What makes a literary classic? In "Sensational Designs" Jane Tompkins argues that it is not the intrinsic merit of a text, but rather the circumstances of its writing. Against the modernist belief that art, in order to be art, must be free from propaganda, Tompkins contends that writers like Brockden Brown, Cooper, Stowe, and Warner wrote in order to alter the face of the social world, not to elicit aesthetic appreciation.Thus, the value and significance of the novels, for readers of their time, depended on precisely those characteristics that formalist criticism has taught us to deplore: stereotyped characters, sensational plots, and cliched language.

Sensational Designs: The Cultural Work of American Fiction, 1790-1860

Literature & Fiction

Tompkins, Jane

History & Criticism

Oxford University Press

A leading figure in the debate over the literary canon, Jane Tompkins was one of the first to point to the ongoing relevance of popular women's fiction in the 19th century, long overlooked or scorned by literary critics. Now, in West of Everything, Tompkins shows how popular novels and films of the American west have shaped the emotional lives of people in our time. Into this world full of violence and manly courage, the world of John Wayne and Louis L'Amour, Tompkins takes her readers, letting them feel what the hero feels, endure what he endures. Writing with sympathy, insight, and respect, she probes the main elements of the Western--its preoccupation with death, its barren landscapes, galloping horses, hard-bitten men and marginalized women--revealing the view of reality and code of behavior these features contain. She considers the Western hero's attraction to pain, his fear of women and language, his desire to dominate the environment--and to merge with it. In fact, Tompkins argues, for better or worse Westerns have taught us all--men especially--how to behave. It was as a reaction against popular women's novels and women's invasion of the public sphere that Westerns originated, Tompkins maintains. With Westerns, men were reclaiming cultural territory, countering the inwardness, spirituality, and domesticity of the sentimental writers, with a rough and tumble, secular, man-centered world. Tompkins brings these insights to bear in considering film classics such as Red River and Lonely Are the Brave, and novels such as Louis L'Amour's Last of the Breed and Owen Wister's The Virginian. In one of the most moving chapters (chosen for Best American Essays of 1991), Ttompkins shows how the life of Buffalo Bill Cody, killer of Native Americans and charismatic star of the Wild West show, evokes the contradictory feelings which the Western typically elicits--horror and fascination with violence, but also love and respect for the romantic ideal of the cowboy. Whether interpreting a photograph of John Wayne of meditating on the slaughter of cattle, Jane Tompkins writes with humor, compassion, and a provocative intellect. Her book will appeak to many Americans who read or watch Westerns, and to all those interested in a serious approach to popular culture.

West of Everything: The Inner Life of Westerns

Humor & Entertainment

Movies

A leading figure in the debate over the literary canon, Jane Tompkins was one of the first to point to the ongoing relevance of popular women's fiction in the 19th century, long overlooked or scorned by literary critics. Now, in West of Everything, Tompkins shows how popular novels and films of the American west have shaped the emotional lives of people in our time. Into this world full of violence and manly courage, the world of John Wayne and Louis L'Amour, Tompkins takes her readers, letting them feel what the hero feels, endure what he endures. Writing with sympathy, insight, and respect, she probes the main elements of the Western--its preoccupation with death, its barren landscapes, galloping horses, hard-bitten men and marginalized women--revealing the view of reality and code of behavior these features contain. She considers the Western hero's attraction to pain, his fear of women and language, his desire to dominate the environment--and to merge with it. In fact, Tompkins argues, for better or worse Westerns have taught us all--men especially--how to behave. It was as a reaction against popular women's novels and women's invasion of the public sphere that Westerns originated, Tompkins maintains. With Westerns, men were reclaiming cultural territory, countering the inwardness, spirituality, and domesticity of the sentimental writers, with a rough and tumble, secular, man-centered world. Tompkins brings these insights to bear in considering film classics such as Red River and Lonely Are the Brave, and novels such as Louis L'Amour's Last of the Breed and Owen Wister's The Virginian. In one of the most moving chapters (chosen for Best American Essays of 1991), Tompkins shows how the life of Buffalo Bill Cody, killer of Native Americans and charismatic star of the Wild West show, evokes the contradictory feelings which the Western typically elicits--horror and fascination with violence, but also love and respect for the romantic ideal of the cowboy. Whether interpreting a photograph of John Wayne of meditating on the slaughter of cattle, Jane Tompkins writes with humor, compassion, and a provocative intellect. Her book will appeal to many Americans who read or watch Westerns, and to all those interested in a serious approach to popular culture.

West of Everything: The Inner Life of Westerns (Oxford Paperbacks)

In this text, one of America's leading literary scholars looks back on her own life in the classroom, and discovers how much of what she learned there needs to be unlearned. Jane Tompkins's memoir shows how her education shaped her in the mold of a high achiever who could read five languages but had little knowledge of herself. As she slowly awakens to the needs of her body, heart, and spirit, she discards the conventions of classroom teaching and learns what her students' lives are like. A story of spiritual awakening, Tompkins' book critiques our educational system while also paying tribute to it.

A Life in School

Biographies & Memoirs

Professionals & Academics

Here one of our leading literary scholars looks back on her own life in the classroom, and discovers how much of what she learned there needs to be unlearned. Jane Tompkins' memoir shows how her education shaped her in the mold of a high achiever who could read five languages but had little knowledge of herself. As she slowly awakens to the needs of her body, heart, and spirit, she discards the conventions of classroom teaching and learns what her students' lives are like. A painful and exhilarating story of spiritual awakening, Tompkins' book critiques our educational system while also paying tribute to it.

A Life In School: What The Teacher Learned

Perseus Books

A leading leftist scholar discusses how her struggle for personal fulfillment beyond the classroom led her to challenge the conventions of traditional education and to strive for understanding of herself and her students.

Basic Books

Jane Tompkins, a renowned literature professor and award-winning author, thought she knew what reading was until, struck by a debilitating illness, she finds herself reading day and night because it is all she can do. A lifelong lover of books, she realizes for the first time that if you pay close attention to your reactions as you read, literature can become a path of self-discovery. Tompkins’s inner journey begins when she becomes captivated unexpectedly by an account of friendship between two writers to whom she’d given little thought, Paul Theroux and V. S. Naipaul. Theroux’s memoir launches her on a path of introspection that stretches back to the first weeks of her life in a Bronx hospital, and forward to her relationship with her mother and the structure of her present marriage. Her reading experience, intensified by the feelings of powerlessness and loss of self that come with chronic illness, expands to include writers such as Henning Mankell and Ann Patchett, Alain de Botton, Elena Ferrante, and Anthony Trollope. As she makes her way through their books, she recognizes herself in them, stumbling across patterns of feeling and behavior that have ruled her without her knowing it―envy, a desire for fame, fear of confronting the people she loves, a longing for communion. The reader, along with Tompkins, comes to the realization that literature can be not only a source of information and entertainment, not only a balm and a refuge, but also a key to unlocking long-forgotten memories that lead to a new understanding of one’s life.

Reading through the Night

University of Virginia Press

Review\nTompkins’ book has something of the charge of a detective story, as she moves from book to book in search of herself and her past. Her account of illness has the shape of a novel. … She is a direct and generous narrator. ‘The thing is not to be afraid,’ she writes. ‘When a book upsets or troubles you, you need to find out why.’ (The Times Literary Supplement)\nA disarmingly intimate chronicle of reading as self-discovery. (Booklist)\nReading Through the Night is a perfect book for anyone who believes literature should amount to more than diversion and fodder for term papers.... Tompkins becomes our own suffering servant, though perhaps less a [Kurt] Wallander than a bedridden Alice James, nearly forgotten in the shadow of celebrated men, but scribbling all the while to produce something equally essential, equally profound. (San Francisco Chronicle)\nA woman lies in bed, reading. She isn’t well, and some days reading is all she can do. As she reads she comes to understand a lot about herself―her upbringing, her fears and her envy, her privileges, her life’s steps and missteps. She is not reading for culture or academic privilege. She is reading to save her life. I loved reading with Tompkins as she lingers over books by Naipaul, Theroux, Dickinson, and Patchett and lets their stories open windows of all kinds. Every book group in the country should be reading Reading through the Night, for the conversations it will provoke, for the reading it will inspire, and for its captivating wisdom and grace. (Alice Kaplan, author of Looking for "The Stranger": Albert Camus and the Life of a Literary Classic)\nA surprising, ambitious memoir that raises important questions about what it is that we are doing when we read. Through a series of literary adventures Tompkins shares a journey to new self-knowledge. Her story will engage all book lovers for whom reading is a lifeline. (Nancy K. Miller, the Graduate Center, CUNY, author of Breathless: An American Girl in Paris)\nReading through the Night is a vital manifesto on the importance of reading. It is not simply a reminder that literature can enrich us; it is a statement about the ability to live a rich and fulfilling life of the mind even when the body betrays us. Jane Tompkins guides us through what might have been a devastating loss―a disease that deprives her of her basic physical abilities―but instead becomes a new way of experiencing the world, and understanding her personal experience in the world, through a closer and more attentive relationship with words on the page. I have a profoundly altered appreciation for what literature offers us after reading this memoir. (Alden Jones, author of The Blind Masseuse: A Traveler's Memoir from Costa Rica to Cambodia)\nSome of the most memorable passages of the book focus on marriage: first those of Naipaul and Theroux, and then Tompkins’s own. (Her husband is the famous literary critic Stanley Fish.) Sheleads readers into multiple layers of meaning of love and forgiveness as perspectives shift, new memories appear, and images expand, illustrating the power of one large story that overcomes, or at least enlightens, a host of smaller and meaner ones. (Christian Century)\nThe title Reading Through the Night alludes to the sleepless hours that accompany the chronic fatigue from which Tompkins has long suffered, and also calls up for me the iconic image of the desolate David Copperfield, "sitting on my bed, reading as if for life." There's no "as if" about it: you read for life. (Critical Inquiry)\nJane Tompkins, a renowned literature professor and award-winning author, thought she knew what reading was until, struck by a debilitating illness, she finds herself reading day and night because it is all she can do. A lifelong lover of books, she realizes for the first time that if you pay close attention to your reactions as you read, literature can become a path of self-discovery. 
Tompkins’s inner journey begins when she

See the best price to sell, buy, or rent books by Tompkins, Jane. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Tompkins, Jane

See the best price to sell, buy, or rent books by Tompkins, Jane. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Sensational Designs: The Cultural Work of American Fiction, 1790-1860

West of Everything: The Inner Life of Westerns

West of Everything: The Inner Life of Westerns (Oxford Paperbacks)

A Life in School

A Life In School: What The Teacher Learned

A Life In School: What The Teacher Learned

Reading through the Night

Reading through the Night