Science of Percussion Instruments (Popular Science)

Arts & Photography

Thomas D. Rossing

Music

World Scientific

From the reviews: "... an almost inexhaustible source ... Special attention is drawn to the excellent presentation of this book, towards which the many outstanding illustrations contribute, and also the 592 citations at the end of each chapter that will be of particular use to readers. ... With Physics of Musical Instruments the authors have succeeded in producing a marvellous book. ..." #Physikalische Blätter#1

The Physics of Musical Instruments

Neville H. Fletcher

Humor & Entertainment

Springer, Verlag

Acoustics of Bells (Benchmark Papers in Acoustics, Vol. 19)

Van Nostrand-Reinhold

The Science of Sound is widely recognized as the leading textbook in the field. It provides an excellent introduction to acoustics for readers without college physics or a strong background in mathematics. In the Third Edition, Richard Moore and Paul Wheeler join Tom Rossing in updating The Science of Sound to include a wide range of important technological developments in the field of acoustics. New exercises and review questions have been added to the end of each chapter to help readers study the material. For college instructors and students.

The Science of Sound, 3rd Edition

Science & Math

F. Richard Moore

Paul A. Wheeler

Physics

Pearson

The history of musical instruments is nearly as old as civilization itself. The role of acoustical science in this context is quite recent, but far-reaching; it aims to understand the physical basis for all the details of the production of sounds by musical instruments. However, over the centuries musical instrument makers and musicians have developed skills, traditions and an understanding of their arts, and they are often aware of subtleties in musical sounds that remain undetected by modern acoustical instrumentation. It is only within the past few decades that musical acoustics have achieved even a reasonable understanding of the basic mechanisms determining the tonal quality of many instruments. In some cases even major features of the sounding mechanism have only recently been unravelled. This book describes the results of such acoustical investigations. It is hoped that, through these investigations, researchers will ultimately give physical criteria to distinguish a fine instrument from a mediocre one. At that point, science may be able to come to the help of music in moving the design and performance of contemporary musical instruments closer to the ideal. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, the text discusses most of the traditional instruments currently in use in Western music.

N.H. Flechter

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Books by Thomas D. Rossing