, Louis Francois Roubiliac, Joseph Wilton, John Flaxman and Alfred Stevens.Over 770 pieces by almost 200 sculptors are included, more than a third of which have never been published before. The catalogue, wide-ranging and scholarly, will serve both as a work of reference, and in effect a history of sculpture in Britain over 500 years.

British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum

BILBEY DIANE

Victoria & Albert Museum

Catalogue of European Ambers in the Victoria and Albert Museum

Victoria & Albert Pubns

This scholarly work on German medals examines their origins, purposes, contexts and identification guidelines.

German Renaissance Medals: A Catalogue of the Collection in the Victoria & Albert Museum

Performing Arts

This catalogue also acts as a wide-ranging introduction to Spanish sculpture. The collection contains pieces from the 16th, 17th and 18th centuries. Materials included painted and gilded wood, terracotta, alabaster, marble, lead and jet.

Spanish Sculpture

Collections, Catalogs & Exhibitions

This is a historical and technical guide to the materials and techniques of European sculpture, based on the collections at the Victoria and Albert Museum in London. Casting, carving and modelling practices are explored within a historical perspective, from medieval times onwards. Edited by Marjorie Trusted, and with a foreword by Paul Williamson, the book contains a series of chapters by specialist staff at the V&amp;A. Chapter 1 (by Norbert Jopek), looks at working practices of sculptors Chapter 2 (by Alexandra Corney) looks at wax Chapter 3 (by Wendy Fisher) at terracotta Chapter 4 (by Fisher, Melissa Hamnett and Peta Motture) at bronze and lead Chapter 5 (by Lucy Cullen, Fisher, Hamnett and Trusted) at medals and plaquettes Chapter 6 (by Trusted) at marble and stone Chapter 7 (by Fergus Cannan) at alabaster Chapter 8 (by Jopek and Trusted) at ivory and bone Chapter 9 (by Jopek and Sofia Marques) at wood Chapter 10 (by Cullen, Jopek and Trusted) at semi-precious materials Chapter 11 (by Diane Bilbey and Ruth Cribb) at plaster models, plaster casts, electrotypes and fictile ivories, while the final chapter, by Jopek, examines the subject of fakes. Beautiful colour photography highlights the collections and illustrates contemporary workshop practices. This is an essential guide for anyone with an interest in sculpture.

The Making of Sculpture: The Materials and Techniques of European Sculpture

Sculpture

V&A Publishing

Around 1600, a new style of sculpture started to evolve and flourish in the German-speaking lands. Dramatic wood and stone figures peopled the palaces, gardens and churches of Munich, Berlin, Dresden, Dusseldorf, Vienna and Prague. These great works of art are little known outside Germany and Austria, partly because their colour and vivacity are so astoundingly different from the sculpture that was being produced in Italy, France and Northern Europe at that time. They are overpowering, and amongst the greatest works of art produced in Europe in the 17th century. This book will explicate their history and convey their compelling visual power to new audiences.

Baroque Sculpture in Germany and Central Europe 1600-1770

Harvey Miller Pub

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