A Behavioral Atlas of the Rat Brain

THOMPSON, ROBERT

Oxford Univ. Pr.

A History of Securities Law and the Supreme Court explores how the Supreme Court has made (and remade) securities law. It covers the history of the federal securities laws from their inception during the Great Depression, relying on the justices' conference notes, internal memoranda, and correspondence to shed light on how they came to their decisions and drafted their opinions. That history can be divided into five periods that parallel and illustrate key trends of the Court's jurisprudence more generally. The first saw the administration of Franklin Delano Roosevelt--aided by his filling eight seats on the Court-triumph in its efforts to enact the securities laws and establish their constitutional legitimacy. This brought an end to the Court's long-standing hostility to the regulation of business. The arrival of Roosevelt's justices, all committed to social control of finance, ushered in an era of deference to the SEC's expertise that lasted through the 1940s and 1950s. The 1960s brought an era of judicial activism-and further expansion--by the Warren Court, with purpose taking precedence over text in statutory interpretation. The arrival of Lewis F. Powell, Jr. in 1972 brought a sharp reversal. Powell's leadership of the Court in securities law produced a counter-revolution in the field and an end to the SEC's long winning streak at the Court. Powell's retirement in 1987 marked the beginning of the final period of this study. In the absence of ideological consensus or strong leadership, the Court's securities jurisprudence meandered, taking a random walk between expansive and restrictive decisions.

A History of Securities Law in the Supreme Court

Pritchard, A.C.

Administrative Law

Oxford University Press

Burns and Thompson help to remedy the lack of a forum for current research on television by bringing together, in this volume, some of the best recent research in television studies. This work will begin to fill the gap in literature on television studies as a discipline. In compiling these 13 papers, the editors maintain a balance of timely interest and lasting relevance. The contributors study the texts of current TV dramatic and comic series, such as Dallas and Cheers, as well as current trends in nonfiction TV, such as network and local news coverage. Each analysis of a specific television text is complimented with rigorous theoretical argumentation. Students and scholars of communications and television criticism will find Television Studies valuable reading.
The book begins with a two-chapter debate primarily seeking a definition of `television studies.' The debate includes a critical examination of the capitalist institutions that dominate television as an industry. Further chapters discuss dramatic television series; an examination of the development of the lengthy serial text of Dallas, and structural analysis of the pilot episode of Cheers. The book contains five essays on nonfiction television, including an insiders view of the production and promotion of local TV news and an analysis of CBS and ABC's TV news coverage of South Africa over a two week period in 1987. In a final essay, conventional wisdom about `the audience' is refuted.

Television Studies: Textual Analysis (Media and Society Series)

Humor & Entertainment

Burns, Gary C.

Television

Praeger

Part of Praeger's Media and Society Series, this contributed volume is the only collection of essays on television authorship. It includes work of some of the most prominent scholars in television studies. Rather than assigning one author to individual television texts, the contributors probe the relationship between the various authors at work within the institutional, cultural, and economic settings that characterize the television industry. This book analyzes and defines the unique methods of television authorship and suggests numerous candidates for authorial accountability allowing the medium to enter the realm of contemporary criticism.
The first part of the volume provides a case study in four chapters on authorship issues surrounding Frank's Place, the short lived but compelling situation comedy. This is followed by three chapters focusing on issues of authorship in international television. The book then probes the studio's role as author, including essays on Warner Brothers, Desilu, and Screen Gems. Finally the contributors examine individual TV authors and cover such topics as point of view in music video, television production as collective action, and unconventional television.

Making Television: Authorship and the Production Process (Media and Society Series)

Part of Praeger's Media and Society Series, this volume breaks new ground in television studies as the first booklength study of an individual television producer. Robert J. Thompson examines the work of Stephen J. Cannell, one of television's most prolific and successful producers. Thompson uses theories of film authorship revised for application to television texts and provides close analysis of Cannell's programs, including individual episodes of The Rockford Files, The A-Team, and The Greatest American Hero.
Moving away from the notion that a television series is the creation of an individual author, the book begins with a look at the televisionmaker. Thompson probes the polyauthorial nature of the medium and introduces a new method of studying television authorship. The book then turns to Cannell and a study of his career, focusing on how he developed the formula for his many highly rated television series. Students and teachers of television and television criticism will find Adventures on Prime Time a source of stimulating ideas about the nature of the medium.

Adventures on Prime Time: The Television Programs of Stephen J. Cannell (Media and Society Series)

This book is the outcome of a decade of research on the neu roanatomical mechanisms of learning in the young laboratory rat. It is essentially a discourse on the functional organization of the brain in relation to problem-solving ability and intelli gence. During the period between 1980 and 1989, well over 1000 weanling albino rats were subjected to localized brain damage (or sham operations in the case of the controls) under deep anesthesia and aseptic surgical conditions, were allowed tore cover, and subsequently were tested on a wide variety of prob lems designed to measure general learning ability. Since vir tually every part of the brain rostral to the medulla has been explored with lesions, it has become possible not only to map a number of "putative" brain systems underlying the acquisition of distinctive problem-solving tasks, but to isolate several neu roanatomical mechanisms that appear to be selectively in volved in the acquisition of particular kinds of goal-directed learned activities. Of particular interest was the discovery of a "nonspecific mechanism" (previously referred to in our re search reports as the "general learning system") inhabiting the interior parts of the brain. One objective of this volume was to make these maps available in a single source. Another was to provide a descrip tion of learning syndromes arising from local lesions to differ ent parts of the brain.

Brain Mechanisms in Problem Solving and Intelligence: A Lesion Survey of the Rat Brain (Critical Issues in Neuropsychology)

Health, Fitness & Dieting

Crinella, Francis M.

Yu, Jen

Psychology & Counseling

Springer

The Viola da Gamba Society Index of Manuscripts Containing Consort Music: Volume II

Arts & Photography

Music

Routledge

Offers a comprehensive, up-to-date history of world warfare since World War II, detailing the participants, politics, tactics, and weapons of the Korean War, Vietnam, Greek civil war, invasion of Afghanistan, and other conflicts

War in Peace: Updated Edition

History

Military

Random House Value Publishing

This is the first in-depth analysis of Purcell manuscripts to take full account of their physical features as well as their musical content. Robert Shay and Robert Thompson offer a richly illustrated study that sheds new light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully cataloged and Purcell's handwriting is more closely examined than ever before. This is a significant new reference tool for Purcell scholars.

Purcell Manuscripts: The Principal Musical Sources

Shay, Robert

Cambridge University Press

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