This unique reference is the first systematic guide to the history of the English-language hymn tune, as represented in printed sources from the earliest (Coverdale's Goostly Psalmes) to 1820. Using a simple numerical code to represent the first two lines of each melody, the book allows the reader to look up any of nearly 20,000 British and American hymn tunes without advance knowledge of the composer, name, or text. Each entry provides an array of information on the tune's first printing, composer, the texts to which it was sung, and its later history. The work contains a historical introduction; a theoretical introduction; chronological and geographical lists of sources; indexes of tunes by name, composer, text, and metre; and tables of concordances with early German and French tunes.

The Hymn Tune Index: A Census of English-Language Hymn Tunes in Printed Sources from 1535 to 18204-Volume Set

Arts & Photography

Temperley, Nicholas

Music

Oxford University Press

In Bound for America, Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of the American Federal era. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of St. Andrews, New York, and Boston (1757-1822) were among the first trained professional composers to make their home in America, and are generally regarded as pioneers in the building of an art-music tradition in the New World that reflected the esteemed "classical" music of the Continent. The three composers all began their work in London, one of Europe's greatest centers of music. Why, in middle age, would they emigrate and start over in uncertain and unfavorable conditions? How did the new environment affect their lives and careers? In seeking answers, Temperley explores each musician's youthful period in England, uncovering much new material. He compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.

Bound for America: Three British Composers (Music in American Life)

Biographies & Memoirs

Arts & Literature

University of Illinois Press

<p>Providing new insight into the Wesley family, the fundamental importance of music in the development of Methodism, and the history of art music in Britain, <i>Music and the Wesleys</i> examines more than 150 years of a rich music-making tradition in England. John Wesley and his brother Charles, founders of the Methodist movement, considered music to be a vital part of religion, while Charles's sons Charles and Samuel and grandson Samuel Sebastian were among the most important English composers of their time. This book explores the conflicts faced by the Wesleys but also celebrates their triumphs: John's determination to elevate the singing of his flock; the poetry of Charles's hymns and their musical treatment in both Britain and America; the controversial family concerts by which Charles launched his sons on their careers; the prolific output of Charles the younger; Samuel's range and rugged individuality as a composer; the oracular boldness of Sebastian's religious music and its reception around the English-speaking world. Exploring British concert life, sacred music forms, and hymnology, the contributors analyze the political, cultural, and social history of the Wesleys' enormous influence on English culture and religious practices. Contributors are Stephen Banfield, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.</p>

Music and the Wesleys: Music and the Wesleys

Leaders & Notable People

Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of Federal-era America. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of London, New York, and Boston (1757-1822) were among the first trained professional composers to make their homes in America and to pioneer the building of an art-music tradition in the New World akin to the esteemed European "classical" music. Temperley compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.

Music and the Wesleys

The New Grove Early Romantic Masters 1: Chopin, Schumann, Liszt (New Grove Composer Biography)

Abraham, Gerald

Searle, Humphrey

Science & Math

Grove Publications

The New Grove Early Romantic Masters I: Chopin, Shumann, Liszt (Composer Biography Series)

W.W. Norton & Co., Inc.

The New Grove Early Romantic Masters 1: Chopin, Schumann, Liszt (Composer Biography Series)

Gerald Abraham & Humphrey Searle

W.W.Norton

Professor Temperley suggests that the Elizabethan metrical psalm tunes were survivors of a mode of popular music that preceded the familiar corpus of ballad tunes. Passed on by oral transmission through several generations of unregulated singing, these once lively tunes changed gradually into very slow, quavering chants. Temperley guides the reader through the complex social, theological and aesthetic movements that played their part in the formation of the late Victorian ideal of the surpliced choir in every chancel, and he makes a fresh assessment of that old bugbear, the Victorian hymn tune. His findings show that the radical liturgical experiments of the last few years have not dislodged the Victorian model for the music of the English parish church. This volume provides an anthology of parish church music of all kinds from the fifteenth century to the twentieth, newly edited from primary sources for study or for performance.

The Music of the English Parish Church: Volume 2 (Cambridge Studies in Music)

Cambridge University Press

The Music of the English Parish Church: Volume 1 (Cambridge Studies in Music)

This book is the most thorough and extensive history of English parish church music ever published, covering the period from the late middle ages to the present day. Through the ages English parish churches have resounded to all manner of music, ranging from the rich choral polyphony of Henry VIII's or Victoria's reigns to the bare unaccompanied psalm tunes of the seventeenth century. Temperley has found in this neglected field a wealth of fascinating music, as well as a host of intellectual problems to intrigue the scholar. A recurring theme of the book is the conflict between two incompatible goals for Protestant parish church music: artistic performance and popular expression. Professor Temperley suggests that the Elizabethan metrical psalm tunes were survivors of a mode of popular music that preceded the familiar corpus of ballad tunes. Passed on by oral transmission through several generations of unregulated singing, these once lively tunes changed gradually into very slow, quavering chants. This later style, which came to be called 'the old way of singing', is fully described and explained here for the first time. Temperley guides the reader through the complex social, theological and aesthetic movements that played their part in the formation of the late Victorian ideal of the surpliced choir in every chancel, and he makes a fresh assessment of that old bugbear, the Victorian hymn tune. His findings show that the radical liturgical experiments of the last few years have not dislodged the Victorian model for the music of the English parish church.

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