Japanese Prints: Ukiyo-e in Edo, 1700-1900

<p>Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to circumvent the restrictions placed on the industry through government censorship. Although Japanese prints have long been appreciated in the West for their graphic qualities, their content has not always been fully understood. This book draws on recent scholarship that makes possible a more subtle appreciation of the imagery encountered in the prints and how they would have been read when first made. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.</p>

Arts & Photography

Tinios, Ellis

History & Criticism

Lund Humphries Pub Ltd

<p>Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.</p>

Lund Humphries

Mirror of the stage: The actor prints of Kunisada

University Gallery Leeds

Between the 17th and the 19th centuries, kabuki was the traditional theatre for the bourgeoisie in Japan. Artists recorded numerous stage scenes and artists’ portraits in woodcuts. During the 19th century many of these works traveled to Europe, where they formed the basis for the impressive collection in Geneva consisting of more than 1,000 Japanese woodcuts in excellent condition. This lavishly illustrated catalogue assembles more than a hundred of these woodcuts for the first time and provides a key to understanding Japanese culture.

The Frozen Gesture: Kabuki Prints from the Collection of the Cabinet Darts Graphiques (French and English Edition)

Rümelin, Christian

Thomsen, Hans Bjarne

Wienand Verlag

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Books by Tinios, Ellis